马西莫大教堂展览通道改造 / Alvisi Kirimoto + Partners

历史文脉与现代干预的精妙平衡：该项目最核心的精髓在于其对马森齐奥巴西利卡这一宏伟历史遗址的尊重与激活。设计师并未采用僵硬的复制或压制性的介入，而是通过设计一个具有明确现代特征的“舞台”结构，实现了与古老建筑之间富有张力的对话。这种干预是“有针对性”的，它清晰地区分了新旧元素，从而突出了历史的永恒性，同时也赋予了遗址新的功能载体。从专业角度看，这种“可逆性”的、非侵入性的现代手法，是处理敏感历史环境的典范，成功地在保护历史记忆和引入当代文化功能之间找到了优雅的平衡点。

多功能“舞台”激活空间叙事与流动性：项目围绕的核心——多功能舞台——是重新定义空间体验的关键。它不仅仅是一个展览设施，更是一个动态的文化平台，通过重新建立原有的空间连通性（如侧廊间的横向联系），打破了原有的静态格局。舞台的设计兼顾了功能的多样性（戏剧、会议、观景）与空间引导性（木条密度的引导）。这种设计策略将建筑的“容器”属性转变为“互动媒介”，使访客不再是被动接受者，而是成为激活遗址空间叙事的一部分，极大地提升了场所的吸引力和使用效率。

细致入微的材料策略与游客体验优化：项目的成功还体现在对细节和游客体验的周到考量。舞台的模块化建造方式（钢架与桦木胶合板）体现了建造的精准性与可实施性。特别是桦木胶合板表面的木条汇聚设计，展现了高超的空间引导技巧，将参观者的注意力自然聚焦于核心区域，最终锚定于宏伟的建筑本身。此外，集成照明、安全护栏、休息长椅以及服务于后台运作的通道设计，都体现了当代建筑设计对功能性、安全性和沉思体验的全面优化，使此次改造成为一个功能完备、体验流畅的文化空间范例。

The international architectural firm Alvisi Kirimoto, commissioned by the Parco Archeologico del Colosseo, has designed a new exhibition pathway for the Basilica di Massenzio. This project fully respects the immense historical and cultural value of the site, skillfully and purposefully integrating itself into one of the world's most extraordinary locations. Despite its distinctly modern design language, this renovation engages in a meaningful dialogue with the ruins, redefining its identity and introducing new functions. The project meticulously seeks a balance between historical memory and modernity, offering a profound reinterpretation of the space.
国际建筑事务所阿尔维西·基里莫托（Alvisi Kirimoto）受罗马斗兽场考古公园委托，为马森齐奥巴西利卡教堂（Basilica di Massenzio）设计了全新的展览动线。该项目充分尊重该遗址巨大的历史与文化价值，巧妙且有针对性地融入了这一全球最非凡的场所之一。尽管设计风格具有鲜明的现代感，但这一改造工程仍与遗址展开了富有意义的对话，重新定义了其身份特征，并引入了新功能。该项目在历史记忆与现代性之间精心求得平衡，为该空间提供了富有深意的重新诠释。

Following the restoration of the central nave, the project centers on three key elements: the introduction of a new, multipurpose structure designed as a stage, the comprehensive renovation of the flooring, and the installation of two informational display columns.
在中央中殿修复完成后，该项目围绕三个关键要素展开：引入一座设计为舞台的新型多功能结构、全面翻新地面，以及安装两座信息展示柱。

Plan

平面图

The stage is the focal point of this transformation, an intervention that goes beyond mere scenography to become a genuine cultural vehicle. It activates a system of interaction between the monumental architecture, the visitors, and the activities that breathe life into the space. Located in the central hall, the stage re-establishes the transverse connections between the three side aisles of the nave, no longer obstructed by the existing steel structure. It functions not only as an architectural backdrop but also as a dynamic platform for hosting events such as theatrical performances, film screenings, and conferences, offering visitors a unique and engaging perspective on the magnificent ruins of the Basilica. It also serves as an exceptional vantage point to appreciate the structure's splendid architectural details.
舞台是此次改造的核心焦点，这一设计超越了单纯的装置艺术，成为名副其实的文化载体。它激活了纪念性建筑、访客以及让空间焕发生机的活动之间的互动关系体系。舞台位于中央大厅，重新建立了中殿三条侧廊之间的横向连通，不再受钢结构阻隔。它不仅是一个建筑背景，更是一个充满活力的平台，将承办戏剧表演、电影放映和会议等活动，为参观者提供一种独特且引人入胜的视角，以领略这座巴西利卡教堂宏伟遗迹的风采。同时，它还提供了一个绝佳的观景点，让人们得以欣赏该遗址壮丽的建筑细节。

