865 号码头 / MARC FORNES / THEVERYMANY

空间叙事与城市连接的典范：“865 号码头” 不仅是一个雕塑，更是一个精心设计的城市界面。它成功地将水域景观与城市历史公园的树冠层视野进行嫁接，如同其名一样，架起了老城区与剧院区之间的桥梁。这种对现有城市肌理的巧妙介入，使得单一的观景点转变为多维度的体验空间，引导行人深入探索，实现从功能性码头到沉思与社交场所的华丽转身，体现了卓越的场所精神营造能力。

材料与形态的奇幻构建：THEVERYMANY 工作室展示了其标志性的“奇幻建筑”制作风格，将简单的铝条构建成一个复杂而引人入胜的整体。色彩渐变（七种微妙色调）的应用，不仅呼应了自然环境（植被与天空），更赋予了结构生命力。从不同角度观察时，结构时而如同从地面生长的“外星植物”，时而呈现出“张力十足的爬行动物形态”，这种动态的、多义的形态语言，是建筑设计中对材料潜能和视觉叙事深度挖掘的绝佳范例。

功能性与场所活化的整合设计：设计精妙之处在于其对多种公共功能的集成。悬臂式翼状结构被巧妙地转化为多功能的公共空间：一个作为遮荫舞台供表演和集会使用，另一个内缩结构则提供了静谧的休憩角落。这种在结构美学之下嵌入实用“软性”功能的手法，使得艺术品超越了纯粹的观赏价值，成为城市文化生活和社区互动的催化剂，完美平衡了艺术表达与城市公共设施的需求。

From the pier, the view that usually unfolds is one of water, but at the site of Marc Fornes’s new sculpture, “Pier 865,” visitors are treated to a panoramic view overlooking the canopy of a historic park in Knoxville. Much like the architectural structure it is named after, this sculpture, commissioned by the City of Knoxville, connects two worlds, bridging the Old City and the Theatre District, inviting passersby to walk to the end of the pier and immerse themselves in a moment of contemplation and viewing. “Pier 865” also draws more people to linger: a cantilevered wing structure on one side forms a shaded stage suitable for small gatherings and public performances.
从码头眺望，通常映入眼帘的是一片水域，但在马克·福尔内斯（Marc Fornes）新雕塑作品 “865 号码头” 的所在地，游客们却能以全景视角俯瞰诺克斯维尔一座历史公园的树冠层。如同与其同名的建筑结构一样，这座由诺克斯维尔市委托创作的雕塑连接了两个世界，架起了老城区与剧院区之间的桥梁，邀请过往行人漫步至码头尽头，沉浸于片刻的沉思与观景之中。“865 号码头” 还吸引着更多人群驻足停留：其一侧的悬臂式翼状结构形成了一个遮荫的舞台，可供小型聚会和公共表演使用。

In this work, the THEVERYMANY studio, led by Fornes, showcases its signature style of fabrication, expanding a simple concept into a fantastical piece of architecture. Palm-sized, colored aluminum strips are pieced together to form individual facets of the whole, building an engaging world that immerses the viewer in a journey of pure, simulated travel.
在这件作品中，由福尔内斯（Fornes）担任主持的 THEVERYMANY 工作室展现了其在制作方面的标志性风格，将一个简单的构想拓展成一座奇幻建筑。手掌大小的彩色铝条被拼接组合成整体的一个个切面，构建出一个引人入胜的世界，让观者沉浸其中，体验一场纯粹而真实的模拟之旅。

Each aluminum strip is pre-folded and coated with a gradient color palette composed of seven subtle hues—soft greens, deep ocean blues, and a touch of cream yellow—which both complements the park’s vegetation and sky while asserting a distinct vibrancy. Its organic form evokes different life forms from various angles: viewed from the ground, the sculpture appears like an alien plant growing from the concrete; while observed from above, it takes on the appearance of a taut reptile.
每一条铝条都预先折叠好，并涂上了由七种微妙色调构成的渐变色彩 —— 柔和的绿色、深海的蓝色，还有一丝奶油黄色 —— 既映衬出公园的植被与天空，又彰显出鲜明的活力。其有机形态从不同角度让人联想到不同的生命形态：从地面看，这座雕塑仿佛是从混凝土中生长出的外星植物；而从空中俯瞰，则呈现出一种张力十足的爬行动物形态。

The dialogue between the solid pier and the light canopy creates a subtle orchestration of form, color, and space that can be enjoyed by both casual visitors and those who linger to explore every angle. This artwork is a duet of weight and lightness. Its in-situ cast concrete pier extends the downtown plane into the park’s green space, forming an organic landscape composed of benches, steps, and resting surfaces.
坚固的码头与轻盈的树冠之间的对话，营造出了一场形式、色彩与空间的巧妙编排，无论是随意到访的游客，还是驻足细细探索每个角度的人，都能从中获得美的享受。这件艺术品宛如一场重量与轻盈的二重奏。其现场浇筑的混凝土码头将市中心的平面延伸至公园的绿地之中，形成了由长椅、台阶和休憩台面构成的有机景观。

Above, the light aluminum canopy is supported by five slender columns, and its three cantilevered wing structures offer distinct experiences: a forward-extending loop structure sparks curiosity and playfulness; a raised wing forms a shaded stage for performances and gatherings; and a low, recessed wing invites quiet time nestled among the foliage, with views extending towards distant mountains.
上方，轻巧的铝制顶棚由五根纤细的支柱支撑，其三个悬臂式翼状结构带来了别具一格的体验：一个向前延伸的环状结构激发着人们的好奇心与玩趣；一个抬高的翼状结构形成了一个遮荫的舞台，可供表演与聚会使用；还有一个低矮、内缩的翼状结构则邀请人们在树丛间享受静谧时光，其视野可延伸至远处的山峦。

Although this sculpture is the newest and most ambitious artistic centerpiece of the park, it continues a long-standing local tradition. The park, established in 1986 to celebrate Knoxville’s country music heritage, has long served as a cultural landmark for the city. With “Pier 865,” Fornes contributes to the public art tradition of this cradle of country music by introducing a unique dimension that is both functional and contemporary.
尽管这座雕塑是该公园最新且最具雄心的艺术核心作品，但它延续了当地的一项悠久传统。该公园始建于 1986 年，旨在庆祝诺克斯维尔的乡村音乐遗产，长久以来一直是这座城市的文化地标。通过 “865 号码头” 这一作品，福尔内斯为乡村音乐摇篮之地的公共艺术传统添砖加瓦，引入了兼具实用性与现代感的独特维度。