龙游放语空游客中心 / 西涛设计工作室

Longyou Fangyukong Tourist Center/Xitao Design Studio
龙游放语空游客中心 / 西涛设计工作室

设计理念的深度：“龙游放语空游客中心” 项目最令人印象深刻之处在于其深刻的设计理念。设计者并非简单地进行建筑的堆砌，而是深入研究了汀塘圩村的社会结构和生活方式。设计充分尊重了乡村的原始肌理，建筑与环境的融合并非停留在表面，而是通过对村落道路、邻里关系以及原有建筑的细致分析，构建出与当地文化相呼应的空间。这种对环境的敏感和对当地文化的尊重，使得项目不仅仅是一个游客中心，更是一个连接过去与未来的文化载体，彰显了设计师对乡村环境的深刻理解和对传统文化的敬畏之情。

空间设计的精妙： 项目在空间设计上展现了极高的技巧和创意。回廊的设计堪称点睛之笔，它以轻盈的姿态回应了不同的使用需求和周边环境，并巧妙地处理了与老屋、邻里院落的关系。通过对屋檐高度、角度的精心设计，回廊巧妙地在视觉上整合了公路、村路和邻居的边界，创造了一种开放而又私密的空间体验。室内空间的处理也十分出色，设计师采取“消极”策略，保留了老屋的岁月痕迹，并以轻钢框架作为补充，新旧元素的对话形成了一种独特的视觉语言，既保留了历史的记忆，又赋予了空间新的活力，完美诠释了“修旧如旧”的理念，避免了对原有建筑的破坏。

材料与建造的克制：项目的另一大亮点在于对材料的选择和建造方式的运用。设计者选择了工业标准化的镀锌方管和不锈钢波形板等常见材料，并且在现场进行切割和焊接，这种方式与村庄中常见的建筑手法相呼应，体现了设计师的谦逊和对当地环境的尊重。这种克制和简朴，使得建筑能够更好地融入乡村环境，不显突兀，反而与周围的景观融为一体。同时，这种设计策略也降低了建筑的造价和维护成本，使其更具可持续性。整个项目体现出一种“轻介入”的设计理念，在保留和改造之间找到了一个完美的平衡点，展现了设计师对乡村建筑的深刻理解和独特见解。

By passing through the Tingtangwei Bridge and crossing the Qujiang River, one can reach Tingtangwei Village. Adjacent to the highway along the river, living in the village and cultivating rice fields outside the village have formed a stable living scene in Tingtangwei Village. Each household in the village has a house and an irregular front yard, which serves as both a courtyard and a sun drying area. The shape of the courtyard is drawn by interwoven village roads and paths, which are formed by long-term neighborhood relationships. The seemingly intricate road system and the orientation of self built houses are actually spatial reflections of the rural social structure.
经汀塘圩大桥，跨过衢江，就可以到达汀塘圩村。紧邻着沿江的公路，居住在村子里、耕作在村外稻田，形成了汀塘圩村稳定的生活图景。村里的每一户都有一栋房子和一个并不规则的前院，既是庭院也是晒场。院子的形状为交织的村路小径划出，而路由长年的邻里关系约定而成。看似错综的道路系统和自建房子的方位，其实是乡村社会结构的空间映射。

The Jingshi Guang Art Ecological Corridor starts from here and unfolds along the Qujiang River, which was formerly known as Jingshui. It is dotted with works by numerous artists and architects, attracting tourists and bringing some changes to the lives of villagers. At the entrance and exit of the village, there is also such a household, including an old house from the late Qing Dynasty, a courtyard, a tree, and a kitchen that was added in the 1990s. Here, Tao+C Xitao Design Studio has designed a lightweight foothold that serves as both a rest and guide for the entire Shikigara sightseeing route, as well as a place for villagers to rest and chat when entering and leaving the village. Becoming a shared village pavilion for local residents and passersby, allowing different groups of people to meet and communicate freely here.
瀫石光艺术生态走廊从这儿开始，沿着古称瀫水的衢江展开，散布着众多艺术家建筑师的作品，吸引了游客，也给村民的生活带来一点改变。在进出村子都会经过的村口，也是这样的一户人家，无例外的包含一座清末的老宅，一个院子、一棵树，院内还有一个 90 年代加建的厨灶间。在这里，tao+c 西涛设计工作室设计了一个轻巧的落脚点，既作为整个瀫石光游览路线的休憩导览处，也是村民们进出村子时歇脚和交谈的地方。成为一个本地居民和过路人共有的村口凉亭，让不同的人群可以在这里相遇并自在地交流。

