城市高差的巧妙回应与空间序列的重塑：该项目精准地回应了场地22米的高差，通过精妙的层级划分，将36050平方米的空间转化为功能复合的垂直序列。顶层侧重于宗教文化体验和游客服务，底层则聚焦于公共的零售、休闲及大众功能，实现了动静分离和功能互补。这种对地形的积极利用，不仅解决了场地挑战，更通过阶梯的连续流动性，有机地串联了不同层级，创造出富有层次感和引导性的城市界面。
宗教象征意义的强化与轴线突显：设计师通过对广场空间的重新界定，成功地突出了核心的“广场/教堂轴线”。通过界定一条假想的纵向轴线，项目扩大了广场的感知范围，并将教堂置于视觉焦点之上。这种轴线导向的设计策略，极大地增强了圣山教堂在城市肌理中的象征性和纪念性，使历史宗教场所的精神内核得以在现代城市更新中得到有效凸显和统一。
全尺度尺度的精细化设计与人文导向：项目体现了建筑师对设计尺度从宏观到微观的全面掌控，涵盖了城市家具、交通系统、景观及基础设施的重构。设计策略明显倾向于行人体验，通过重组交通流线，提升了场地的可达性和安全性。同时，对“Bonfim measure”等文化图腾的材料化运用，以及对光线和材质（如花岗岩、葡萄牙石）的细致处理，使新旧空间在功能更新的同时，实现了对地域历史文脉的深度致敬和传承。
The "Senhor do Bonfim Urban Renovation" is one of the most significant urban space transformation projects in Salvador da Bahia. The project encompasses three squares: Praça Teodósio Rodrigues de Faria, Largo do Bonfim, and Praça Eusébio de Matos, covering a total area of 36,050 square meters. The site has a total elevation difference of 22 meters, and after the renovation, each level of the site has a different use. The top level is mainly dedicated to religious and cultural venues serving tourists, while the lowest level mainly provides retail, service, and leisure areas for the public.
“Senhor do Bonfim 圣山城市改造“是萨尔瓦多达巴伊亚市（Salvador da Bahia）最重要的城市空间改造项目之一。该项目包括三个广场：Praça Teodósio Rodrigues de Faria、Largo do Bonfim 和 PraçaEusébio de Matos，总面积达 36050 平方米。场地共有 22 米的高差，改造后场地每一层级都有不同的用途。顶层主要为服务于游客的体现宗教和文化的场所，最低层主要为提供给大众的零售、服务和休闲区域。
© Leonardo Finotti
© Leonardo Finotti
To enhance the symbolic meaning of the church within its surroundings, the project redefined the square spaces to emphasize the square/church axis. This axis is defined by an imaginary line running vertically through them, which not only expanded the square's area but also created a continuous flow of space from the church down to the various stepped levels, emphasizing the church's importance relative to other buildings and unifying them.
为了增加教堂在其周围环境中的象征意义，项目对广场空间进行了重新限定，以突出广场/教堂轴线。该轴线由一条纵向穿过它们的假想线定义，这样不仅扩大了广场范围，也创造了从教堂到不同层高阶梯一起的连续流动空间，强调了教堂相对于其他建筑物的重要性并将它们统一起来。
© Leonardo Finotti
Designed by Sotero Arquitetos, the architects carried out a series of spatial operations at different scales, from small to large, ranging from urban furniture design to traffic infrastructure layout and landscape design. The project's goals focus on the pedestrian experience rather than vehicles, reorganizing the traffic system, and enhancing the symbolic meaning of this religious site.
该项目由 Sotero Arquitetos 设计，建筑师在不同尺度上都进行了一系列的空间操作，从小到大，从城市家具设计到交通基础设施布置和景观设计。该项目的目标侧重于行人体验而不是车辆，重组交通系统，并提升该宗教场所的象征性意义。
© Leonardo Finotti
Bench
长椅
© Leonardo Finotti
The roadway and pedestrian walkway are designed at the same level, providing a shared path between vehicles and pedestrians. However, there are eight pedestrian crossings along this route, providing more convenient and direct routes for pedestrians and wheelchairs.
车行道与行人步行道设计成相同的高度，提供了车辆和行人之间的共享路径。然而，在这条路线上共布置有八条行人的过街通道，为行人和轮椅提供更便利的直接路线。
© Leonardo Finotti
The site and its buildings have been listed as heritage sites by IPHAN (National Institute of Historic and Artistic Heritage) since 1983. It features a large number of facilities, buildings, and public spaces of profound religious significance. Among the new and renewed structures, it is worth highlighting: the chapel of Holy Water (the Holy Water chapel), the chapel of Candles (the Candles chapel), open spaces for celebrations, and the redesign of leisure areas such as the fountain in the main square, stage, dedicated spaces for bars and restaurants, new parking lots, playgrounds, and accessibility features; as well as a new road system, including lanes for taxis, bicycles, public transport, and tourist buses.
该遗址及其建筑自 1983 年以来被巴西国家历史和艺术遗产管理局 IPHAN 列入遗产保护名单，这里拥有大量具有深刻宗教意义的设施、建筑物和公共空间。在新建筑和更新后的建筑之间，值得强调的是：圣水教堂（the Holy Water chapel）、蜡烛教堂（the Candleschapel）、庆祝活动的开放空间，以及休闲空间的重新设计，如大广场的喷泉、舞台、酒吧专用空间和餐馆、新停车场、游乐场、无障碍设施；还有新的道路系统，包括供出租车、自行车、公共交通和观光巴士出行的车道。
© Leonardo Finotti
The chapel of Holy Water and the chapel of Candles serve to provide visitors access to the Holy Water pool. The texture of the chapels and the lighting effects inside the buildings create a unique sensory experience. The volume has only one frontal opening, which promotes the perception of eternity and sacredness, echoing the monastic cells.
圣水教堂与蜡烛教堂的作用是为游客提供进入圣水池（the Holy water）的通道，教堂的质感和建筑内的灯光效果创造了别样的感官体验。该体量只有一个正面开口，促进了与修道院囚室遥相呼应的永恒性和神圣性的感知。
© Leonardo Finotti
Materials also express the site's history, such as the parallelepiped and Portuguese stone flooring, with a striped combination of black and white stones, evoking the memory of cultural totems, also known as the “Bonfim measure.” It is approximately 45 cm and is used as a template in almost all projects.
材料也展现了遗址的历史，例如平行六面体和葡萄牙石地板，黑色和白色石头的条形组合，唤起文化图腾的记忆，这也被称为 “Bonfim measure”。它大约有 45 厘米，几乎在所有项目中都被用作模板。
© Leonardo Finotti
In addition, gray granite was used for the benches, floor, and staircase finishes, while wood is the main material for the lamppost supports and benches.
此外，长凳、地板和楼梯饰面采用了灰色花岗岩，而木材为路灯支架和长凳的主要材料。
Text provided by the architect, translated and edited by ArchDaily. For reprints, please email ArchDaily. ArchDaily will take measures to protect the legal rights of this platform if unauthorized reproduction occurs on other platforms.
文字说明由建筑师提供，由ArchDaily翻译及整理，如需转载请邮件联系 ArchDaily ，未经允许擅自转载至其他平台，ArchDaily 将采取措施以维护本平台合法权益。
Translator: Shi Jia
译者：施佳
© Leonardo Finotti
