仙那度·重重山 / 城外建筑

Xiannadu Chongzhong Mountain
仙那度·重重山

设计理念与场地回应：“仙那度·重重山”项目展现了建筑师对场地特征的深刻理解与回应。项目选址于重庆巴南郊外的山地，巧妙利用了陡峭地势和茂密森林。建筑师没有简单地将建筑置于其上，而是深入挖掘了场地特征，在山顶设计了蜿蜒的路径，引导人们在杉树环绕的空间中穿行，制造迷失方向的体验，为后续的空间体验埋下伏笔。建筑与自然环境的互动是设计的核心，强调了都市与自然的亲密关系，将建筑融入环境，而非突兀地置于其上，这种设计理念体现了对自然环境的尊重和对人与自然和谐共生的追求。

空间组织与形式语言：项目的空间组织富于创意，主楼的球形凹面与圆形广场的呼应，营造了独特的视觉焦点和活动场所。内部通过洞穴般的入口，将人们引入通高的餐厅空间，与外部的悬梯和飞桥相结合，构建了多层次的游览路径，让人们在建筑内部和森林之间穿梭，增加了互动性和体验感。此外，建筑形式语言的运用也颇具匠心，原始几何形体、大面积留白的墙体、以及窗洞的设置，都与周围环境和谐统一。四栋建筑犹如远古遗迹，与树屋共同营造出一种超现实的氛围，这种空间组织和形式语言的运用，赋予了建筑丰富的内涵和独特的魅力。

细部设计与自然融合：项目在细节处理上同样体现了建筑师的精湛技艺。接待亭和树屋的选址，充分考虑了与环境的融合，隐匿于山谷之中，与周围的森林融为一体。接待亭几何形屋顶的设计，以及斜插片墙的运用，巧妙地营造了光影效果，使空间显得宁静而空灵。建筑师充分利用光线和空气，让它们穿过建筑，营造出与自然的互动。这种设计手法不仅提升了建筑的舒适度，也强调了建筑与环境的融合，体现了建筑师对自然的热爱和对人居环境的关怀。这种细致入微的设计，使建筑充满了诗意，是对“野性之美”的完美诠释。

/ 城外建筑

The project is located in Banan, only 60 kilometers away from the city center of Chongqing. The mountains here are continuous and the forests are dense. The distance between the city and nature is not as far as imagined, and even closely related.
项目在距离重庆市区仅 60 公里之外的巴南，这里山脉连绵，森林密布，都市与自然的距离，并没有想象中那么远，甚至是密切关联的。

The site is located on a steep hill with a steep slope, and there is only one gentle path at the top of the mountain. Walking along, one is constantly surrounded by towering and slender cedar trees, which makes one lose their sense of direction.
场地位于一座陡峭的山头，地势坡度大，仅在山顶有一条平缓的路径。行走其间，无时不刻被一棵棵耸高细直的杉树环绕，让人失去方向感。

The main building facade is a spherical concave surface that echoes the circular front square, making the building the stage background of the square and forming a three-dimensional activity area. The slightly raised walls at the four corners, along with the deep curved openings, create a sense of lightness and heaviness, symbolizing the gravitational field of celestial bodies in the universe.
主楼正立面是一个的球形凹面，与圆形的前广场相互呼应，让建筑成为广场的舞台背景，构成一组立体的活动场所。四角微微扬起的墙面，与深邃的弧形洞口，轻盈与厚重感，隐喻宇宙星体的引力场。

The main building is an interconnected cavity, allowing people to enter the high internal dining space through dark caves, immerse themselves in the forest, and then turn the external hanging ladder to reach the rooftop space overlooking the mountains. People can also first climb up to the highest point by rotating through the tower, and then enter the rooftop space through the flying bridge. These are two intertwined paths that allow people to shuttle between the interior of the building and the forest, where they can see and meet each other, forming a three-dimensional and multi-level tourist experience.
主楼建筑是一个内外相通的腔体，人们可以经由幽暗的洞穴，进入通高的内部餐厅空间，置身于树林的包裹之中，再转折外部悬梯到达凌于树梢的屋顶空间，远眺群山。人们亦可以先经由塔楼，旋转攀登直上最高点，再通过飞桥进入屋顶空间。这是两条相互缠绕的路径，让人们穿梭于建筑内部与树林之间，在此相互遥望和相遇，形成立体多层次的游览体验。

The four buildings arranged along the contour line of the mountaintop, as well as the six treehouses hidden in the pine forest, resemble a matrix left by ancient times, forming a mysterious spatial relationship around the central square and creating a surreal atmosphere. The architecture, with its primitive geometric form and window openings, large blank walls, and swaying tree shadows, has become a part of the environment.
4 栋沿着山顶等高线依次排开的建筑，以及 6 栋隐秘在松林里的树屋，如同远古留下的矩阵，围绕中心广场形成一种迷离的空间关系，营造出一种超现实的氛围。建筑以原始几何的形体和窗洞，大面积留白的墙体，映射着摇曳的树影，建筑也成了环境的一部分。

The treehouse and reception pavilion are located between the valleys, hidden on the other side of the mountaintop. The reception pavilion retreats behind the cedar forest, like a white pavilion in the midst of a white foal passing through the woods, with a geometric shaped roof floating in the woods. Entering from the stepped corner of the slanted patch wall, the view was completely opened up, and the treehouse was faintly visible in the jungle. The sky pours down from the top of the sloping roof, creating a quiet and ethereal pavilion space.
树屋与接待亭，坐落于山谷之间，隐秘在山顶的另一侧。接待亭隐退在杉树林之后，如白驹过隙的林中白亭，几何形态的屋顶，漂浮在林间。从斜插片墙的阶梯转折步入，紧接着视野完全打开，树屋在丛林里若隐若现。天光从斜屋面顶部倾泻而下，静谧而空灵的亭子空间。

Architecture is not just about simple construction. Through the organization of spatial form and order, controlling the tension and relaxation of emotions, it transcends the material itself and creates poetry. We never ignore nature, allowing light and air to pass through buildings. We face the desolation of primitive nature, break through boundaries with imagination, and sing praises to the wild beauty of life and nature.
建筑，不只是简单的建造，通过空间形式与秩序的组织，控制情绪的张弛，便超越了物质本身，便创造出诗意。我们从不忽视自然，让光和空气，穿过建筑。我们直面原始自然的荒芜，以想象力突破边界，以歌颂生命自然的野性之美。