大乐之野·银杏谷 / 末广建筑

Da Le Zhi Ye · Ginkgo Valley/Moguang Architecture
大乐之野·银杏谷 / 末广建筑

场地融合与低姿态设计： 项目最显著的亮点在于其对场地的高度尊重和巧妙融合。建筑师并未试图用宏大的姿态“征服”环境，而是采取了“低姿态”的设计策略，力求与周围的山野意境融为一体。通过调整建筑高度、形态、流线和景观对位关系，设计师成功地创造了人与自然亲密接触的场所。这种设计理念不仅保留了原有的山谷风貌，也使得建筑本身成为了景观的一部分，观景的媒介，这在尊重自然环境的同时，也为居住者提供了独特的体验，将建筑融入环境，而非凌驾于环境之上，体现了对场地特性的深刻理解和对自然的敬畏之心。

空间组织的创新与体验感营造： 在空间组织方面，项目体现了建筑师对人体尺度、体验和功能性的深入思考。通过几何完形的房间保证空间的使用效率，并巧妙地结合三角或梯形的异形空间，以及场地内自由生长的树木，创造出动静结合、内外穿越的丰富空间体验。这种设计手法打破了传统民宿的单一性，增加了空间的趣味性和探索性。例如，树屋的设计巧妙地避开了古树根系，并将其与客房和活动区域相结合，营造出独特的半户外活动空间。这些设计细节都体现了建筑师对空间体验的极致追求，以及对在地文化和自然环境的深刻理解，为居住者带来了耳目一新的感受。

细节与整体的和谐统一： 整个项目在细节处理上同样出色，从前厅的设计到茶亭的选材，都体现了建筑师对整体氛围的精准把握。前厅延续了三合院的布局，通过屋顶的错落和坡度的设计，营造出内院的围合感。开放的景观茶亭则采用暗色调的木结构和当地毛石，与周围环境融为一体。设计师将每一个建筑元素都视为景观的一部分，通过对材料、色彩、光影的精心控制，使建筑与周围环境达到和谐统一。这种对细节的关注，以及对整体氛围的营造，使得整个项目不仅仅是一个民宿，更像是一件艺术品，它能够激发居住者对场地的情感共鸣，带来令人难忘的居住体验。

The Da Le Zhi Ye · Ginkgo Valley Homestay project is located in Guangjiachong, Jiukouyan Village, Luoyang Town, Suizhou, Hubei Province. "Chong" refers to the flat land between valleys in Hunan and Hubei provinces, which is convenient for cultivation, irrigation and drainage. Jiukouyan Village, Luoyang Town is located on the edge of the Xiangguang Fault Zone, with continuous and gentle mountains. The project is located on six abandoned homesteads in the village, with land areas ranging from 120 square meters to 1050 square meters, scattered among the mountains. The village entrance is in the north, and the valley is filled with more than 200 water fir trees and thousand year old ginkgo trees.
大乐之野·银杏谷民宿项目坐于湖北随州洛阳镇九口堰村的广家冲，“冲”在湖南湖北一带意指山谷间的平地、便于耕垦排灌的地方，洛阳镇九口堰村地处襄广断裂带的边缘，山脉连绵、徐缓。项目选址村中六块荒废的宅基地，用地面积从120平方米到1050平方米不等，散落于山脉间，村口在北，山谷间填充着200余株水杉和千年银杏古树。

Appropriate construction "is a method of adapting to the site, using design to create a scene and emotion that reunites people with the land and the village in the original wilderness. The design introduces the building into the site in a "low" posture that takes advantage of every opportunity, without "snatching" the original mountainous atmosphere. By adjusting the height difference, building form, flow lines, and landscape alignment of the site, intimate contact between people and the countryside is achieved. The newly built house serves as an outsider in the site, a medium for viewing and a scenery to be seen.
“适宜的建造”是适配场地的方法，在原生的野趣中以设计赋予人与土地、与村落再次凝聚的场景与情感。设计将建筑以见缝插针的“低”姿态进入场地，不“抢夺”原有的山野意境，通过调整场地高差、建筑形体、流线和景观的对位关系实现人与乡野的亲密接触，新建的房子作为场地中的外来者，是观景的媒介，也是被看的景致。

Diagram

The organization principle of space is linked to human visual perception, based on the scale and experience of the body, making functional rooms geometric cloze to ensure the economic usability of the space. Then, through the combination of triangular or trapezoidal shaped spaces, freely growing trees on the site are joined to form an experiential effect of combining movement and stillness, and crossing inside and outside, attempting to organize diverse settlement forms with restrained basic units.
空间的组织原则与人的视觉感知建立的联系，基于身体的尺度与体验，让功能房间为几何完形，保证空间的经济好用，再通过三角或梯形的异形空间进行单元组合，接合场地上自由生长的树木，形成动静结合、内外穿越的体验效果，以克制的基本单元尝试组织出多样的聚落型态。

The newly built front hall is located on a terrace, continuing the original layout of the courtyard with two levels of roofs, one high and one low, and one front and one back leading to the central water play pool. The gentle slope once again enhances the sense of enclosure in the inner courtyard. A series of frames are linked to people's walking paths, and the limited indoor space is released due to the presence of frames.
新造的前厅居台地之上，延续原场地三合院布局，两级屋顶一高一低、一前一后导向中心戏水池，平缓的坡度再次强化内院的围合感。一系列景框与人的行走路径相联系，原本有限的室内空间因景框的存在得以释放。

The treehouse is located at the intersection of two paths leading into the valley, and the land needs to avoid the roots of ancient trees and accommodate two standard guest rooms and equipment storage rooms. Elevating the entire building to a high and elevated height, the lush ginkgo tree canopy on one side provides a private barrier for guest rooms while also offering a view from the windows. The released ground level naturally becomes a semi outdoor activity area: dining, baking ginkgo fruits, and swinging.
树屋位于进入山谷的两条路径交汇处，用地内需避让古树的根系，并容纳两间标准客房和设备储藏间。将整座建筑抬高架空厚，一侧银杏的繁茂树冠给予客房私密屏障的同时也是窗中的景致，释放出的地面层自然成为半户外活动区：聚餐、烤银杏果、荡秋千。

开放的景观茶亭以暗色调的木结构、烧杉木瓦和本地毛石构筑，隐身在两个白房子—— 咖啡厅和客房之间。

Axonometric

The value provided by homestays begins with residence and becomes a comprehensive experience of the site, environment, and services. Designers shape the dual relationship between houses and trees in the behavior of the human body, creating a scene where the six sites are both independent and interconnected.
民宿提供的价值始于居住，成于场地、环境、服务给人的全方位体验，设计师在人身体的行径中，塑造房子与房子、房子与树之间的对偶关系，营造出六块场地既相互独立又环环相扣的场景。

以激发民宿客人在短时间内对场地产生新鲜且易于亲近的情绪感知。