木犀旅馆 / atelier yoo

Osmanthus Inn/atelier yoo
木犀旅馆 / atelier yoo

对历史文脉的尊重与重塑：Osmanthus Inn的改造项目展现了对京都町屋历史文脉的深刻理解与尊重。设计师并非简单地进行翻新，而是通过“还原”与“重构”的双重策略，深度挖掘了町屋的建筑逻辑。项目首先着眼于恢复传统的空间规划，特别是对土间、火袋等关键元素的重新解读和利用。这种对原始建筑肌理的尊重，为后续的当代功能植入奠定了坚实的基础。改造后的空间并非对历史的简单复制，而是通过微妙的调整和现代元素的融入，赋予了老建筑新的生命力，使其既保留了历史的韵味，又满足了现代旅居的需求。

空间叙事的巧妙运用：该项目最引人入胜之处在于对空间叙事的巧妙运用。设计师将“公共”与“私密”的过渡关系融入到空间序列中，通过建筑布局和材料选择，引导访客体验由外向内的逐渐深入。这种空间序列的构建，既尊重了传统町屋的内在逻辑，又为旅馆赋予了独特的体验感。特别值得一提的是，设计师通过对“火袋”这一元素的重新利用，巧妙地解决了采光、通风等功能问题，并将其融入到现代设备的布局中，使得技术与历史、功能与美学实现了和谐统一。这种对空间叙事的深刻理解，使得Osmanthus Inn不仅仅是一个住宿场所，更是一个承载文化体验的场所。

类型学研究的实践与升华：本项目充分展现了“类型学”在设计实践中的重要作用。设计师通过对京都町屋的深入研究，提炼出其独特的建筑类型学特征，并将其应用于设计之中。这种基于类型学研究的设计方法，不仅确保了改造的合理性和可行性，也为项目赋予了更深层次的文化内涵。项目还成功地在不同房型中融入了传统与现代的元素，满足了不同客人的居住需求，从而丰富了整个旅馆的体验。这种对类型学研究的实践，最终升华了设计理念，让Osmanthus Inn成为一个融合了历史、文化和现代生活方式的建筑作品，体现了对城市文脉和价值的深刻理解。

本次改造对象是位于日本京都府京都市下京区的一所百年“京町屋”。任务是将其改造为一座面向旅客的宿泊设施。

In the 1200 year history of Kyoto, the planning technique of the "Tiao Fang system" has been present since the establishment of the capital during the Heian period. During the Edo Shogunate period, "front shops and back houses" became the mainstream urban housing types that met the standards. Due to restrictions such as fire prevention and taxation, the narrow width of the town house has been preserved. Some people refer to this slender structure as the 'eel bed'.
在京都千二百年的历史中，“条坊制”的规划手法从平安时代建都之初就已出现。至江户幕府时期，“前铺后宅”的町家成为符合标准的主流城市住宅类型。受到防火、赋税等条件限制，町屋它狭窄的面宽得到了保留。有人将这种细长的结构称之为“鳗鱼的睡床” 。

模型照片

In a typical townhouse, the houses facing the street are usually vertically divided into a ground floor and a raised platform adjacent to it. The dirt room leads all the way from the entrance to the interior of the residence, usually paved with concrete or stone bricks. A stove is set up here, and smoke is emitted through the skylight above the fire bag. On the other side, the elevated part of the platform is horizontally divided into different activity spaces: from the outside to the inside, there are shops (mi セ), home kitchens (dadoko), inner rooms, and rooms (arcades); These spaces are separated by movable and detachable structures to meet different usage needs. The arrangement order of these rooms implies a gradual shift from "public" to "private" space.
在一座典型的町屋中，临街的房屋通常被纵向分成土间（トオリニワ）与旁边抬高地台的部分。土间由入口一路往里到达住宅内部，通常由三合土或石砖作为铺地材料，这里会设置灶台，并借由火袋上方的天窗排放油烟。另一侧，地台抬高的部分则被横向分隔为不同的活动空间：由外而内依次是店铺(ミセ）、家庭厨房（ダイドコ)、里间和室（奥の間）；这些空间被可推拉、拆卸的建具分隔，以便应对不同的使用需要。这些房间的排布次序暗示空间由“公共”逐级转向“私密”。

