发电站 - 园林吧

发电站
The Power Station

霍克设计集团：位于历史悠久的达拉斯电力公司；建于1926年的轻电变电站建筑，这个新的艺术空间、艺术家住宅和花园邀请艺术家响应建筑的原始特征——提供了传统画廊和博物馆环境的替代方案。除了室内空间外，一个城市画廊花园也在以前的工业区内蓬勃兴起。室外是步行者前往徒步和自行车道的城市体验。沿着东立面，一堵现浇混凝土墙加强了城市边缘，同时创造了一个最小的房间作为建筑足迹的延伸。与艺术家雅各布·卡赛（Jacob Kassay）的密切合作促成了优雅的雕塑干预。
Hocker Design Group: Housed in an historic Dallas Power & Light electrical sub-station building built in 1926, this new arts space, artist’s residence, and garden invites artists to respond to the raw character of the architecture – offering an alternative to the traditional gallery and museum context. Along with the interior spaces, an urban gallery garden has sprung to life within the former industrial compound. The exterior is an urban experience for pedestrians that travel by on their way to a hike and bike trail. Along the eastern facade, a cast-in-place concrete wall reinforces an urban edge while creating a minimal room as an extension of the building footprint. An intense collaboration with artist Jacob Kassay resulted in an elegant sculptural intervention.

The Power Station

Gisela Borghi

The Power Station

Gisela Borghi

The Power Station

Gisela Borghi

The Power Station

Gisela Borghi

The Power Station

该发电站是达拉斯一个重要而突出的修复工程，它展示了当视觉和创造力掌控整个过程时会发生什么。该场地外部空间的创建对于该项目的成功与建筑物的建筑修复同样重要。许多园林设计源于研究建筑内部的景观，并选择性地使用硬景观和植物材料进行筛选。与历史悠久的工业建筑细节并列，花园设计采用了一种受约束的材料调色板：碎骨料、乱石、混凝土、钢材和原生植物。这些材料不断的镀金将建筑与花园、硬景观与软景观联系在一起，并与光线、空灵的连接紧密相连。从战略上讲，这些地区没有进行灌溉，以实现低用水和可持续的现场水资源管理。一个废弃的混凝土竖井种植了鸢尾草、莎草和马尾芦苇，作为一个下沉的雨水花园。墙壁上裸露的钢筋“缝合”形成了“旧”与“新”的有趣对比。这是允许增加雨水径流渗透性和吸收的几种最小干预措施之一。
The Power Station is a significant and prominent Dallas restoration which demonstrates what can happen when vision and creativity are at the helm of the process. Creation of the site’s exterior spaces was as important to the success of this project as was the architectural restoration of the building. Much of the garden design originated from studying the views from inside the building with selective use of both hardscape and plant material for screening. Juxtaposed with the historic industrial architectural details, the garden design incorporates a restrained materials palette: crushed aggregate, stone rip rap, concrete, steel, and native plantings. The continual patination of these materials ties architecture to garden and hardscape to softscape with light, ethereal connections. Areas were strategically left un-irrigated for a low water use and sustainable approach to site water management. An unused, remnant concrete shaft is planted with iris, sedges, and horsetail reed as a sunken rain garden. The exposed steel rebar “stitches” of the walls create an interesting contrast of “old” versus “new”. This is one of several minimal interventions that allow increased permeability and absorption of rain water run-off.

一个由多种藤蔓植物组成的矩阵迅速向上延伸，形成了一个结构钢框架链环式绿色屏障，该屏障封装了一个四层楼梯塔。葡萄树的垂直生长提供了隐私和安全感，有助于遮挡西德克萨斯州的阳光。漂亮的铰接式钢栅栏在西面形成了一道物理屏障，同时保持了花园的视觉空隙。当太阳在四季中穿过场地时，垂直悬臂式尖桩通过阴影使场地生机勃勃。这种对材料的雕塑性使用增加了小型外部庭院的空间感和功能性。大部分现有混凝土路面被保留，并创造性地融入新设计中。在网格中钻取一段现有混凝土的核心，以便为植物干预和增加渗透性创造孔洞。岩芯钻孔在入口处重新调整用途，与设计中的许多项目一样，这成为回收和再利用的练习。一个低维护的无刺刺梨群体占据了场地的南面和东面。一棵孤零零的梅斯基特树成为雕塑元素，预示着通往花园和远处楼梯塔的入口。这座小城市花园修复了以前的工业场地，对隐私和可用性有着简单的程序要求。建筑和花园通过对建筑元素的操纵而相互关联，这些建筑元素是通过引入郁郁葱葱的植物材料而有意侵蚀的。
A matrix of several vine species rapidly advances up a structural steel framed chain link green screen that encapsulates a four-story stair tower. The vertical growth of vines provide the sense of privacy and security, and help shade against the west Texas sun. A beautifully articulated steel picket fence creates a physical barrier along the west while maintaining visual porosity into the gardens. The vertical cantilevered pickets animate the site with shadows as the sun crosses the site throughout the seasons. This sculptural use of materials increases the sense of space and the functionality of the small exterior courtyards. Much of the existing concrete pavement was retained and creatively incorporated into the new design. A section of the existing concrete was core drilled in a grid to create holes for plant interventions and increased permeability. The core drills are repurposed at the entry, and as with many items in the design, this became an exercise in reclamation and reuse. A colony of low-maintenance spineless prickly pear consume the south and east side of the site. A lone Mesquite Tree becomes a sculptural element announcing the entrance to the gardens and stair tower beyond. This small urban garden healed-back a former industrial site and had simple program requirements of privacy and usability. The building and garden relate to one another gently through the manipulation of architectural elements that are intentionally eroded by the introduction of lush plant material.

Data

面积：7910平方英尺
Landscape Architecture: Hocker Design Group
Project Name: The Power Station
Location: 3816 Commerce Street Dallas, Texas
Consultants: Architect: Ron Wommack FAIA, Contractors: Texas Land Care, Phoenix 1 Restoration and Construction, Ltd., Concrete: Toby Velasquez, Pool Deck Construction Co., Artist: Jacob Kassay
Image Credits: Adolfo Cantu-Villareal & Gisela Borghi
Year Completed: 2011
Size: 7,910 sf