Mosca Bianca Ceramic Workshop/AACM - Atelier Architettura Chinello Morandi
莫斯卡·比安卡陶瓷工坊 / AACM - Atelier Architettura Chinello Morandi
空间形态与叙事性： 该项目最引人注目之处在于其对空间形态的巧妙运用与叙事性的完美结合。设计师以“制陶转盘上塑形的陶泥”为灵感，打造出蜿蜒扭曲的雕塑般体量，营造出一种动态的、充满张力的空间氛围。这种设计不仅极具视觉冲击力，更将整个工坊的制作流程融入其中，使空间本身成为一件艺术品。这种设计手法，不仅体现在对建筑形式的塑造上，更融入了对材料、光线、以及展示方式的整体考量，使得整个空间都围绕着“赤陶工艺”这一主题进行叙事，赋予了空间独特的生命力。
材料的象征意义与循环利用： 项目对材料的选择与运用体现了建筑师对可持续发展的深刻理解。墙面与天花板采用黏土与砖块生产废料制成的夯土灰浆，不仅具有独特的质感，更象征着赤陶生命循环不息的特性。这种材料的选择，既是对传统工艺的致敬，也是对环境友好的实践。此外，项目还巧妙地将造型工具隐藏起来，犹如戏剧舞台的布景，进一步强调了工坊的叙事性，同时也体现了对空间功能的合理规划与精细控制。这种对材料的精心选择与运用，不仅提升了空间的品质，更传递出一种可持续发展的理念。
细节的精妙与功能性： 在建筑设计中，细节往往决定着整体的成败。Mosca Bianca陶瓷工坊在细节处理上展现了极高的水准。例如，展示台与灯具的完美对齐，展现了设计师对几何美学的精准把握。而“巨石”的设计，通过与周围空间的对比，巧妙地实现了功能性和独立性的统一。桌子本身化身为建筑中的建筑的设计，更是挑战了重力法则，体现了设计师对结构和材料的深刻理解。这些精妙的细节，使得整个空间在保持美观的同时，也兼顾了实用功能，为参观者提供了绝佳的体验。
© Catalogo
© Catalogo
From the architect. Mosca. Bianca is a workshop designed as an exhibition space. This is a ceramic workshop, where a sculptural volume showcases the entire process of terracotta craftsmanship. The shape of this volume is like clay molded on a pottery turntable, winding and twisting down from the ceiling. The centripetal force contained in the design shape fills the entire space with tension, creating a unique atmosphere around a single top light. In the space, a seemingly integrated exhibit display stand stands diagonally, like a sacred object, perfectly aligned with the three-dimensional shaped lighting fixtures above.
来自建筑师。Mosca.Bianca 是一个被设计成展览空间的工作坊。这是一处陶瓷工坊，其中，一个雕塑般的体量便展现出了赤陶工艺制作的整个流程。该体量的造型宛如制陶转盘上塑形的陶泥，从天花板蜿蜒扭曲而下。设计造型所蕴含的向心力让整个空间充满张力，营造出一种围绕单一顶光的独特氛围。空间中，一个看似浑然一体的展品展示台斜向矗立，宛如一件神圣之物，与上方穿透立体造型的灯具完美对齐。
© Catalogo
平面图
© Catalogo
Upon closer inspection, this' giant rock 'demonstrates its independence, forming a sharp contrast with the surrounding three-dimensional space, resembling a delicately constructed and lightweight piece of furniture. Once the side panel is opened, rows of work chairs are exposed, exhibiting a nested, layered and interwoven characteristic. After removing the seats, the table itself transforms into a building within a building - a slender tabletop made of Oguman wood panels, suspended in the air and supported by a series of T-shaped frames, challenging the law of gravity like a beam.
仔细端详，这块“巨石”彰显出其独立性，与周遭的立体造型空间形成鲜明对比，宛如一件构造精巧且轻盈的家具。一旦侧板打开，显露出一排排工作椅，便展现出一种相互嵌套、层叠交织的特质。移除座椅后，桌子本身便化身为建筑中的建筑 —— 由奥古曼木板拼接而成的纤薄桌面，仿佛悬浮于空中，由一系列 T 形框架支撑，宛如挑梁般挑战着重力法则。
© Catalogo
If the top countertop material is designed to meet the actual needs of dough processing, then the texture of the walls and ceiling has symbolic significance. The rammed earth mortar made from clay and brick production waste symbolizes the endless life cycle of terracotta and embodies its concept of continuous reuse and recycling. However, not all functions are fully visible. In order to maintain narrative consistency, the styling tools are cleverly hidden behind metal blades, like a theatrical stage backdrop, covered with curtains, and only displayed when necessary for workshop activities.
若说顶部台面材料是为了满足面团加工的实际需求而设计，那么墙面与天花板的纹理则具有象征意义。采用黏土与砖块生产废料制成的夯土灰浆，象征着赤陶生命循环不息的特性，体现了其持续再利用与回收的理念。然而，并非所有功能都一览无余。为了保持叙事的一致性，造型工具被巧妙地隐藏在金属刀片之后，如同戏剧舞台布景一般，用窗帘加以遮掩，仅在工坊活动需要时才会适时展现。
© Catalogo
剖面图
© Catalogo
Mosca.Bianca space tells the story of the handmade process of dancing with clay. At first, it was as simple and unadorned as mortar; Subsequently, it gradually takes shape in the hands of craftsmen, evolving into the unique form of the roof that emerges from the center, and the work shines brightly on the walls or exhibits.
Mosca.Bianca 空间由此讲述着与黏土共舞的手工制作历程。最初，它如灰浆般质朴无华；随后，在匠人手中逐渐塑形，演变为屋顶那向心而生的独特形态，作品在墙面或展品上熠熠生辉。