大样图

The sloping and wedge-shaped courtyard is bounded by the shared courtyard walls and old houses along the river road, village road, and neighboring houses, forming different angles for each. Along the outline of the courtyard, the designer wraps a lightweight single column canopy around the perimeter to form a circular corridor. The inner eaves take the angle of the neighbor's courtyard wall as the axis and cut out a rectangular courtyard, forming a 5 ° angle with the main house of the Qing Dynasty. This slight deviation allows the courtyard to act as a buffer between the highway and the main house, filtering out the noise and allowing the river breeze to pass through, while also avoiding conflicts with the old house.
斜楔形的院子被沿江公路、村路与邻居家共用的院墙和老屋同时界定了边界，各自形成不同的夹角。沿着院子轮廓，设计师以轻盈的单柱雨棚包裹四周形成回型的连廊。内檐口以邻居的院墙角度为轴线，顺势切出一个矩形的天井院落，与清代主屋形成5°夹角。这一微小的偏移，让院子作为公路与主屋之间的缓冲，滤去喧嚣，透过江风，也避免了对老屋的冲突。

分析图

The four eaves of the corridor are divided into three different heights; The rain eaves fall layer by layer, responding to different usage needs and surrounding environments, as if dancing in sync with the venue. On the side close to the village road, the corridor passes through and diagonally cuts open the original kitchen, forming the window of the caf é. Then it slightly lowers to form an entrance towards the highway, guiding people to look back at the river view from inside the courtyard. The corridor next to the neighbor's boundary wall is lower and hidden under the tree canopy, maintaining the privacy between the neighborhood courtyards; Turning back to the front of the Qing Dynasty architecture and connecting it with the eaves of the old house, it is compressed into a line from the perspective of the courtyard entrance, without damaging the appearance of the main house facade.
回廊的四边屋檐拆分为三种不同高度；雨檐层层跌落，回应不同使用需求和周边环境，仿佛跟场地应和的舞步。靠近村路的一侧，连廊经过并斜切剖开原来的厨灶间，形成了咖啡馆的窗口。然后略略低下，形成朝向公路的入口，也引导着人从院内回望江景。邻居界墙边的连廊更低矮地隐于树冠下，维系邻里院落间的私密；又转到清代建筑正面与老屋门檐相接，从庭院入口的视角压缩成为一条线，不破坏主屋正立面的显现。

The interior of the old house is used as a tourist reception center. A century old wooden house with mottled walls and slightly tilted wooden columns, showing traces of years of living. The renovation of old houses is a negative strategy, using but not occupying, placing but not renovating; Not erasing the traces, nor changing the aging process of the old house, but accompanying its changes and decline. Remove the filled wooden wall panels and wooden floor slabs, allowing the skeleton of the old building - wooden beams and rafters - to be clearly visible. A set of slender galvanized steel pipes passes through the gaps between the wooden frames, forming an internal framework display system, seats, and lighting; This light steel frame parasitic in the old house is intertwined with the old wooden structure, lightly touching but not damaging. The ground is covered with a shiny black epoxy resin floor, indicating that all newly installed materials are smooth and shiny, making the original appearance of the house clear and recognizable but reshaping the perception.
老屋内部作为游客接待中心使用。百年的木构房子，墙面斑驳，木柱微微倾斜，呈现出经年居住的痕迹。老屋的改造是一种消极的策略，使用但不占有，置入但不翻新；不抹去痕迹，也不改变老房子继续衰老的进程，而是陪伴其变化和衰败。取掉填充的木墙板和木楼板，让老建筑的骨架-木梁和木椽清晰地显现。一套纤细的镀锌钢管，穿过木骨架间的缝隙，形成内部的框架展示系统、座椅和灯光；这套寄生在老屋中的轻钢架子，与老的木结构互相交错在一起，轻触但不破坏。地面覆盖一层亮面的黑色环氧树脂地坪，提示着所有新置入的材料都是光滑的发亮的，让房子的原貌清晰可辨却重塑感知。

The materials used for the corridor and internal placement are industrial standardized galvanized square pipes and stainless steel corrugated plates, which can be purchased from building materials stores in the town and cut and welded on site. Similar to the overlapping methods of some roofs and temporary sheds in the village, these simple materials and unconventional methods help establish a sense of security, allowing new interventions to disappear into the daily scenery of a Chinese countryside.
连廊和内部置入所用的材料是工业标准化的镀锌方管和不锈钢波形板，在镇上的建材店都可以购买到，在现场切割焊接而成。与村子里的一些屋顶和临时棚子的搭接方法近似，这些简易的材料和不特别的做法，有助于安全感的建立，使新的介入消隐于一个中国乡村的日常风景中。

In this rural renovation project, we cautiously maintained the consciousness of an outsider, taking it lightly, reducing expression, and finding a balance between rewriting and preservation through moderate intervention. As a reversible temporary structure, it reserves the possibility for the future evolution of the building.
在这个乡村改建项目中，我们谨慎地保持着一个外来者的自觉，轻手轻脚的来，减少表达，通过有节制的介入，在重写与保留之间寻找平衡。作为一种可逆的临时构造，为建筑未来的演变预留可能。