多摩的住宅 / Cheng Hao Chung Architect

Tama's Residence/Cheng Hao Chung
多摩的住宅 / Cheng Hao Chung

设计理念与场地回应：“多摩的住宅”项目最显著的亮点在于其对场地特性的深刻理解和巧妙运用。建筑师充分利用了场地位于山坡的地理位置，将建筑分为地上和半地下两个层次。同时，项目对周围环境的复杂性进行了回应：一方面，它与周围起伏的地形相协调，另一方面，它在喧嚣的城市环境中创造了一种宁静的氛围，与北侧肃穆的墓地遥相呼应。建筑师通过建筑形态和空间布局，将外部环境引入内部，又将内部空间与外部环境连接起来，模糊了建筑内外边界，体现了对场地文脉的尊重，以及对建筑与环境和谐共生的追求。

空间体验与材料运用： 项目在空间体验上独具匠心。建筑师采用巨石般的混凝土墙体围合出一层空间，营造出一种神秘而富有层次的视觉效果。通过墙体的体量和形态，实现了对外部环境的遮蔽和引导，创造出独特的内部空间。进入建筑，人们仿佛置身于一个悬浮的平台上，与外部地形脱离，从而获得一种全新的体验。室内材料的选择也与空间体验紧密结合。染黑的木质地面、天窗的设置，以及不同空间的下沉处理，都强化了空间的私密性和仪式感，营造出一种内敛而沉静的氛围，使居住者在日常生活中感受到建筑的诗意。

光线与视线的巧妙运用：项目在光线和视线的运用上达到了极致。建筑师通过天窗的设计，将自然光引入室内，赋予空间生命力，创造出丰富的光影变化。从起居空间向外看，建筑师将街道转化为抽象的几何景观，模糊了室内外边界，使得居住者能够以独特的视角体验周围环境。而半地下空间的卧室，则通过天窗与外界连接，让居住者在私密的空间内也能感知到时间和季节的变化。整体而言，项目通过对光线和视线的精心控制，构建了一个既封闭又开放、既私密又与环境相融的建筑，体现了建筑师对空间叙事与设计细节的精准把握。

Architect

The project is located in Tama, at the border of Kanagawa and Tokyo, with the building situated on the southern slope of a hill and surrounded by undulating terrain. Contrary to the turbulent terrain, the solemn and tidy Buddhist cemetery on the northern slope presents a peaceful atmosphere, crossing the mountain ridge to the southern slope where the residential area is located and blending into the quiet street space. The southeast sides of the base are adjacent to roads, conforming to the rise and fall of the terrain. Even in high-density residential areas, this corner of the land is still illuminated and gives a sense of clarity.
项目位于神奈川与东京交界处的多摩，建筑座落在一座山丘的南坡且周围地勢起伏。与动荡的地形相反，北坡肃穆整洁的佛教墓地所呈现出的宁静氛围，越过山脊来到住宅区所在的南坡并融入安静的街道空间里。基地的东南两侧与道路相邻，顺应地形着地形的起落即使在高密度的住宅区里，这块转角地也依然光照充盈并给人某种澄明的感受。

剖面图

二层平面图

Architects divide the building into two parts based on the terrain: an above ground level and a partially semi underground level; The semi basement level consists of a washroom, two bedrooms, and a garage. The washroom and bedroom are placed in a completely enclosed concrete box, while the adjacent garage is completely open to the outside. The box is placed in the center of the entire range of the base and adjacent streets, and the upper floor is erected to match the terrain. The first floor space is enclosed by four concrete walls standing alone, and the shuttle shaped cross-section makes the walls look like several giant stones resting on a platform when viewed from the street. The walls give a sense of mystery to the interior space while also creating continuity in the surrounding space, blurring the boundaries between the interior of the site and the street.
建筑师根据地形将建筑划分为地上一层以及局部半地下层两个部分；半地下层的平面由盥洗空间，两间卧室以及车库组成。盥洗空间与卧室的部分被放置在一个对外完全封闭的混凝土盒子里，一旁的车库则完全向外敞开。该盒子被放置在基地与相邻街道的整个范围的中心，并配合地形架起上层的楼板。一层的空间被独自站立的四面混凝土墙体围合而成，梭形的断面使得墙体从街道上看去像是几块搁置在平台上的巨石。墙体赋予内部空间厚重的神秘感的同时也创造了自身周围空间的连续性，从而模糊了基地内部和街道的边界。

From the outside, the building occupies the entire corner of the street, maintaining an unknown interior while creating a bright and spacious feeling. Entering the enclosed space on the first floor from the highest point in the northeast corner of the base, passing through the entrance between the walls, feels like stepping on a suspended platform that completely loses its reference to the external terrain. The four giant stones surrounding the platform fragment the external environment and cut off the line of sight from the outside. The daily streets are obscured by the giant stones and become abstract geometric landscapes.
在外部看来建筑物占据了整个街道转角，维持内部未知的同时创造了一种明亮且空旷的感受。从基地东北角的最高点穿越墙与墙之间的入口进入一层的围合空间内部，像是踏上了一个悬浮着的平台完全失去和外部地形之间的参照，包围着平台的四块巨石将外部环境变得碎片化并切断了外部的视线，日常的街道被巨石遮挡后成为抽象几何的风景。

The flat roof of the wooden structure is simply placed above the north wall to form an indoor space and terrace like area. The living space and kitchen are set up in an area that sinks 40 centimeters relative to the platform elevation. The ground is made of dyed black wood to weaken people's perception of this depth. From the outside, it looks like a sunken altar, where daily life unfolds in this relatively private area. The staircase in the southwest corner of the sunken area leads to a semi underground space where there is no perception of the street environment. In the bedroom, users are completely protected like hibernating, only perceiving the arrival of morning and the starry night sky through the skylight.
木结构的平屋顶被简单放置在北侧墙体上方进而形成了室内空间和露台一般的区域，起居空间和厨房被设置成一个相对平台标高下沉40厘米的区域，地面使用染黑的木材弱化人们对这一深度的感知，从外侧看去像是一个下沉的祭坛，日常生活的事物在这个相对私密的区域里展开。下沉区域西南角的楼梯则通向半地下层的空间，在那里没有任何对街道环境的感知，在卧室里使用者如冬眠一般完全被保护起来，仅通过天窗感知早晨的来临和深夜的星空。

剖面图

Looking out from the living space, there is a bright abstract world. The two skylights on the platform and the giant stone like walls also become special objects. One skylight looks down like a street extending into the garage space below the platform, while the other connects the most private spaces in the entire house and provides them with sunlight and moonlight.
从起居空间向外看出去，是一处明亮的抽象世界，平台上的两处天窗和巨石般的墙体同样成为了特殊的物体，一个天窗向下探视如同街道延伸进平台下方的车库空间，另一个则链接了整座房子里最私密的空间并为其提供日照和月光。