基里亚特哈伊姆地球纪念馆
Earth Memorial in Kyriat Haim
吉泰建筑师：反思一块土地可以唤醒我们对过去和未来发生的故事和事件的不同感觉和记忆。对我们环境的沉思是一个过程，将我们自己的叙述和对一块土地的观察并列在一个瞬间。观测者以一种旅行的目光来观察他的本性，同时激发他内在的旅程，通过多种途径，塑造他的精神景观。这些时间层和分层在Ben Gitai建筑师的特定项目中得到体现和形成。2017年受海法市委托，为在过去十年战争中阵亡的士兵创造一个纪念空间。建筑和设计项目建议书是以色列基里亚特哈伊姆的一个纪念公园，它完全是用土建造的，希伯来语是“阿达玛”。就景观和建筑而言，这是第一次采用这种特殊的技术进行纪念。纪念馆通过其空间特性、工匠、材料和人们的记忆重新组合到这片景观中。在这个项目中，我们将公共空间改造成一个地方，让阵亡士兵的记忆沉浸在大自然和地球之中。在该计划的开放式建筑结构中，每个地球元素都位于一个开放的房间系统中，因此眼睛和耳朵可以从各个方向吸收并连接到该场所，因此死亡可以与空间的生者对话。
Gitai Architects: Reflecting on a piece of land can awake different senses and memories from stories and events that occurred to us in the past and that might happen in the future. The contemplation on our environment is a process that juxtaposes our own narrative and a observation of a piece of land into a single moment. The observer takes a travelling gaze to look at his nature and at the same time provokes a journey within himself that, through a plurality of paths, shapes his mental landscape. These layers of time and stratification were embodied and took form in a specific project by Ben Gitai Architects. Commissioned by the city of Haifa in 2017 to create a space of commemoration for the soldiers who died in the last height decade of war. The architecture and design project proposal is a memorial park in Kyriat Haim in Israel which is entirely made with earth — ’Adama’ in Hebrew. In terms of landscape and architecture it is the first ofthe kind, no memorial was done till today in this particular technique. The memorial reassembles through its spatial qualities, craftsmen-shift, material and people’s memory into this piece of Landscape. In this project, we transform the public space into a place where the memory of the fallen soldiers are immersing with the nature, the earth. In an open architectural configuration of the plan, each earth elements his situated in an open room system, Therefore the eyes and the ears can absorb from all directions and to connect to the place, so the death could dialogue with the living of the space.
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
@Ben Gitai & Yohan Zerdoun
我们决定将纪念馆定位在儿童背景附近，儿童背景是该作品的一个组成部分，正是这个特定的叠加源通过Sonic Architecture工作室的反应式声音装置为纪念馆本身提供了素材和动画。该装置通过集成在地球长椅中的麦克风和扬声器，将现场环境的声音转换为音乐和声。转变的基础是古斯塔夫·马勒（Gustav Mahler）的《地球之歌》（Song of The Earth）的最后一个乐章，它在一个持续的“永恒”的最后和弦中唤起了人类死亡的主题。
We decided to locate the memorial near the children background that are an integrated part in the piece, it is this specific overlaying source that feeds and animates the memorial itself through a reactive sound installation by the Studio for Sonic Architecture. The installation transforms the sounds of the environment live into musical harmonies through microphones and speakers integrated into the earth benches. The base for the transformation is the last movement of Gustav Mahler’s Song of the Earth, which evokes the subject of human mortality within an ongoing, ‘eternal’ final chord.
纪念馆的参观者被邀请坐在四个发声的地球长椅中的一个上，体验周围的日常声音转化为不断变化的记忆音乐。此外，每三分钟就会产生一个和弦，其中每个阵亡士兵的名字都是由每个字母指定给马勒歌曲的一个特定音符。地球之歌变成了一个活膜，一个在当前环境和过去生命之间看不见的连接。
Visitors of the memorial are invited to sit on one of the four sounding earth benches and experience the transformation of the surrounding everyday sounds into an ever-changing music of memory. Additionally, each three minutes a chord is realised where each first name of the fallen soldiers is each letter is assigned to one specific note of Mahler’s song. The Song of the Earth becomes a living membrane, an invisible connection between the present environment and the past lives.
@Ben Gitai Architects
@Ben Gitai Architects
@Ben Gitai Architects
在这一刻，地球纪念馆变得既不可见也不清晰，而是动态的，不断变化和创造自己的空间维度，通过时间来表现记忆。它没有设定的边界或背景。游客的眼睛聚焦、定位、抽象并将每个地球元素放置在与周围环境相关的物理空间中。
The earth memorial is becoming in this moment neither visual nor delineated, but dynamic, constantly changing and creating its own dimensions of space that represents memory through time. It has no set boundaries or background. While the eye of the visitor focuses, locates, makes abstract, and places each earth elements in physical space in relation with the surrounding.
@Ben Gitai & Dennis Hausser
@Ben Gitai & Dennis Hausser
@Ben Gitai & Dennis Hausser
@Ben Gitai Architects
@Ben Gitai Architects
@Ben Gitai & Dennis Hausser
@Ben Gitai Architects
@Ben Gitai & Dennis Hausser
@Ben Gitai Architects
@Ben Gitai & Dennis Hausser
@Ben Gitai & Dennis Hausser
@Ben Gitai Architects
音速建筑工作室——亚历山大·波斯皮希尔，路德维希·伯杰
Short office name: Gitai Architects
Landscape and architecture – Ben Gitai & architect designer – Charly Chochu
Role of the office in the project: Concept scanning and Executions
Website: www.gitaiarchitects.com
Other designers involved in the design of landscape:
Studio for Sonic Architecture – Alexander Pospischil, Ludwig Berger
Project location: Belinson 18 street, Kyriat Haim, Israel
Design year: 2018
Year Built: 2018
Photography: Ben Gitai, Yohan Zerdoun.
Scanning: Ben Gitai, Dennis Hausser
