斯特里杰普S - 园林吧

斯特里杰普S
Strijp S

Carve:Strijp S是位于荷兰埃因霍温的旧飞利浦工厂的旧址。在1920年至2004年间，这片27公顷的大面积土地为数千人提供了工作，这里有大量的纪念性建筑。2004年，飞利浦将Strijp S出售给投资者公园Strijp Beheer，后者将分不同阶段重新开发该地区，以创造独特的生活和工作环境，同时尊重剩余建筑的原始特征。
Carve: Strijp S is the former factory site of the old Philips-complex in Eindhoven, the Netherlands. The 27 hectare large area, which is the home of a considerable amount of monumental buildings, provided work to thousands of people between 1920 and 2004. In 2004 Philips sold Strijp S to investor Park Strijp Beheer, who will be redeveloping the area in different phases to a unique living and working environment, while respecting the original character of the remaining constructions.

Strijp S

该建筑群最典型的元素之一是“Leidingstraat”，字面意思是“Pipe Street”。巨大的管道网络——在巨大的钢结构顶部——将天然气、水、液体和电输送到现场的工厂。这些管道长达数百米，在10多米的高度上连接着许多建筑物。开发者Trudo将该区域改造为一个独特的参观、工作和生活场所。
One of the most typical elements of the complex is the ‘Leidingstraat’, literally ‘Pipe Street’. A vast network of pipes and tubes – on top of the monumental steel constructions – transported gas, water, liquids and electricity to the factories on site. The pipes measured many hundreds of meters, and connected numerous buildings with eachother on the height of more than 10 meters. Developer Trudo transforms this area to a unique place to visit, work and live.

Team and concept

2012年，Trudo要求Piet Oudolf重新设计Leidingstraat。Oudolf与Har Hollands、Deltavormgroep和Carve合作——每个成员都专注于设计的特定部分。在这个过程中，持续的对话导致了所有设计元素的微调：种植、公共空间、新钢结构和照明设计。因此，从现有结构中衍生出的模式和节奏会在新设计中重复和反映。设计故意表明，新的元素添加到现有的建设，作为一个新的当代层，似乎是一个临时增加的一部分。
In 2012, Trudo asked Piet Oudolf to redesign the Leidingstraat. Oudolf teamed up with Har Hollands, Deltavormgroep and Carve – every member focused on a specific part of the design. A continuous dialogue during the process resulted in fine-tuning all design elements: the plantings, public space, new steel constructions and the lighting design. As such, the patterns and rhythms, derived from the existing construction, are repeated and reflected in the new design. The design deliberately shows that new elements were added to the existing construction, as a new contemporary layer that appears to be part of a temporary addition.

Design

由Deltavormgroep设计的公共空间由大型混凝土元素组成，这些元素具有暂时的感觉，参考了该场地的工业历史。两种不同尺寸的坚固石板突出了莱丁街的长延伸。在战略要地，石板相互叠放，形成坐姿元素、台阶和展示平台。
The design of the public space, by Deltavormgroep, consists of large, concrete elements that have a temporary feel, referring to the site’s industrial past. The robust slabs, in two different sizes, emphasise the long stretch of the Leidingstraat. On strategic locations the slabs are stacked on top of each other, creating sitting elements, steps and display plateaus.

雷丁街的第二个新建筑是由卡夫设计的花盆、了望台和楼梯。这些新的钢结构是独立的单元，位于现有结构之间和之上。楼梯通过三楼通向建筑埃里克、安东和弗里茨，在Strijp S内形成了第二个高架行人连接。作为对莱丁斯特拉特现有纪念性建筑的回应，纸薄楼梯向下展开，像网帘一样，楔入原始管道和管道之间。使用尽可能少的材料，楼梯桥的高度差为12米。
A second addition to the Leidingstraat are planters, lookout platforms and stairs, designed by Carve. These new steel constructions are independent units that are placed in between and on the existing construction. The stairs lead to the buildings Erik, Anton and Frits via the third floor, creating a second and elevated pedestrian connection within Strijp S. As an answer to the existing monumental construction of the Leidingstraat, the paper thin stairs unfurl like net curtains downwards, wedged between the original pipes and tubes. Using as little material as possible, the stairs bridge a height difference of 12 meters.

