步行雨棚（3ra咖啡厅小酒馆）/Paad Architects

步行雨棚（3ra咖啡厅小酒馆）/Paad Architects
Walking Canopy (3ra Café Bistro) / Paad Architects

空间流动的巧妙设计：这个项目最引人注目的亮点在于其对室内外空间无缝衔接的探索。建筑师巧妙地通过线性厨房布局和可移动的咖啡师站，模糊了室内外的界限，创造出一种空间延伸感。这种设计不仅增强了咖啡馆的开放性和通透性，也使得城市街道成为咖啡馆的一部分，反之亦然。更令人赞叹的是，项目利用开放式设计和巧妙的天花板网格，结合了辐射加热器和喷雾风扇等设施，在伊斯法罕的气候条件下实现了舒适的空间，而非仅仅依赖于机械的空调系统，体现了对当地环境的深刻理解和适应。

动态元素的创新运用：项目的精髓在于其对建筑动态性的追求。通过引入“步行雨棚”的概念，建筑师将原本静态的建筑元素赋予了生命力。咖啡师推着咖啡吧走向室外，雨棚随之展开，为顾客提供临时的遮蔽空间。这种设计不仅增加了空间的趣味性和互动性，也赋予了建筑表演性。同时，咖啡师的表演行为也延伸到了室内照明设计和洗手区，将日常活动转化为一种戏剧性的体验。这种对细节的关注和对动态元素的创新运用，使得整个项目充满了活力和创意，打破了传统建筑的束缚，也创造了独特的城市体验。

低技与激进理念的完美结合：在有限的预算和技术条件下，这个项目展现了建筑设计的另一种可能性。它没有依赖于复杂的结构或昂贵的材料，而是通过巧妙的空间布局和对现有元素的重新组合，实现了建筑与城市生活的互动。这种“低技”的策略反而使得项目更具亲和力，更容易被大众接受和理解。同时，项目所倡导的建筑与城市关系的革新理念，以及对日常生活的细致观察和提炼，都体现了建筑师对城市空间和文化环境的深刻思考，为当代建筑设计提供了新的视角和启示。这种低调而富有深度的设计理念，是本项目最值得称道的特色。

建筑师提供的文字描述从历史上看，建筑一直固定在它所处的土地上。然而，在当代城市中，建筑需要更大的灵活性和自由度，以增加其参与和干预日常生活质量的机会。当代建筑话语一直在探索与地面建立临时和替代关系的方法，旨在创造临时和适应性的空间。位于历史名城伊斯法罕的步行雨棚是一个追求这一理念的项目，旨在以非常小的规模定义建筑与城市生活之间的新关系，在这种关系中，激进的理念符合低预算和低技术条件。
Text description provided by the architects. Historically, architecture has been anchored to the ground on which it stands. However, in contemporary cities, architecture needs greater agility and freedom to increase its chances of participating in and intervening with the qualities of everyday life. Contemporary architectural discourse has been exploring methods of creating temporary and alternative relationships with the ground, aiming to produce provisional and adaptive spaces. The Walking Canopy, situated in the historic city of Isfahan, is a project that pursues this idea to define a new relationship between architecture and urban life at a very small scale, where a radical idea meets low-budget and low-tech conditions.

该项目是对一家小酒馆咖啡馆的翻修。正面区域成为定义内部和外部建筑行为之间更活跃和更完整关系的催化剂。通过沿一侧将厨房组织成线性配置，我们将大厅变成了向外延伸的无缝城市延伸。反过来，通过将咖啡师站定位在体积的边缘，我们使其能够从内部移动到外部，将外部区域变成内部空间的向内延续。
The project was a renovation for a bistro café. The frontage area became a catalyst for defining a more active and integrated relationship between interior and exterior architectural behaviors. By organizing the kitchen in a linear configuration along one side, we transformed the hall into a seamless urban extension reaching outward. Reciprocally, by positioning the barista station at the edge of the volume, we enabled it to move from inside to outside, turning the exterior area into an inward continuation of the interior space.

为了在伊斯法罕的气候中实现这种无缝的空间流动性，我们设想这个空间是露天的，采用替代的调节方法。辐射加热器和喷雾风扇与照明设备并排放置在精心设计的天花板网格上，作为建筑元素，产生没有物理边界的空间，而不仅仅是机械添加。因此，大厅的功能就像一个面向城市的遮阳门廊，与伊斯法罕的历史建筑经验相似，通常不需要主动调节。
To achieve this seamless spatial fluidity in Isfahan's climate, we envisioned the space as open-air, employing alternative conditioning methods. The radiant heaters and misting fans are positioned alongside lighting fixtures on a deliberate ceiling grid as architectural elements that produce space without physical boundaries, rather than mere mechanical additions. Thus, the hall functions like a shaded portico facing the city which, similar to Isfahan's historical architectural experience, often requires no active conditioning.

Isometric Drawing

Section

咖啡师将酒吧与其他准备和厨房区域分开，走向室外区域，以一种戏剧性的方式在外面安顿下来，创造出自己的城市聚会场所。当咖啡师带着咖啡吧向前走时，一个遮阳篷从滚筒上展开，在他们身后创造了一个薄而暂时的遮蔽空间。这个空间在其下方容纳了户外家具，并在一天结束时，当酒吧恢复到其初始位置时消失。为了支持咖啡师的新户外定位，地面被认为是一个有水电连接的能源，为咖啡馆酒吧提供了自我连接的可能性。咖啡师的表演行为延伸到室内照明设计，甚至延伸到洗手区。在这里，一个非常普通和平凡的日常生活在聚光灯和不同的镜子下，通过分割这一活动，唤醒了隐藏在其表面之下的表演能力。
The barista, by detaching the bar from the rest of the preparation and kitchen area and moving toward the outdoor area, settles outside in a theatrical manner, creating their own urban hangout. As the barista steps forward with the espresso bar, a canopy unfurls from a roller, creating a thin, temporary sheltered space in their wake. This space accommodates outdoor furniture beneath it and disappears at the day's end when the bar returns to its initial position. To support the barista's new outdoor positioning, the ground is considered an energy source with water and electricity connections, creating the possibility for the café bar to plug into itself. The barista's performative behavior extends into the interior lighting design and even to the handwashing area. Here, a highly ordinary and mundane daily routine finds itself under focused lighting and different mirrors that, by fragmenting this activity, awaken the performative capacity hidden beneath its surface.

步行雨棚项目寻求将建筑与城市的日常节奏交织在一起的新方法，在小尺度的日常事件表面下寻找新鲜的品质。戏剧性的能力延伸到整个空间——从制作咖啡的表演行为到精心编排的建筑元素运动。在这里，建筑本身成为了一个表演者，通过其组成部分的运动来吸引城市的活力，从静态的容器转变为城市生活的动态参与者。
The Walking Canopy project seeks new ways to interweave architecture with the city's daily rhythm, searching for fresh qualities beneath the surface of everyday occurrences at small scales. The theatrical capacity extends throughout the space - from the performative act of coffee-making to the carefully choreographed movement of architectural elements. Here, architecture itself becomes a performer, inviting urban vitality through the movement of its components, transforming from a static container to a dynamic participant in urban life.