潮州大吴会客厅 / 无设建筑事务所

Chaozhou Dawuhui Living Room/No Architectural Firm Established
潮州大吴会客厅 / 无设建筑事务所

设计理念的传承与创新：项目最令人印象深刻的，是将对当地文化的深刻理解融入设计之中。设计者敏锐地捕捉到了榕树在村庄中的核心地位，并以此为灵感，将建筑改造为一个巨大的“树荫”，创造了一个开放、包容的公共空间。这种设计理念的出发点是对传统乡村生活方式的尊重，通过空间布局，鼓励村民聚集、交流和互动。同时，项目也并非简单地复古，而是运用现代建筑技术，例如先进的钢木结构，来实现更广阔的空间和更舒适的体验，体现了对传承与创新的完美结合。

新旧元素的和谐共生：“大吴会客厅”的另一大亮点在于新旧元素的巧妙融合。设计师在改造中保留了具有历史意义的元素，例如“松昌教学楼”的牌匾、孩子们的涂鸦墙、旧的木门等，这些元素不仅赋予了建筑独特的历史感，也与新建的结构形成了有趣的对比。此外，在材料的选择上，设计师也充分考虑了潮州的地域特色，运用了传统的水洗石工艺和木质窗棂、家具，为现代建筑注入了温暖和质感，体现了对当地传统工艺的尊重。这种新旧结合的方式，使得建筑既具有时代感，又充满了乡土气息，能够引起村民的情感共鸣。

对细节的极致追求与对社区的关怀：从技术层面来看，项目的结构设计也展现了建筑师的专业素养。近20米的跨度，没有一根立柱，这样的设计难度极高，充分展现了建筑师对空间和结构设计的精准掌控。更重要的是，建筑师对细节的极致追求贯穿于整个项目之中。无论是室内装饰，还是材料选择，都力求营造舒适、温馨的氛围，让村民感受到家的温暖。同时，建筑师也积极响应村民的需求，将空间规划为多功能的场所，满足各种活动的需求，体现了对社区居民的深刻关怀，真正将建筑设计融入到当地村民的日常生活之中，让建筑成为社区的灵魂。

Continuing the shade under the banyan tree
Continuing to protect the villagers' days and nights

The idea of the Dawuhui living room comes from this shade under the banyan tree.. The original school building was a courtyard surrounded on all sides. There is a two-story teaching building, an auxiliary room for teachers on the first floor, and a towering banyan tree of three hundred. The entire school building is placed under this banyan tree. After seeing this banyan tree, we had an inspiration. In the past, people in the village gathered under the tree for various activities such as chatting, eating, drinking tea, and enjoying the cool breeze. This tree has become the soul of social interaction in the village. Therefore, the core of our renovation this time is to open up the entire courtyard, making the entire space look like a huge shade of trees. "Gu Yi recalled the most direct inspiration for the architectural renovation a year ago.
延续榕树下的树荫
继续庇护村民的日与夜

大吴会客厅的创意，便来自于榕树下的这片树荫。原先的校舍是一个四面围合的院落。有两层的教学楼，一层教师的辅助用房，还有一棵三百的参天大榕树。整个校舍就被安放在这棵榕树底下。“我们是见到这棵榕树后，生起了个灵感。以往的村子，大家都是在树下聚集各种的活动。聊天、吃饭、喝茶、乘凉。这棵树，因此成为了村里社交的灵魂。所以我们这次改造的核心，就是要把这个院子全部打开，让整个空间看上去就像是一片巨大的树荫。”顾忆回忆起一年前的对于建筑改造最直接的灵感来源。

The space starts from a 300 year old banyan tree and extends outwards. The architectural design team dismantled numerous walls and utilized advanced steel and wood structures to build a continuous borderless community. Adhering to this design philosophy, the architect reorganized the original two-story teaching building, overturned the public toilets near the river, and renovated them together. Open all the auxiliary rooms of the original teachers and make them into corridors. An interesting curve extends from the platform on the first floor to connect to the second floor, creating a three-dimensional space resembling a grandstand, releasing the viewing experience of outstanding people sitting under the banyan tree.
空间以三百岁的大榕树为起点，向四周扩延。建筑设计团队拆除了重重的围墙，借助先进的钢木结构，来营建一个隔而不断的无边界社区。也是秉承这样的设计理念，建筑师把原先两层教学楼作了重新的梳理，将临河部分的公厕推翻，一并作了改造。将原先教师的辅助房全部打开，做成了连廊。在一层的平台延生出一片有趣的曲线连接至二层，构建了一座像看台一样的立体空间，释放出众人安坐于榕树下的观演体验。

The Coexistence of New and Old
Experience the Traces of Time

Another close-up of the living room of Dawuhui is the coexistence of new and old elements here, interspersed in a brand new structure and form.. The architect has preserved the plaque of the "Songchang Teaching Building" that has weathered 40 years of wind and rain, as well as a brick wall with graffiti paintings by children and a green wooden door. Chaozhou is by the sea. The wall tiles for building houses are made by mixing powdered shells with sand and then pressing them into bricks, which is a unique construction technique in the local area. When building a new door and window system made of washed stone material, the development of washed stone also followed the traditional practices of Chaozhou. At the same time, old objects such as stone tablets, nameplates, wood carvings, and stone pillars are also preserved, hoping that they will continue to play an important protective role in the new building. I also want to pay tribute to the traditional ritual system of Chaozhou culture, which emphasizes the importance of "being a person before they can be a person, and everything should be explained".

