旧酒出版社/a25architetti

旧酒出版社/a25architetti
The Old Wine Press / a25architetti

历史与现代的融合之美：旧酒出版社的改造项目令人赞叹。设计师在保留建筑真实性与移植新元素之间找到了完美平衡。曾经被遗弃的空间，如今成为多功能活动和展览场所。砖石上的历史痕迹清晰可见，讲述着这个地方随时间变化的不同用途。混凝土路面与手工铜元素的搭配，既构建了新层次，又与砖石结构分离，定义了新照明。这种历史与现代的融合，营造出独特的氛围和身份。

多功能空间的价值体现：这个项目成功地将旧酒出版社打造成一个多功能环境。它不仅保留了历史记忆，还整合了新的用途和功能，可用于举办活动、展览和会议。这种改造为当地家庭带来了新的价值，也为类似的历史建筑改造提供了优秀范例。它让人们体验到生活的整体维度，同时反思舒适概念与真正需求的关系，具有深刻的意义。

建筑师提供的文字描述一个大空间位于布里安扎一座历史悠久的意大利别墅内，建在古罗马的“阉割室”上，几十年来一直被遗弃，只被用作储藏室。这个空间毗邻一座教堂和别墅入口，现在已被改造成一个多功能活动和展览空间。一颗隐藏的罕见之美的宝石，让人想起布里安扎的一种典型工艺，即葡萄栽培和葡萄压榨。一个近乎神秘和感官的空间，唤起并带回了一种古老的工作和生活方式。
Text description provided by the architects. A large space, located inside a historic Italian villa in Brianza and built on an ancient Roman "castrum," has been abandoned for decades, only to be used as a storage. This space, adjacent to a church and the entrance to the villa, has now been converted into a multipurpose space for events and exhibitions. A hidden gem of rare beauty that recalls a typical craft in Brianza, that is viticulture and grape pressing. An almost mystical and sensory space that evokes and brings back to life an ancient way of working and living.

我们对砖石建筑的研究越多，就越能明显地看出建筑的历史在项目中起着关键作用。这个空间曾经是露天的，没有屋顶，窗户面向一个内部庭院花园；后来，该地区被新的砖石建筑和屋顶包围，形成了一座靠在内部体量上的新建筑。
The more we examined the masonry, the more it became evident how the history of the building played a key role in the project. The space used to be open-air without any roof and the windows faced an interior courtyard-garden; the area was later enclosed with new masonry and a roof, forming a new building leaning against the interior volumes.

Section

曾经是建筑外墙的灰泥、阳台的木制元素和经过修整的石头都清晰可见。砖石上的层是可见的，而不是消失在一层新的灰泥后面或被移除，以讲述这个地方的故事及其随时间的不同用途。
The plasterwork of what were once the building's exterior walls, the wooden elements of the balconies, and the dressed stones are clearly visible. The layers on the masonry have been left visible, instead of disappearing behind a layer of new plaster or being removed, to tell the story of the place and its different uses over time.

“轻盈”的理念指导我们选择材料：混凝土路面定义了一种新的分层，侧面，同时远离砖石，遵循墙壁的不规则石材图案，并在新旧区域之间形成一个黑暗的界限。
The idea of "lightness" guided us in the choice of materials: a concrete pavement defines a new layering, flanking and at the same time receding from the masonry, following the irregular stone pattern of the walls, and forming a darkening demarcation between new and existing areas.

混凝土地板构建了一个新的清晰明确的层次，手工制作的铜元素从中脱颖而出。此外，它们与砖石结构分离，定义了空间的新照明。
The concrete floor builds a new clear and defined level from which handcrafted copper elements emerge. They moreover detach themselves from the masonry and define the new lighting of the space.

“旧酒出版社”的重新改造是在保持其真实性和移植新元素之间的平衡，同时试图保护一个仍然保留着我们历史隐藏痕迹的地方的氛围和身份。
The reconversion of the "old wine press" was a balancing act between preserving its authenticity and grafting new elements, and all of this while trying to preserve the atmosphere and identity of a place that still retains hidden traces of our history.

这使我们能够体验到生活的整体维度，并反思舒适的概念，舒适的概念往往受到我们生活的社会背景的影响，这肯定与我们真正需要的相去甚远。
This allows us to experience a holistic dimension of living, and to reflect on the idea of comfort which is often influenced by the social context in which we live, and that is certainly distant from what we really need.

如今，属于当地家庭的“老葡萄酒出版社”成为一个多功能环境，这要归功于建筑的重新开发，在保留记忆的同时整合了新的用途和功能。该空间将用于举办活动、展览和会议。
Today 'The Old Wine Press,' which belongs to a local family, becomes a multipurpose environment thanks to an architectural redevelopment that preserves its memory while integrating new uses and functions. The space is to be rented for events, exhibitions and conferences.