昆斯特校区
Kunstcampus
在其基本结构中，昆斯特校区位于汉堡包河夫以北，有当代艺术博物馆，与其说是一个广场，不如说是一个通道。它的地块是以前铁路使用的遗迹。与其类型模糊形成对比的是，由于简洁的空间图形，该地区具有明显的地方特色。该概念强调了昆斯特校园与新兴欧洲城市中最易管理、正交的广场之间的差异，以及Invalidenstrasse和Heidestrasse频繁使用的基础设施。
In its basic structure, the Kunstcampus, located north of the Hamburger Bahnhof with the museum of contemporary art, is more of a passageway than a square. Its plot is a relic of the former railway use. In contrast to its typological blur, the area has a pronounced local character due to the concise spatial figure. The concept emphasizes the difference between the Kunstcampus and the mostly manageable, orthogonal plazas of the emerging Europacity and the highly frequented infrastructures of Invalidenstrasse and Heidestrasse.
设计的目的是通过减缓游客和居民的速度来创造一个“休憩”的地方。为了达到这个目的，在建筑的中心设计了一个引人注目的设计姿态。该区域分为三个子空间，通过梯形平面图和圆形轮廓相互参照。北部和南部的“柜子”被赋予了一个轮廓清晰的轻质花岗岩框架，宽度不同，并包围着一个略微凹陷、造型温和的草地。设计为游乐区的中间空间将以角木树篱为边界。这三个空间通过一片银桦树林连接起来。
The aim of the design was to create a place of “retreat” by slowing down tourists and residents. For this purpose, an urban bosquet was formulated as a striking design gesture in the centre of the building. The area is divided into three subspaces which refer to each other through their trapezoidal floor plans with rounded contours. The “cabinets” in the north and the south were given a clearly contoured frame of light granite, varying in width and enclosing a slightly sunken and gently modelled meadow. The middle space which was designed as a play area will be bordered by a hornbeam hedge. These three spaces are connected through a grove of silver birch trees.
有了这个城市的博斯奎特，形成了一个主题，形成了一个独特的地址在城市地区正在进行转换。格罗夫既创造了一个简洁的形象，也创造了一个诗意的联想首字母。桦树的位置与拉长的空间图形相互作用，并指的是以前铁路使用的方向。树林的轮廓为空调休息、感知其他大气品质或探索城市生活提供了机会空间。
With this urban bosquet, a motif was developed that forms a unique address in the urban area undergoing conversion. The grove creates both a concise image and a poetic-associative initial. The position of the birch trees interacts with the elongated spatial figure and refers to the direction of the former railway use. The contours of the grove define an opportunity space for air-conditioned rest, for perceiving other atmospheric qualities or for exploring urban life.
2020年6月至2021年1月，凯瑟琳·格罗斯（Katharina Gross）的作品《这不是我们》（It's Not Us）实现了这一开放空间的潜力。因此，昆斯特校园是绘画世界的一部分和一个框架，从博物馆的历史车站大厅，穿过街道空间，一直延伸到所谓的Rieckhallen的正面。因此，市中心的博斯基特从一个绿色的“色点”变成了一个在色彩爆炸中平静的视觉天堂。通过探索性地询问昆斯特大学校园的条件，艺术品邀请观众重新发现这一城市空间，并为其使用提供新的动力。
Between June 2020 and January 2021, the potential of this open space was both fulfilled by Katharina Gross’ artwork “It Wasn’t Us”. The Kunstcampus was thus part and a frame of a pictorial world that stretched from the historical station hall of the museum through the street space to the facade of the so-called Rieckhallen. The central urban bosket was therefore transformed from a green “spot of colour” into a visual haven of calm amidst bursting colours. By exploratively questioning the conditions of the Kunstcampus, the artwork invites the viewer to rediscover this urban space and provides new impulses for its use.
Client: CA Immo Deutschland GmbH
Competition: 2014
Completion: 2017/2021
Area: 18.000 m²
Photos: Thomas Langreder, Hanns Joosten, Stefan Müller
