以本土材料构建的动态无限循环游戏体验：该项目最精髓之处在于其对本土竹材的巧妙运用和对传统游戏模式的创新重构。设计以场地上的两棵现有树木为核心，构建了一个象征性的无限符号（∞）结构。这种结构不仅巧妙地限定了空间，更通过连续串联的缅甸式游戏元素（如竹竿攀爬、跳格子等），将原本静态的混凝土地面转化为一个无终点的、动态的障碍赛跑道。三种不同规格和用途的竹材（龙竹、锐药竹、泰竹）的精确选择和应用，展现了对材料性能的深刻理解，实现了结构美观与功能性的完美统一，体现了极高的在地化设计智慧。
光影与通透性营造的适应性空间：项目的另一亮点在于其对光线和空间通透性的精细控制。屋顶采用白色防水油布，白天能有效过滤刺眼的日光，为孩子们提供一个柔和、舒适的游戏微气候。夜间，嵌入式的LED灯带提供间接、均匀的环境照明，提升了场地的安全性和氛围感。更具匠心的是，屋顶高度的设计并非随意设定，而是综合考虑了游戏类型需求、教师监视视线、以及对相邻建筑的视野遮挡和庭院通道的维持，体现了对复杂场地约束条件的成熟回应，使结构成为环境的积极参与者而非干扰者。
激发自主探索的抽象游戏叙事：从儿童心理学和游戏设计角度看，该游乐场拒绝提供具象化的游乐设施，转而提供一个由白色线条勾勒的抽象二维地形。这种“非规定性”的设计哲学是其核心价值，它将地面转化为一个等待被发现和定义的画布。通过AR技术辅助的精确绘制，地面图案成为想象力的基础。游乐场的核心意图是鼓励孩子们摆脱既定规则的束缚，凭直觉发明自己的游戏，这正是对“无限冒险旅程”的最佳诠释，将功能性空间转化为激发创造力的场所。
There is no game facility in the playground initially located on a large bare concrete floor.
没有任何游戏设施的游乐场最初坐落在一块光秃秃的大型混凝土地板上。
The project weaves a structure in the shape of an infinity symbol ∞ around the two existing trees on the site. A series of games are set up under this structure: first bamboo pole climbing, then fishnet climbing, monkey bars, sitting on swings, and finally, Burmese-style hopscotch, which are repeated in sequence. These games combine to create an infinitely long obstacle course.
该项目围绕场地上现有的两棵树编织成一个无限符号∞的结构。在这个结构下设有一系列游戏：先是竹竿攀爬、鱼网攀爬、过云梯、坐秋千，最后是缅甸式跳格子，依次重复进行。这些游戏结合起来创造了一个无限长的障碍赛跑道。
© Nyan Zay Htet
The entire structure is made of three different varieties of bamboo: Dendrocalamus giganteus for the frame, Oxytenanthera albocialiata Munro for the curved elements, and Thysostachys siamensis for the supports and roof beams. The two openings of the ∞ shape house the existing trees and seating areas for teachers to monitor the children while resting.
整个结构由三种不同品种的竹子制成，龙竹（Dendrocalamus giganteus ）用于框架，锐药竹（Oxytenanthera albocialiata Munro）用于弧形元素，而支撑和屋顶梁则采用泰竹（Thysostachys siamensis ）。 在∞形状的两个开口内是场地的既有树木和座位空间，供教师休息的同时能够随时视察孩子们的情况。
© Nyan Zay Htet
Floor Plan
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© Nyan Zay Htet
Two identical curved LED strips are installed under the ∞ element structure. This ambient lighting indirectly illuminates the playground at night, reflecting off the white tarpaulin roof. During the day, the tarpaulin filters sunlight, creating a soft and comfortable play environment. The height of the roof is determined by various parameters: the type of game below; the access for teachers to the seating area; the view from adjacent buildings to other parts of the playground; and the provision of a clear path for vehicles to access the entire courtyard.
∞元素结构下安装了两条相同弧形的LED灯带，这种环境光在夜间间接照亮了游乐场，反射在屋顶的白色防水油布上。白天，防水布过滤着日光，营造出柔和而舒适的游戏环境。屋顶的高度根据不同的参数来制定：下方的游戏类型；教师进入座位空间的通道；相邻建筑对操场其他部分的视野；并为车辆开辟出一条通往整个庭院的通道。
© Nyan Zay Htet
© Nyan Zay Htet
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© Nyan Zay Htet
The entire concrete floor is painted with white lines outlining the shape of the ∞. The two-dimensional topography creates an imaginative play landscape. They are precisely drawn using AR technology, Twinbuild on HoloLens 2, in reference to the surroundings. The playground is intentionally not prescriptive about how children should play; it only serves as a foundation for children to intuitively invent their own games and embark on an infinite adventure journey.
整个混凝土地板都被涂上了勾勒出∞轮廓形状的白色线条。二维地形创造了充满想象力的游戏景观。它们根据周围环境使用 AR 技术 Twinbuild on HoloLens 2 进行精确绘制。游乐场特意不对孩子们的玩耍进行引导和规定，它只作为一个基础，让孩子们可以在其中凭直觉发明自己的游戏并自行探索无限的冒险旅程。
Text content provided by the architect
文字内容来自建筑师
Translated by: QI TING YU
译者：QI TING YU