新与旧的共生
体会时间的痕迹

大吴会客厅的另一番特写，是新和旧的元素在这里并存，并穿插于全新的结构与形式中。建筑师保留了历经 40 年风雨的“松昌教学楼”牌匾以及一面砖墙，砖墙上还留下孩子们涂鸦的画作与青绿色的一扇木门。潮州靠海。建造房屋的墙砖是将贝壳磨成的粉末混入泥沙，再压成砖块，是当地比较特别的建造工艺。在搭建全新的水洗石材质的门窗体系时，水洗石的研制也一并遵循了潮州的传统做法。同时，还保留了石碑、铭牌、木雕、石柱等老物件，期待它们在新建筑中依旧发挥重要的守护的力量。也想通过这种方式致敬潮州文化中“做人有前才有后，万事有交代”的传统礼制。

Whether on the first or second floor, the architect chose traditional wooden window frames and a large amount of wooden furniture as interior fillings, because this type of craftsmanship gives many modern materials a warmth that they do not have, and also reflects Chaozhou's appreciation for craftsmanship and nature as a city that inherits intangible cultural heritage.
无论是一楼还是二楼，建筑师选用传统木质窗棂以及大量的木质家具作为室内的填充，因为这一类的手工艺赋予了许多现代材料所没有的温度，也体现潮州作为非遗文化传承城市，对手工艺与自然的珍视。

远远看着，这是一座重新崛起的新建筑。但当村民们走进来的时候，会在许多细节之处触摸并感知到时间流淌过的熟悉的痕迹。

Let the sunshine of every day
slowly seep into the daily lives of the villagers through this shade

Building a seemingly light and load-bearing "shade" is not easy.
. The entire span is almost 20 meters, but not a single pillar can be seen. Teacher Wang Jin ultimately completed the challenge with a scale of 22 centimeters, creating a highlight in the entire project. This should be considered the most difficult project I have ever worked on, "said Wang Jin.
让每一天的阳光
通过这片树荫慢慢渗入村民的日常

建造一片看似轻盈亦能承重的“树荫”并不容易。整个跨度近乎 20 米，却看不到一根立柱。王锦老师最终以 22 公分的尺度完成了这个挑战，成就了整个项目中一抹亮点。“这应该算是我做过难度系数最高的一个项目了。”王锦说。

A school building that has been sealed off by time has been slowly opened by architect Gu Yi's heart and ingenuity. Villagers from Dawu Village or guests who came here out of admiration are walking in from all directions. The first floor corridor, theater, handicraft workshop, and shared kitchen; The self-study room, tea academy, and intangible cultural heritage experience area on the second floor. Paintings soaked in tree shadows and water ripples stretch out one by one: children study and run here after school; Parents sit here chatting and drinking tea; The elderly rely on a few to pass the time; Aunties who enjoy singing trendy dramas rehearse and perform informal plays here. During festivals and holidays, everyone gathers here to worship ancestors, dance lions, sing English songs, and set up flowing water tables.
一座被时间封锁的校舍，已经被被建筑师顾忆的用心与巧思缓缓打开。大吴村的乡民又或者是慕名而来的客人正从四面八方走进这里。一楼的连廊、剧场、手作坊、共享厨房；二楼的自习室、茶书院、非遗体验区。一幅幅被树影、水波纹浸透的画卷舒展开来：放学后的孩子们在这里自习、奔跑；家长们围坐在这里聊天、喝茶；老人家们三两依靠着打发时间；喜欢唱潮剧的阿姨们，在这里排练，上演着并不正式的剧目。逢年过节，大家都聚拢在此处一起祭祖、舞狮、唱英歌、大摆流水席。

The "Da Wu Hui Living Room" under the banyan tree belongs to the reception room of Da Wu Village. Villagers can enjoy all their leisure activities outside their homes here. At the same time, it can also become the most ceremonial space for entertaining guests.
榕树下的“大吴会客厅”，是属于大吴村里的会客厅。村民们在这里得以享受他们在家以外的所有的休闲活动。同时，也可以成为招待宾朋最具备仪式感的空间。

Architect Gu Yi hopes that this public space will be open, inclusive, and peaceful. It should not be defined and can meet diverse needs, applicable to any scenario. You don't have to deliberately see the design techniques, what you ultimately experience is the designer's original intention. He hopes that here, accompanied by the gentle breeze, the sunshine and even rainwater of every day can slowly seep into the daily activities of the villagers. I hope they can love this place, just like Gu Yi and his friends, as well as the team of 'Dream Reformer' cherish this big banyan tree.
建筑师顾忆希望这个公共空间是开放的，包容的、平和的。它不应该被定义，并且可以满足多样化的需求，适用于任何的场景。“你不用去刻意的看到设计的手法，你最终体会到的还是设计师的初心。”他希望这里能够伴随着徐徐吹来的风，让每一天的阳光，甚至是雨水慢慢地渗入到村民的日常活动中来。希望他们能够爱这个地方，就像顾忆和他的小伙伴们，以及《梦想改造家》的团队们珍爱这棵大榕树一样。