Likeu Concept Exploration Center Space Design/Studio 10
likeuu 概念探索中心空间设计 / Studio 10
主题立意与空间叙事：“Likeu概念探索中心”的设计核心在于捕捉青少年独立人格形成的关键时期，这并非简单的功能性空间设计，而是一次深刻的社会议题探讨。设计师将尼采的哲学思想融入空间叙事，鼓励青少年通过探索、体验和质疑来认识自我和世界。这种设计策略超越了视觉层面的美学表达，更注重激发使用者对事物表象与本质关系的思考。空间本身成为一个“理想人格”的投射，通过多维感官体验，特别是视觉和触觉，建立起青少年与环境之间的深度链接，从而实现对成长过程中自我认知和外部世界的探索。
材料与形态的辩证统一：项目巧妙运用材料与形态的对比和互动，展现了设计理念的精髓。例如，柔软的张拉膜与坚硬的墙体形成鲜明对比，虚实结合，引发对表象与本质的思考。展墙、展台和柱脚的“陌生化”处理，即柔软的形态与坚硬的材质之间的错位，创造出一种视觉上的张力，揭示了物理世界的复杂性和感官认知可能的偏差。设计师通过这种辩证的设计语言，将抽象的理念“凝固”在物理空间中，创造出多层次的体验，鼓励使用者去探索和思考，体会“限制与自由”的辩证关系，与青少年成长的主题高度契合。
功能与体验的巧妙融合：设计在满足基本功能需求的同时，也注重创造独特的空间体验。例如，青少年试衣间的设置，通过半高展墙设计，既保证了私密性，又创造了半私密的过渡空间，鼓励同伴和家长之间的交流，体现了对青少年心理需求的细致关怀。米白色基调的运用突出了物体体量的几何本质和商品丰富的色彩，而品牌VI色的巧妙点缀，则如“提示”般激发好奇心和探索欲。这种设计策略将空间转化为一种积极互动、充满探索乐趣的场所，营造出独特且具有吸引力的商业氛围，实现了商业价值与社会价值的和谐统一。
© 张超
© 张超
From the architect. The core concept of space design in Likeu Concept Exploration Center originates from in-depth exploration of the formation and characteristics of adolescent personality. Nietzsche believed that adolescence is a critical period for the formation of independent personality and self-awareness, encouraging teenagers to understand themselves and the world through exploration, experience, and questioning. The spatial design of the exploration center is not only a projection of this "ideal personality" trait, but also encourages teenagers to establish a connection between themselves and their environment through multidimensional sensory experiences such as vision and touch, stimulating their curiosity and deep thinking about the relationship between the appearance and essence of things.
来自建筑师。likeuu概念探索中心的空间设计核心理念源于对青少年人格形成及其特征的深入探讨。尼采认为青少年时期是形成独立个性和自我意识的关键时期，鼓励青少年通过探索、体验和质疑来认识自我和世界。探索中心的空间设计既是这种“理想人格”特质的投射，也通过视觉、触觉等多维感官体验，鼓励青少年建立自我和环境的链接，激发他们对事物表象和本质关系的好奇心和深入思考。
© 张超
© 张超
The project design emphasizes exploration and speculation, revolving around the binary duality of the world. The abstract and flowing concepts that appear in pairs, such as internal and external, soft and hard, fixed and changing, real and virtual, smooth and angular, restricted and free, are expressed through materials, forms, and structures, and are "solidified" in physical space.
项目设计强调探索与思辨，围绕世界的二元对偶性展开，内与外、柔软与坚硬、固定与变化、实与虚、平滑与棱角、限制与自由等成对出现的、抽象而流动的理念通过材质、形态和结构表现，被“凝固”在物理空间中。
© 张超
The front and rear ends of the venue space are open to the public, with display windows and entrances/exits, and solid walls on both sides. The enclosed space blocks such as fitting rooms and storage areas grow from the walls on both sides and are wrapped in semi transparent tension film fixed to the walls. When in an open space, you can vaguely feel the volume and edges of the box behind the film. The membrane cloth has also been stretched to form many semi transparent and irregular gray spaces between the "box" and the "box", as well as between the "box" and the wall, which can be used for external display. The soft and ambiguous membrane wrapped around the outer layer contrasts with the hard and clear "core" of the real wall of the room. The contrast between reality and virtuality encourages exploration and reflection on appearance and essence, and also hopes to deepen the understanding of the dialectical relationship between restriction and freedom in the process of individual growth.
场地空间前后两端对外开放，设有橱窗和出入口，两侧则为实墙。试衣间、储物等围合空间体块从两侧的墙面生长出来，被固定于墙面的半透明张拉膜包裹住，身处开放空间时能隐约感受到膜布后盒子的体量和棱角。膜布在“盒子”与“盒子”、“盒子”与墙面间也通过张拉形成了许多半透明、不规则的灰空间，可用于对外展示。外层包裹的膜布柔软而暧昧，与坚硬且明确的“内核”房间实墙形成反差，虚实对比鼓励对表象和实质的探索、思考，也希望加深个体成长过程中对限制和自由这一辩证关系的理解。
© 张超
© 张超
In the space, common physical forms and implementation materials are also subjected to "unfamiliarity" treatment. The exhibition walls, booths, and column bases are soft, round, and elegant like fabrics, forming a "misalignment" with their hard fiberglass gypsum material. The muscular texture of the object material on both sides, delicate and rough, also creates a strong contrast, showcasing the complexity and contradictions of the physical world, as well as the possible misalignment of senses and cognition.
空间内也对常见的物理形态和实现材料进行“陌生化”处理，展墙、展台和柱脚仿若织物般柔软、圆润、飘逸的形态与其坚硬的玻纤石膏材质形成“错位”，物体材质一体两面、细腻和粗粝的肌理质感也产生强烈反差，展示出物理世界的复杂性和矛盾性，以及感官和认知可能的错位。
© 张超
The overall tone of off white color aims to highlight the geometric essence of the object's volume and the rich color of the product; The brand VI color, which is partially embellished in the frame and prop positions, occasionally appears faintly from behind the semi transparent film or from the shape of the prop opening a corner, serving as a "hint" to stimulate curiosity and exploration.
米白色整体基调旨在突出物体体量的几何本质和色彩丰富的商品；局部在框架、道具位置点缀的品牌VI色偶尔从半透明的膜后隐约透出、或从道具掀开一角的造型中显露，起到“提示“作用，激发好奇心和探索欲。
© 张超
© 张超
In order to balance the development of internal self-awareness and the psychological and emotional needs of external connections with family and friends during adolescence, the space type of "adolescent fitting room" has been introduced into Likeu Space. Different from the traditional practice of directly connecting the fitting room to the public area, the youth fitting room is equipped with a half height exhibition wall outside to ensure its independence and privacy. A semi private transition space is naturally formed behind the wall, which is convenient for peers and parents to rest and stay, and encourages communication during the youth fitting period.
为平衡青少年阶段对内自我意识的发展及对外与亲人、朋友的连结的心理和情感需求，likeuu空间中引入了“青少年试衣间”这一空间类型。区别于传统试衣间直接与公共区域相连的做法，青少年试衣间外设有半高展墙，保证青少年试衣间独立性和私密性，墙后自然形成半私密的过渡空间，便于同伴、家长休憩停留，鼓励青少年试衣期间的交流。
© 张超
