(S)pace 巴黎塞尔教育建筑 / Architecture Patrick Mauger + D’HOUNDT+BAJART archit ...

(S) PACE Paris Searle Education Architecture/Architecture Patrick Mauger+D'HOUNDT+BAJART Architects&Associ é s
(S)pace 巴黎塞尔教育建筑 / Architecture Patrick Mauger + D’HOUNDT+BAJART architectes&associés

This is an innovative architectural project that blends bold fault art styles with elements of regionalism, rural style, romanticism, and psychedelic architectural traditions. This project is rooted in the concept of future architecture, breaking through the boundaries of creativity and integrating architecture and music in an extraordinary and harmonious way.
这是一个创新的建筑项目，它将大胆的故障艺术风格与地域主义、乡土风格、浪漫主义以及迷幻主义建筑传统的元素融为一体。该项目扎根于对未来建筑的构想，突破了创造力的边界，将建筑与音乐以超凡脱俗的和谐方式融合在一起。

一层平面图

In this landscape of malfunctioning art style, traditional materials - brick structures and terracotta patterns - are given new forms, and the architectural structure is reinterpreted at every angle of the walls and floors. The straight line becomes distorted, the shape undergoes distortion, creating a visual kaleidoscope effect that is both orderly and chaotic. The building facade is like a vivid canvas, paying tribute to musician Joy Orbison. The constantly changing patterns on it attract people's attention and challenge fixed form concepts. These architectural structures draw inspiration from Sam Prekop's oil paintings and are symphonic chapters of natural colors, evoking a sense of eternal movement. Over a length of 100 meters, the bricks gradually transition from red to white, creating a harmonious transition with adjacent buildings.
在这片故障艺术风格的景观中，传统材料 —— 砖砌结构和赤陶图案 —— 被赋予了新的形态，建筑结构在墙面和地面的每一处角度都得以重新诠释。直线变得扭曲，形状发生畸变，营造出一种既秩序井然又混乱无序的视觉万花筒效果。建筑立面宛如生动的画布，向音乐家乔伊·奥比森（Joy Orbison）致敬，其上不断变换的图案吸引着人们的目光，挑战着固定形式的观念。这些建筑结构从萨姆·普雷科普（Sam Prekop）的油画中汲取灵感，是自然色彩的交响乐章，唤起一种永恒运动的感受。在长达 100 米的长度上，砖块从红色到白色的渐变，与相邻建筑形成了和谐的过渡。

This' third space 'is not just a physical place, but also a sensory and emotional experience. It is a place where architectural innovation and artistic expression intersect, inviting everyone to rethink their understanding of space and reality. Here, unique elements of the past and future, tradition and avant-garde are integrated, allowing people to glimpse the possible appearance of future architecture. The building is located on the site of a former university dormitory named after French chemist Henri Pariselle. In addition, a large ceramic mural from the original building has now been installed in the restaurant, adding a sense of depth that transcends time to this space with a soft and psychedelic atmosphere.
这处“第三空间”不仅仅是一个实体场所，更是一场感官与情感的体验，是建筑创新与艺术表达交汇之地，它邀请每个人重新思考自己对空间与现实的认知。这里融合了过去与未来、传统与前卫的独特元素，让人得以一窥未来建筑可能呈现的模样。该建筑坐落于一座曾以法国化学家亨利·巴黎塞尔（Henri Pariselle）命名的原大学宿舍旧址之上。此外，原建筑上的一幅大型陶瓷壁画如今被安置在了餐厅之中，为这个带有柔和迷幻氛围的空间增添了一种跨越时代的深邃感。

剖面图

The seemingly casual but not insignificant naming of this building under the name (S) pace Paris Saint Germain brings it into line with the past: since the establishment of Cit é Scientifique in 1960, its development has been like a city constantly reshaping itself, evolving without completely erasing the traces and aspirations of the past.
以 (S)pace 巴黎塞尔这一名称进行看似随意却并非无足轻重的命名，使这座建筑与过往一脉相承：自 1960 年阿斯克新城科学园区（Cité Scientifique）创立以来，它的发展历程就如同一座不断重塑自我的城市，在持续演进的同时，并未完全抹去过去的痕迹与抱负。