Tanatap遗产花园/RAD+ar（研究艺术设计+建筑）

Tanatap遗产花园/RAD+ar（研究艺术设计+建筑）
Tanatap Heritage Garden / RAD+ar (Research Artistic Design + architecture)

项目亮点与价值：Tanatap遗产花园项目最引人注目的在于其对历史建筑的适应性再利用策略。设计团队巧妙地将曾经平庸的荷兰店屋改造为充满活力的餐厅和咖啡馆，赋予其新的生命力。项目保留了原始建筑的框架、墙壁和立面等元素，体现了对历史文脉的尊重和对场地精神的深刻理解。这种设计手法不仅节约了成本，提高了环境效率，更重要的是，保护了建筑的结构完整性，使其能够继续服务于社会。项目在布拉加街的背景下，对当地文化和环境的呼应，更增添了其独特性。

设计精髓：该项目的核心设计理念在于“谦逊、传统和场地意识”。设计师没有采取激进的改造，而是尊重现有建筑的结构和历史价值。通过艺术家Wisnu Ajitama创作的古老铁木雕塑与保存完好的立面形成对比，营造出一种既有历史厚重感，又充满现代艺术气息的氛围。内部空间的设计则通过各种耐候艺术空间框架，创造出多个压缩和释放的空间，丰富了空间的层次感和体验感。这种对空间和材料的巧妙运用，使得项目在满足功能需求的同时，也传达了对环境和文化的尊重。

可持续性与未来展望：Tanatap遗产花园项目是一个积极的建筑实践原型，它展示了在城市更新中，再利用和翻新比拆除重建更具优势。这种方法不仅降低了成本，减少了建筑垃圾，而且保护了现有的结构，延长了其使用寿命。项目对现有材料的巧妙利用，以及对环境、历史和文化的尊重，都体现了可持续设计的理念。它为未来的城市更新项目提供了宝贵的经验，鼓励设计师在设计过程中优先考虑再利用和翻新的策略，从而实现更环保、更可持续的建筑实践，为城市带来新的活力。

建筑师提供的文字描述。Tanatap Heritage Garden是一个小型建筑干预项目，它将布拉加遗产店中曾经平庸的垂直建筑变成了一个创意熔炉，以庆祝其历史意义。该项目从一开始就面临的主要挑战是采用主要方法对现有荷兰遗产商店建筑进行适应性再利用，将其改造成位于万隆布拉加街一个街区中间的餐厅和咖啡店。棚屋最初是一个仓库，为我们提供了使用从以前的使用中继承的许多原始元素的机会，如现有的框架、墙壁和立面。
Text description provided by the architects. Tanatap Heritage Garden is a small architectural intervention that transformed a once-mediocre vertical building, which stood as a barrier in Braga's heritage shophouse, into a creative melting pot that celebrates its historical significance. The project's main challenge from the outset was to apply primary methods for the adaptive reuse of an existing Dutch heritage shophouse structure, converting it into a restaurant and coffee shop situated in the middle of a block on Braga Street, Bandung. The shed, originally a warehouse, provided us with the opportunity to work with many original elements inherited from its previous uses, such as existing frames, walls, and facades.

© Ernest Theofilus

Floor Plan

© Liandro Siringoringo

Axonometric

布拉加街位于印度尼西亚万隆市中心，以其有100年历史的荷兰店屋而闻名，这些店屋在20世纪20年代作为殖民时代的步行街而闻名。沿街咖啡馆、精品店和餐馆的欧洲氛围帮助万隆赢得了荷兰绰号“Parijs van Java”（“爪哇的巴黎”）。因此，该项目强调谦逊、传统和场地意识，同时促进对现有需求的安静整合。
Braga Street is located in the center of Bandung, Indonesia, and is known for its 100-year-old Dutch shophouses, which became famous in the 1920s as a promenade street during the colonial era. The European ambiance of cafes, boutiques, and restaurants along the street helped Bandung earn the Dutch nickname "Parijs van Java" ("Paris of Java"). Therefore, the project emphasizes humility, tradition, and site awareness while fostering a quiet integration that responds to existing needs.

艺术家Wisnu Ajitama创作的一座古老的Haya树铁木雕塑，与外部保存完好的立面形成鲜明对比，同时通过使用各种耐候艺术空间框架在内部引入了多个压缩和释放空间。设计优先考虑让环境、历史和文化塑造项目。它是一个小型的积极建筑实践原型，专注于在设计和重塑我们已经过度建设的城市时，将再利用和翻新作为首要考虑因素。这种优先考虑再利用而非拆除的方法可以降低成本，提高环境效率，并保护功能结构，使其在未来几年内继续发挥作用。
An aged Haya tree ironwood sculpture, created by artist Wisnu Ajitama, serves as a contrasting focal point against the preserved facade on the exterior while introducing multiple compress and release spaces on the interior through the use of various corten artistic spatial frames. The design prioritizes allowing the environment, history, and culture to shape the project. It serves as a small proactive prototype of architectural practice focused on reusing and refurbishing as the primary consideration when designing and reshaping our already overbuilt cities. This approach, which prioritizes reuse over demolition, can reduce costs, enhance environmental efficiency, and preserve functional structures that can continue to serve their purpose for years to come.