“The new stage is a multifunctional renovation designed for large cultural events, strictly respecting the historical and cultural value of the Basilica. It is a modern element, clearly recognizable yet subtly integrated into the essence of the structure, offering a solution that combines practicality with the enhancement of a monumental building,” stated Massimo Alvisi, co-founder of Alvisi Kirimoto.
“新舞台是一项多功能改造设计，专为大型文化活动打造，同时严格尊重这座巴西利卡教堂的历史与文化价值。它是一个现代元素，设计清晰易辨却又巧妙融入其本质之中，提供了一种将实用性与纪念性建筑提升相结合的解决方案，”阿尔维西·基里莫托建筑事务所联合创始人马西莫·阿尔维西（Massimo Alvisi）说道。

The stage is accessible from all four sides, versatile, and inclusive. It features tiered seating on the front side offering views of the Horti Farnesiani, while ramps and stairs on the sides facilitate movement between the various aisles. A second set of stairs on the north side leads to the semicircular apse, allowing visitors to closely examine the architectural fragments. An integrated lighting system and painted steel railings ensure safety and comfort, while two benches flanking the stage offer visitors moments of pause and contemplation during guided tours. The stage is adjacent to an area temporarily designated as a dressing room and features a new stage exit, greatly streamlining backstage operations, allowing set design and technical preparations to proceed smoothly without disturbing the visitor experience.
舞台四面皆可通行，功能多样且包容性强。前方设有阶梯式观众席，可一览法尔内塞花园（Horti Farnesiani）的美景，而侧边坡道与楼梯则方便了各侧廊间的通行。北侧设有第二组楼梯，通向半圆形后殿，让游客能够近距离观赏建筑遗迹。集成照明系统与涂漆钢制护栏确保了安全与舒适，而舞台两侧设置的两把长椅则为游客在导览过程中提供了暂停与沉思的片刻。舞台紧邻临时划定为化妆间的区域，且设有新的舞台出入口，这极大地方便了后台运作，使得布景设计与技术准备工作能够在不打扰游客体验的情况下顺利进行。

Section

剖面图

The stage is built using a modular system, combining a steel frame with Keller steel grating platforms. Its surface is clad in birch plywood, punctuated by regularly spaced wooden slats that become denser towards the center—cleverly directing the gaze inward, subtly guiding visitors' attention to the core of the stage design, and thereby anchoring the focus onto the magnificent architecture of the Basilica. The renovation scope also extends to the church's forecourt, where the ground has been re-paved with a mixture of natural earth and lime, and metal informational display columns equipped with audiovisual systems have been installed to deepen visitors' understanding of the monumental structure.
舞台采用模块化系统建造，由钢架与凯勒（Keller）钢格栅平台组合而成。其表面覆有桦木胶合板，板面上规律性地嵌有木条，这些木条向中心区域逐渐密集 —— 将视线自然引向内部，巧妙地引导游客目光聚焦于舞台设计的核心，并由此将注意力锚定在这座巴西利卡教堂的宏伟建筑之上。改造范围还延伸至教堂前庭，前庭地面重新铺设了天然土与石灰混合的地坪，同时安装了配备视听系统的金属信息展示柱，以加深游客对这座纪念性建筑的理解。

The renovation by Alvisi Kirimoto goes beyond mere conservation; it breathes new life into the Basilica di Massenzio. From the stage to the seating, from the flooring to the signage system, every element enhances the site, transforming it into a vibrant, inclusive, and open space. This intervention preserves historical memory while expanding the possibilities for experiencing the space, reintegrating the monumental structure into the visitor flow of the Roman Forum and offering the public a contemporary reinterpretation of one of Italy’s most iconic cultural heritage sites.
阿尔维西·基里莫托（Alvisi Kirimoto）建筑事务所的改造远不止于简单的保护工作，而是为马森齐奥巴西利卡教堂注入了新的活力。从舞台到观众席，从地面铺设到标识系统，每一处元素都为这一遗址增色添彩，将其转变为一个充满生机、包容开放的空间。此次改造在保留历史记忆的同时，拓展了人们体验这一空间的多种可能性，使这座纪念性建筑重新融入罗马广场的游客动线，并为公众提供了对意大利这一最具标志性文化遗产地之一的当代新诠释。