往遠Bistro / 衡建筑

Towards Far Bistro/Heng Building
往遠Bistro / 衡建筑

项目概念与主题的深刻解读： 项目的核心在于如何在城市高楼中重现云贵山野的意境，这是一个极具挑战性的设计命题。设计师没有简单地照搬山野的具象元素，而是深入挖掘“湿润生命力”的空间感，并将其融入设计之中。这种对“在城市中重返山野”这一主题的深刻理解和富有创造力的表达，是项目最突出的亮点。设计师从电影《路边野餐》中汲取灵感，用“蜿蜒、潮湿、封闭又开放”的空间语言，营造出一种独特的氛围，使人在钢筋水泥的都市环境中，也能感受到来自自然的诗意和精神慰藉。

空间设计与材料运用的创新性： 项目在狭长的空间内，巧妙地利用了垂直空间，打造出令人印象深刻的金属折板“屋盖”。这种设计不仅具有强烈的视觉冲击力，也赋予了建筑在城市环境中的辨识度。室内设计同样精彩，青绿色木板模拟藤蔓缠绕，贯穿两层空间，营造出一种连续、湿润、自然的氛围。设计师对黔东南地区材料和符号的运用也非常巧妙，靛蓝染布、定制屏风等细节，都体现了设计师对地域文化的尊重和创新。这种对材料的巧妙运用，以及对文化元素的深度挖掘，使得空间更具层次感和故事性。

对精神意象的艺术化表达： 整个项目不仅仅是对云贵地区建筑风格的简单模仿，更是一种对“都市山野”精神意象的艺术化表达。设计师拒绝标签化的“山系”风格，而是通过空间语言的转译与再解释，力求唤起一种精神层面的共鸣。这种对精神意象的追求，是项目最难能可贵的地方。设计师在有限的空间内，通过对材料、光线和氛围的精心营造，使得人们在享受美食的同时，也能感受到来自自然的宁静与诗意。这种设计理念，超越了单纯的实用功能，赋予了建筑更深层次的文化内涵和艺术价值。

From the architect. Go Far Yungui Bistro is located in the landmark building of Ping An Financial Center in Futian District, Shenzhen. The project was conceived with the starting point of "Returning to the Mountains and Wilderness in the City", responding to a core contradiction: how to evoke people's spiritual perception of the scenery and local customs of Yunnan and Guizhou in high-rise office buildings constructed with reinforced concrete?
来自建筑师。Go Far 往远云贵 Bistro 坐落于深圳福田区的地标建筑 —— 平安金融中心之中。项目以“城市中重返山野”为起点构思，回应了一个核心矛盾：如何在钢筋混凝土构筑的高层写字楼中，唤起人们对云贵山水与风土的精神感知？

© 张超

The design inspiration comes from the movie "Roadside Picnic", which depicts the daily life and natural continuity of a small town in Guizhou through dreamlike storytelling and collage. We attempt to continue the spatial sense of "moist vitality" in the urban context - winding, damp, enclosed, and open.
设计灵感来自电影《路边野餐》，影片通过梦境般的叙事与拼贴，勾勒出贵州小镇的日常与自然的绵延。我们试图在都市语境中延续这种“湿润生命力”的空间感 —— 蜿蜒、潮湿、封闭又开放。

© 张超

The site itself is narrow and has a height of nearly 12 meters. We took advantage of this verticality to create a metal folding plate "roof" inspired by the roofs and terraces of Qiandongnan. Its suspended structure creates a strong visual memory and also possesses the necessary indicative qualities in urban environments.
场地本身狭长且层高近 12 米，我们利用这一垂直性优势，将外立面打造为一个灵感来自黔东南屋顶与梯田的金属折板“屋盖”。其结构悬浮感营造出强烈的视觉记忆，也具备了城市环境中必要的招示性。

© 张超

Indoor, green wooden boards are used to simulate vine winding, running through the first and second floors, responding to the imagination of "wild vine growth in the shade of mountain streams". The narrow space is like a stone valley, with overlapping wooden boards echoing the metal facade, creating a continuous, moist, and naturally memorable spatial texture. On the second floor, a "stone room" private room is set up, with sliding railings as the boundary, resembling ancient people holding banquets in the mountains.
室内以青绿色木板模拟藤蔓缠绕，贯穿一、二层，回应“山涧阴处藤蔓疯长”的想象。狭窄空间如同石谷，木板重叠与外立面金属形成呼应，构建出一种连续、湿润、带有自然记忆的空间肌理。二层设置“石室”包间，以滑动栏板为界，仿若古人入山设宴。

© 张超

We try to incorporate materials and symbols from Qiandongnan as much as possible: indigo dyed fabric is transformed into wine banners and cushions, and customized screens are made of the same color wood veneer, echoing Yungui's rustic temperament. We refuse to simply replicate the labeling of "mountain ranges" and do not want to stop at surface cultural element transplantation. Instead, through the translation and reinterpretation of spatial language, we aim to evoke a spiritual image of urban mountains and wilderness.
我们尽可能融入黔东南的材料与符号：靛蓝染布化为酒幌与坐垫、定制屏风采用同色木皮，呼应云贵的拙朴气质。我们拒绝“山系”标签化的简单复制，不愿止步于表面的文化元素移植，而是通过空间语言的转译与再解释，唤起一种都市山野的精神意象。