The renovated house consists of two independent two-story volumes, east and west, and a corridor connecting the two. The original exterior facade and shop space outside the town have been removed; The space between the earth and the fire bag is also broken by the raised platform that crosses the kitchen; A ceiling was erected above the stove where it should have been open. The primitive spatial order has been replaced by a sense of abruptness, strangeness, and absence.
在此次改造的房屋由东西两个独立的二层体量和一条将两者连接的走廊构成。最初的町屋外立面与店铺(ミセ）空间已被移除；土间与火袋空间也被厨房横断的抬高地台打破；灶台上方原本该敞开的地方搭起了一层天花板。原始的空间秩序被一种唐突、憋仄、缺失的感觉所取代。

草图

We will divide the renovation design into two steps. The first step is to restore the typical spatial planning that fits this house, in order to extract its structural logic; The second step is to implant the current functional requirements under the logic of refactoring, in order to stimulate the rebirth of the century old house. The specific operation steps are as follows:
我们将改造设计分为了两步，第一步是还原符合这座房屋的典型空间规划，以提炼其构成逻辑；第二步，在重构的逻辑之下植入目前的功能需求，以激发百年老屋之新生。具体操作步骤如下：

剖面图

1. Taking the columns inside the garage as a clue, return the exterior facade of the current garage to its initial construction position, define the boundary of the original store (miku), and set up a vestibule between it and the street. Remove the wall and embed it at the junction of the earth room and the living room to complete the equipment layout, and use three horizontal planes of different sizes to guide the transition from the fire bag to the living room Restore the functional responsibilities of the fire bag used for lighting and ventilation in the past; Wires, range hood exhaust, and air conditioning ducts are all arranged through fire bags with exposed wires
1.以车库内立柱为线索，退回现车库外立面至其初始建设位置，定义原先店铺(ミセ）的边界，并在其与街道之间设置前庭
2.拆除厨房位于土间处被抬高的地台，还原从入口至内部的纵向“土间”通路
3.将店铺(ミセ）、家庭厨房（ダイドコ)整体打通，重新推敲合适的地台高度，形成开放式客厅
4.将厨房灶台、餐桌、空调等必需功能嵌入一组由固定家具、墙面、悬浮天花构成的空间“核心装置”，将其从靠墙处移出，嵌入于土间与客厅的交界处，以完成设备布置，并借此大小各异的三个水平向平面来引导从火袋到客厅的空间过渡
5.还原火袋过去用于采光、通风的机能职责；电线、油烟机排风、空调风管全部通过火袋明线排布

In the renovation, we established some corresponding or parallel spatial relationships to connect nature and artificiality, history and present. We hope that the spatial characteristics of mutual infiltration can inadvertently bring visitors some delicate experiences across time, a glimpse of the cultural core of local conditions, scenery, and people blending together.
在改造中，我们设立了一些或是对应、或是并行的空间关系，以连结自然与人工、历史与现在。我们希望互为渗透的空间特性能在不经意间给访客带来一些跨越时间的细腻体验，一窥当地情、景、人交融的文化内核。

Courtesy of atelier yoo

In order to meet the different living experiences of our guests, we have designed four different room types including traditional Japanese style rooms, modern Japanese style rooms, Western style rooms, and suites. Among them, the Japanese style rooms can flexibly arrange beds on tatami mats, while the Western style rooms and suites are equipped with Western style bed furniture.
为了满足客人的不同居住体验，我们共设计了包括传统和室、现代和室、洋室、套房四种不同房型，其中和室房间在榻榻米上可灵活布置床铺，洋室和套房设西式床铺家具。

This practice has allowed us to appreciate the important help that research based on "typology" can bring to design practice. Finally, let's return to Aldo Rossi's statement: "The study of cities should not only focus on their physical form and evolution, but also pay attention to the values carried and conveyed by these forms
这次实践让我们体会到了以“类型学”为基础的研究给设计实践所带来的重要帮助。最后，让我们回归到Aldo Rossi曾作出的叙述：“对城市的研究，既要关注其物理形态及演变，也应重视这种形态所承载和传达的价值观。”