瓦顶合院 / 集美建筑

Wading Courtyard/Jimei Architecture
瓦顶合院 / 集美建筑

对传统与现代的巧妙对话：项目最显著的亮点在于它成功地将传统四合院的文化底蕴与现代生活方式的需求巧妙地融合。设计师没有简单地复制或复古，而是通过对原有空间进行重塑和解构，创造出一种既尊重历史文脉又充满现代气息的居住体验。 “鸽子笼”的设计是这种对话的集中体现，它以纯粹的几何形态与传统的瓦顶形成鲜明对比，既是对传统建筑的延续，也是对现代生活方式的探索。这种大胆的尝试，使得建筑在传承历史的同时，也充满了创新活力，展现了建筑师对时代精神的深刻理解。

空间与光线的诗意演绎： 建筑的精髓在于对空间和光线的极致运用。设计师通过“鸽子笼”上的天窗设计，将自然光引入室内，创造出一种与外部世界对话的诗意氛围。这种处理模糊了室内外的界限，使得居住者在室内也能感受到户外景色的变幻。同时，瓦顶屋面的延伸，也巧妙地将传统建筑的元素融入到室内空间，使建筑的整体感更强。而餐厅吧台的设计，通过材料的对比和空间的分割，进一步强化了这种光影的对比。设计师对光线的巧妙运用，不仅提升了居住体验，也赋予了建筑独特的艺术魅力，体现了对居住者情感需求的关照。

对居住模式的创新探索：项目是对传统四合院居住模式的一次大胆创新，它回应了当代社会对“群居”生活的需求。通过公共空间和私人单元的结合，建筑师创造了一种既能保持社交互动，又能保障个人隐私的生活方式。这种设计理念打破了传统四合院的封闭性，赋予了建筑更强的社会属性。 “鸽子笼”的设计，更是为居住者提供了独立的对话空间，满足了他们对自由和个性的追求。这种对居住模式的探索，体现了建筑师对社会变迁的敏锐观察和对未来生活方式的积极思考，为城市居住提供了新的可能性，也为其他建筑设计提供了宝贵的借鉴意义。

The quadrangle courtyard in Beijing is the most typical form of northern residential architecture, which has undergone more than 800 years of development and ultimately formed a strict spatial settlement of quadrangle courtyards. After liberation, it gradually became a "social" residence, without hierarchical connections. Different families living in the same courtyard shared the same yard and alley. These public spaces did bring residents closer, but also deprived them of privacy, and even many basic necessities of life could not be guaranteed.
北京的四合院是北京最典型的北方民居形式，经历了八百多年发展，最终形成了四合院严格的空间聚落。解放后，逐渐变成了“社会性“住宅，没有了等级的结缔，同样生活在大杂院内的不同人家共享同样一个院子和一条胡同，这些公共空间确实拉近了居民的距离，但同样也剥夺了居民间的隐私，甚至很多基本的生活都不能保障。

Section

The project is a discussion between the owner and designer on a new residential model for Beijing courtyard houses. Although the project area is not large, the owner hopes that the project still has the ability to accommodate themselves and friends simultaneously, and even the extra rooms can be rented out for a long time. A "group living" lifestyle like Friends requires a shared living room space where everyone can engage in activities and dine together, while also having their own living unit.
项目是业主和设计师一道对北京四合院新的居住模式的探讨。虽然项目面积不大，但业主希望项目仍然有能力同时承载自己和朋友们同时居住，甚至多余的房间还可以对外长期出租。如同老友记那样的“群居”生活，需要公共的客厅空间，大家可以一起活动用餐，但又有自己的生活单元。

The building to be renovated is a standard one in one courtyard, located in Tianqiao Chuziying Hutong. Through the placement of structures and roofs, the design blurs the boundaries between the original courtyard, interior, and exterior. The newly created courtyard blends with the interior space, bringing natural scenery and ample air and natural light to the interior.
待改造建筑是一套标准的一进的四合院，项目位于天桥储子营胡同，通过置入的结构和屋顶，设计模糊了原有的庭院、室内和室外之间的边界，新营造的庭院与室内空间相融合，为室内带来了自然景观和充足的空气和自然光线。

Diagram

The design divided and erected the original courtyard space, and a "pigeon cage" grew from the eaves, breaking out of the original roof. The new space erected on this "tile sea" is completely free from social attributes and belongs to a natural independent space for personal dialogue. Pushing open the 'skylight' feels like climbing to the roof of the house, but still inside. Part of the original building's tiled roof has also extended into the interior. Just like the place where Li Tianran and Guan Qiaohong meet in 'Evil Never Suppresses Righteousness', the roof of a Beijing quadrangle courtyard is a rare place within the city walls where freedom, romance, and everything can be emptied.
设计将原本的庭院空间分割并架起，从屋檐长出了“鸽子笼”，冲出了原有的屋顶，架设在这片“瓦海”之上的新空间是完全摆脱掉社会属性，属于个人的对话自然的独立空间。推开“天窗”，像是爬到了房子的屋顶，但却仍然在室内。原有建筑瓦顶屋面有一部分也延伸到了室内。就像是《邪不压正》中李天然和关巧红碰面的地方，北京四合院的屋顶是这城墙内少有的自由，浪漫，能放空一切的场所。

The newly built 'pigeon cage' is erected on the roof with pure geometric shapes. Visually interweaving with the original roof, the green brick gable walls and tiles are wrapped inside the room. The skylight glass surface on the roof is equipped with semi transparent blackout curtains to filter sunlight into softer light. This series of treatments blurs the distinction between indoor and outdoor spaces, contrasts and similarities between modern and traditional architecture, creates a lively and warm atmosphere, and makes the relationship between new and old ambiguous. The suspended 'pigeon cage' is constructed with a steel structure, detached from the brick and wood structure of the building. The clear structural relationship allows the original wooden structure to be exposed.
新建的“鸽子笼”用纯粹的几何形体架于屋顶。与原有的屋顶在视觉上形成了形体的穿插，青砖山墙及瓦当被包裹进室内。屋顶的采光玻璃面加上了半透遮光帘，将日光过滤成更加柔和的光线。这一系列的处理，将室内与室外空间的模糊，现代与传统建筑的对比与相同，明快与温馨氛围的营造，新与旧的关系变得暧昧。悬浮的“鸽子笼”由钢结构搭建，从结构上与砖木结构的建筑主体脱开。清晰的结构关系让原有的木结构也得以暴露出来。

The location of the restaurant bar spans two spaces on the west side of the square and the west wing. The design visually distinguishes the newly built ear canal from the existing square through materials. White terrazzo and green bricks divide the space into two parts, black and white, smooth and rough, simple and complex, creating a contrast in height, texture, facade material, and spatial differentiation.
餐厅吧台的位置横跨了正方西侧一间和西耳房两个空间。设计将新建的耳房和现状正方通过材料进行了视觉上的区分。白色水磨石和青砖将空间一分为二，黑与白，光滑与粗糙，简单与复杂从高度，肌理、立面材质、空间差异化几个不同的方面产生了对比。