澳洲佩斯FINE瓷器公司景观玫瑰林

Australian Fine China by HASSELL

内容：实景照片

图片：10张

澳洲佩斯FINE瓷器公司景观第1张图片

景观设计：HASSELL
景观面积：4公顷
景观时间：2012
图片来源：Peter Bennetts

这是由 HASSELL设计的澳洲佩斯FINE瓷器公司的景观。这里曾是澳大利亚Fine瓷器制造公司，有着85年的历史，直到2006年被关闭。HASSELL结合城市元素，展现艺术品和稳如的特征，响应历史，反映该地区的社会及文化价值。该设计集成了复杂的基础设施和工业遗产，通过统筹战略，进行材料的回收和再创造。树木的保留和移植。尽可能在保留工业文物和建筑特色的基础上，融入现代化的元素。
艺术家Stuart Green也开发设计了一系列的触觉设计作品，调皮幽默的建立场地上的脉络。也同样制成座位，为公众提供休憩沉思之所。
该项目曹勇可持续性发展的方法，增加生物多样性，提高用水效率，响应社会需求。严密的空间策划，确保适当的空间和尺度的组合。鼓励社会活动，邻里友好。鼓励慢行和公众交通。

译者：温冷清秋

The Metropolitan Redevelopment Authority’s (MRA) Australian Fine China precinct is a mixed-use redevelopment of a historically-significant, former factory site in the inner-city suburb of Subiaco, Perth. The site was home to the Australian Fine China porcelain manufacturing company for 85 years, until its closure in 2006, which presented a unique opportunity for reinvention.
The public realm was designed in collaboration with the MRA, the architect and specialist consultants, to achieve the vision of a culturally rich and distinctive urban community that enhances and connects to the surrounding commercial and residential areas through a generous parkland and open space network.
The HASSELL design references the site’s history of design and manufacture to deliver a fine-grain landscape that combines urban elements, signature artworks and heritage features to echo past uses and reflect the social and cultural values of the area.
It integrates complex infrastructure with industrial heritage through co-ordinated strategies for material salvage, recycling and interpretation, tree retention and transplantation. A number of significant industrial artefacts and architectural features have been retained, such as one of the original tunnel kilns for firing of porcelain, which will form the centrepiece to one of the future buildings, while being integrated with publicly accessible space for the enjoyment of all. Active water fountains cue the central role of water in the story of the site, in both the porcelain making process and the ongoing regenerative systems.
Artist Stuart Green developed a series of tactile sculptural artworks that share the story of the site and playfully engage the public by creating focal points and framing views, forming seating and offering contemplative spaces.
The precinct has interfaces at a range of ground levels. The links created form important connections to facilitate the increasing level of pedestrian traffic. The feature stairs have been designed to create a usable space, through the incorporation of seating and garden beds on the landings, while navigating the most significant level change on the site.
A precinct-wide approach to sustainability offers resilience through increased biodiversity, water efficiency, and socially responsive design. Rigorous spatial planning ensured an appropriate mix of spaces and scales. The streets and urban plaza are pedestrian friendly and encourage social activity. A central spine running north to south links the site visually and physically with the surroundings, easing the flow of pedestrian and cyclist access and encouraging the use of public transport.
Australian Fine China delivers a quality and depth of public realm essential to the success of mixed-use urban residential developments with high levels of community demand and expectation. In particular, the careful scaling of the public domain will ensure future residents experience a village-like atmosphere in an environment that respects its unique history, while stimulating its cultural future.

澳洲佩斯FINE瓷器公司景观第2张图片