香港中文大学文物馆新翼 / 严迅奇建筑师事务所

文化意境与场地融合的典范：该项目以“起承立新”为核心理念，巧妙地将香港中文大学的文脉、岭南山水意境与建筑形态融为一体。建筑设计不仅是功能上的延伸，更是文化精神的载体，通过悬空结构呼应了张大千和戴进山水画中的“石下留荫”，最大限度地保留了自然地形和原有的山坡林荫，体现了建筑师对在地性与生态敏感度的深刻理解。建筑形态如“岭南触峰之势”，展现出强烈的地域文化特征。

结构创新与空间体验的完美结合：通过创新的悬臂结构，建筑实现了对现有地貌的最小干预，并将展览空间抬升，直接衔接旧馆，保证了展览流线的连续性和流畅性。标志性的“V”形支柱不仅在结构上提供了有力的支撑，更在文化象征层面回应了“传承”的深层含义，同时向捐赠者的品牌致敬，展现了设计叙事的深度与复杂性。这种结构创新直接服务于空间功能和文化表达。

精妙的肌理营造与流线组织：外墙设计借鉴中国山水画的“皴法”，以清水混凝土的独特模板肌理，再现了水墨画的层次感和韵味，使建筑表皮本身成为艺术品。内部流线组织高效且富含仪式感，特色楼梯连接了百万大道与大学道，构建了一条便捷的“文化捷径”，引导人流穿梭于新旧空间，增强了博物馆作为校园文化枢纽的活力和体验感。

The design of the new wing for the Art Museum of the Chinese University of Hong Kong (CUHK) is themed around "Qi, Cheng, Li, Xin" (Start, Continue, Establish, Renew), symbolizing the role of the new wing in promoting Chinese culture, inheriting the broad learning of CUHK, and nurturing future leaders. Therefore, the form of the new building aims to present the momentum of Lingnan peaks, rising from the University Mall, connecting to the East Wing of the old Art Museum, and then soaring above the topography, integrating into the natural environment and landforms of CUHK.
香港中文大学的文物馆新翼大楼设计设计以「起承立新」点题，寓意借新馆的形象，传递博物馆新翼的角色是能够弘扬华夏文化，承传中大广博学问，并作育栋梁的信息。故此，新馆之形态欲呈现岭南触峰之势，由自百万大道到旧文物馆东翼，再到新翼横空而出，凌驾于山体之上，并融入中文大学自然环境和地形地貌。

The Art Museum new wing also seeks to engage in a dialogue with the natural environment and topography of CUHK. Inspired by Zhang Daqian’s "Four Screens of Landscape" and Dai Jin’s "Imitation of Ma Yuan’s Strolling under the Treetops" from the CUHK Art Museum’s ink wash collection, the ambition was to construct the artistic conception of "providing shade under the rocks." Consequently, the new wing is cantilevered, preserving the existing hillside to maintain the shaded groves beneath the building without interruption.
文物馆新翼同时希望能够与中文大学自然环境和地貌进行对话。在受到中大文物馆水墨画藏品中张大千的“山水四屏”和戴进的“仿马远踏歌图”的启发后，希望建筑物可以筑构出“石下留荫”的意境。故此文物馆新翼悬空而起，保留现有山坡，使建筑物下方的林荫得以保留，不被打断。

The cantilevered structure, besides minimizing impact on the original terrain, also meets the exhibition space requirements of the Art Museum. The exhibition halls of the new wing are elevated, directly connecting to two existing exhibition spaces in the old building, providing a seamless exhibition experience.
悬臂结构除了减少对原有地势的影响以外，还可以满足文物馆对展览空间的要求。文物馆新翼的展览厅凌空而起，直接衔接旧馆的两个现有的展览空间，提供流畅的展览体验。

The spatial circulation of the Art Museum new wing utilizes the building's signature staircase to effortlessly connect the University Mall in the north to University Road and the University Town in the south, forming a cultural shortcut. This facilitates the flow of people between the University Mall and University Road through the multi-purpose lobby, the characteristic staircase, and the new and old exhibition spaces, allowing the public to experience the temperament of Chinese culture and its collections.
文物馆新翼的空间流线利用了大楼内的特色楼梯把北面的百万大道轻松连接到南面的大学道和大学城，形成一道文化捷径，从而方便穿梭与百万大道和大学道的人流经多功能大堂，特色楼梯，新旧展览空间，成为感受中华文化的气质和藏品的受众。

The design of the characteristic "V" shaped columns in the Art Museum new wing originates from the architect's reflection and understanding of "inheritance" (Chuan). In Chinese culture, "Cheng" not only means to take over and continue but also implies support and underpinning. The "V" shaped columns respond to the interpretation of inheritance in Chinese culture, embodying the new wing's future role in cultural creation, exchange, and education. Furthermore, the "V" shape pays homage to the Vitasoy brand founded by Dr. Lo Kwee-seong.
文物馆新翼的特色「V」形支柱的设计是源自建筑师对「传承」的思考和理解。其中「承」字在中国文化中不单是代表承接和延续，同时也包含承托和支撑的意义。「V」形支柱能够回应中华文化对于传承二字的诠释，寄予新馆在未来对于文化创作，交流和教育的角色。同时「V」形支柱也是对罗桂祥博士所创立的维他奶（Vitasoy）饮品品牌的致敬。

The external wall design of the new wing references the ancient technique of depicting texture using "cun" strokes (texture lines) to present the beauty of landscape painting. A unique template was designed to exhibit the subtle presence of objects, varying shades, and rhythmic density characteristic of ink wash painting on the fair-faced concrete walls.
新馆外墙设计参考古人以「皴法」来描绘不同的质感来呈现山水之美的手笔，设计出独特的模板，于清水混凝土墙展现出山水画淡中有物，或深或浅，疏密有致的质感和纹理。

The new building has a total usable area of 1,770 square meters, including: a special exhibition hall (Mr. and Mrs. Li Hiu-wo and Luk Ngan-kwan Exhibition Hall), a coffee shop (Ideaology), a bookstore, an art studio, a mounting studio, and a scenic rooftop garden.
新馆的实用面积共1,770平方米，包括：特展展厅（利孝和陆雁群伉俪展览厅）、咖啡店（Ideaology）、书店、艺术工作室、装裱工作室、景色优美的空中花园。