花盆设计为空心桥梁。这些集装箱的高度从7.5米到21米不等，形成了一种模仿雷丁街不同结构的图案。一个特殊的位置是“节点”，莱丁斯特拉特用来连接到克洛基堡（“时钟大楼”）。将来，该交叉口将重新成为高架行人连接中的重要交叉口。该设计通过在第一阶段创建花盆来预测这些计划。将来，这些集装箱将集成在高架走道中。
The planters are designed as hollow bridge girders. The containers vary from 7,5 to 21 meters, creating a pattern that mimics the different constructions of the Leidingstraat. A special location is the ‘Node’, where the Leidingstraat used to connect to the Klokgebouw (‘Clock-building’). In the future, the crossing will regain importance as a junction in the elevated pedestrian connection. The design anticipates on these plans by already creating planters in the first phase. In the future, these containers will be integrated in the elevated walkway.

除了主管外，Piet Oudolf还负责所有植被的设计。这些植物将雷丁斯特拉特的新功能解释为一座“城市”。渐渐地，在雷丁斯特拉特山上和下面出现了一片荒芜、未开垦的景观，仿佛种子是被风吹走的。在钢结构下，只有很少的阳光，有特色的遮荫植物将生长。此外，多茎、低矮的灌木有助于该区域的坚固特征。管子顶部的花盆可以捕捉更多的光线。在这里，悬挂的植被形成了一道薄薄的“窗帘”，悬挂在管道之间，每个季节都有不同的颜色。
Piet Oudolf was, apart from supervisor, responsible for the design of all vegetations. The plantings interpret the new function of the Leidingstraat as a ‘City-Berceau’. Gradually, on and underneath the Leidingstraat a wild, non-cultivated landscape emerges, as if the seeds were taken there by the wind. Underneath the steel construction, where there is only little sunlight, characteristic shade plants will be growing. Additionally, multi-stemmed, low shrubs contribute to the sturdy character of the zone. The planters on top of the pipes and tubes catch more light. Here, hanging vegetations create a thin ‘curtain’ that will hang down between the pipes, with a different play of colours every season.

通过动态照明设计，可以看到550米长的雷丁街建筑以及以前的气体和液体运输。使用LED条从下方随机分段照亮管道，LED条的强度和颜色可以调节。通过按顺序改变照明强度，可以在管道长度上以不同的速度生成照明图案。
The 550 meter long construction of the Leidingstraat and the former transport of gases and liquids were made visible by a dynamic lighting design. The pipes are lit from underneath in random segments using LED strips, of which the intensity and colour can be regulated. By varying the lighting intensity in sequences, lighting patterns in varying speeds can be generated on the length of the pipes.

就像飞利浦时代一样，Leidingstraat仍然是技术、临时设施和物品的载体。在第一阶段，作为“启动”项目，在Ontdekfabriek前面安装了所谓的“鸟荡”。将来，还可以在结构中添加其他临时元素——可能性是无穷的。
Just like in the Philips-era, the Leidingstraat remains to be the carrier of technique, temporary installations and objects. In the first phase so-called ‘bird-swings’ were installed in front of the Ontdekfabriek as a ‘kick- off’ project. In the future, also other temporary elements can be added to the structure – the possibilities are endless.

Attraction

白天照片：卡夫（玛琳·比克，贾斯珀·范德沙夫）光电记录夜间：伊戈尔·弗米尔
By adding a new (green) layer to the construction, it shows that Strijp S has been transformed to an area where one can live, recreate and work in an outstanding way. Ten years after the start of the project, Strijp S – once a ‘forbidden city’ – is the creative and cultural heart of Eindhoven, the focus of the yearly Dutch Designweek and numerous other cultural events.
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Location: Eindhoven, Strijp S
Design: 2012
Completion phase 1: 2013
Team: Carve, Deltavormgroep, Har Hollands, Piet Oudolf
Client: DNC Vastgoed
Photos daytime: Carve (Marleen Beek, Jasper van der Schaaf) Photocredits nighttime: Igor Vermeer