Dazhou Architecture Studio/Dazhou Architecture
大舟建筑工作室 / 大舟建筑
项目理念的深度与实践：该项目最引人入胜之处在于其深刻的设计理念与务实的实践相结合。建筑师在工作室迁移的过程中，将“游牧民”的概念融入设计，体现了对城市空间和生活方式的独特理解。他们选择“多设计物件，少设计空间”，这种策略不仅节约了预算，更重要的是，家具作为可移动的元素，伴随着工作室的迁移，构建了一种持续的、连贯的身份认同感。这种设计理念超越了单纯的物理空间营造，更关注于使用者与环境的情感连接和长久互动。项目也体现了对“非地点”的对抗与对消费主义的反思，赋予了空间更深层次的文化内涵。
空间利用的创新与灵活：项目在空间利用上展现了极高的灵活性和创造力。设计师保留了空间原有的结构，通过局部改造和金属板、地面铺设等方式，构建了一个简洁、开放的工作环境。工作区和实验区的划分，体现了对不同功能需求的精准把握。特别是“永不完工的试验区”的设计，更是该项目的点睛之笔。它不仅满足了工作室进行材料实验的需求，还提供了一个多功能的活动空间，为团队成员提供了自由创作和交流的平台。这种开放、包容的设计理念，打破了传统工作室的束缚，赋予了空间更多的可能性，也体现了设计师对工作方式和生活方式的深入思考。
时间沉淀的设计美学：项目最核心的精髓在于对“不一蹴而就”设计理念的实践。建筑师并不追求设计完成时的“巅峰状态”，而是希望工作室能够随着时间的推移，逐渐演变成理想的形态。这种设计理念是对传统设计理念的颠覆，更体现了对空间与时间关系的深刻理解。通过保留空间原貌、设计可移动的家具、预留实验区等方式，建筑师为工作室的持续发展和个性化塑造创造了条件。项目也体现了设计师对可持续性、参与性和个性化的关注，它鼓励使用者积极参与到空间的设计和建设中，让空间随着时间的推移，不断焕发新的生命力，从而成为一个真正属于使用者、充满个性的场所。
© 方方的田
© 方方的田
From the architect. At the end of 2023, the small courtyard on Nanchang Road suddenly became crowded. After the contract expired, we found a place on the outskirts of the city as a new office space for Dazhou Building.
来自建筑师。23 年底的时候，南昌路的小院子突然拥挤了起来，合同到期后，我们就在城市的外围寻了个地方，作为大舟建筑新的办公空间。
© 刘章悦
© 方方的田
Nomads
The studio has changed several locations over the years, and sometimes I feel like we are nomads in the city, wandering to places with more abundant water and grass and more suitable rent every once in a while.. Every time we change places, it takes some time to establish connections with the new space. I think it's better to design more objects and less space this time. On the one hand, it saves a lot of budget, and on the other hand, these furniture with our usage habits will accompany us to the next place.
游牧民
工作室这些年换了几个地点，我有时候感觉我们像是城市中的游牧民，每隔一段时间就要游荡到水草更丰沛，租金更合适的地方去。每每换地方，又需要一定的时间，来跟新的空间建立连接。我想，这次不如多设计物件，少设计空间，一来节约了不少预算，二来这些带着我们使用习惯的家具，会陪伴我们去往下个地方。
© 方方的田
于是我们保持了空间原有的状态，仅仅凿开梁柱和墙壁，挂上金属板，铺好地面，设计了空间中所有的家具和灯具，一切就大功告成了。
© 方方的田
© 方方的田
Work Area
The new studio is divided into two spaces, one for work and one for experiments.. What is the ideal working environment like? I hope the space is higher and the lighting is sufficient. I hope to work in a large space, sit together, and have high communication efficiency. We use furniture to weakly separate three areas, creating a continuous and crowded space. I hope to have fewer meetings and move the conference room to the almost unused attic.
工作区
新的工作室分了两个空间，一个用于工作，一个用于实验。理想中的工作环境是什么样的呢？希望空间高一点，光线充足。希望在一个大空间里工作，聚坐在一起，沟通效率也高。我们用家具弱分隔三个区域，空间连续而拥挤。希望少开会，把会议室甩到几乎用不到的阁楼上去。
分析图
© 刘章悦
The never finished experimental area
The studio often conducts material experiments and proportional mock ups. A multifunctional large space is very important to us, and it can even be said that we rented this studio for this experimental field..
永不完工的试验区
工作室经常会做材料实验和等比例 mockup，一个多功能的大空间对我们十分重要，甚至可以说，是为了这个试验场才租了这个工作室。
© 刘章悦
We weakly enclosed an area with curtains, and the contents inside were constantly dismantled and rebuilt according to the project. If we had free time, we would do some interesting material experiments, pour some concrete, and lay bricks. You can also organize activities inside, such as eating hotpot or giving lectures. Rough forms make space more relaxed and allow us to make mistakes.
我们用帘子弱弱地围合了一个区域，里面的内容根据项目不停地拆了又建，如果闲下来，就做点有意思的材料实验，浇点混凝土，砌砌砖。更可以在里面组织活动，吃火锅或者搞讲座。粗糙的形式让空间更加放松，它准许我们犯错。
© 方方的田
© 刘章悦
Not overnight
The pinnacle of most designs is at the moment it is completed, and then it continues to decline.. We don't really like this situation, we hope the studio can be saved up with time and gradually become the ideal shape.
不一蹴而就
大多设计的最巅峰在它刚完成的一刻，之后就在不停地走下坡路。我们却不太喜欢这种状况，我们希望工作室被时间攒就，一点点变成理想中的样子。
© 刘章悦
After a year, this humble abode gradually became fuller and even felt a bit like a home. Marc Auge said that the space of tourists is the prototype of non locality. I think this space can ultimately serve as a kind of confrontation against non locality, as well as a reflection on our excessive possession and decoration in consumerism. After all, 'Si is a humble abode, but I am virtuous and virtuous.'.
一年之后，这个陋室逐渐饱满起来，变得甚至有点像个家。 Marc Auge 说游人的空间是非地点的原型，我想这个空间终究能作为我们对非地点的某种对抗，也能作为我们对消费主义中过度拥有和过度装饰的反思。毕竟，“斯是陋室，惟吾德馨”。
© 刘章悦
