巴浪鱼祥芝码头店 / 退化建筑

Balangyu Xiangzhi Wharf Store/Degraded Building
巴浪鱼祥芝码头店 / 退化建筑

历史文脉的尊重与再利用：该项目最令人印象深刻的亮点在于其对原有建筑的尊重和巧妙再利用。设计师没有选择对旧建筑进行彻底改造或推倒重建，而是深入挖掘其历史价值和地域特色。通过保留被海水腐蚀的墙体、裸露的钢筋以及渔港信息的痕迹，项目真实地呈现了建筑的沧桑感和历史记忆。这种对历史文脉的尊重，使得咖啡馆不仅仅是一个商业场所，更是一个承载着当地文化和渔民记忆的公共空间。此外，设计师还克服了将其改造成网红店的诱惑，这更凸显了他们对原有建筑价值的重视和对社区文化的尊重。

空间尺度与体验的创新：项目的精髓在于对空间尺度和使用者体验的创新。设计师保留了原建筑特有的狭窄空间，例如窄门、楼梯和通道，重现了冰块处理空间独特的尺度感。同时，通过开设大窗，将周围的港口景色引入室内，实现了建筑内外空间的互动。此外，对升降台的巧妙改造，一个沉降在一楼，一个抬升到二楼，形成独特的展览空间，赋予了建筑新的功能和活力。这种对空间尺度的把握和对使用者体验的关注，使咖啡馆不仅具有视觉上的吸引力，更提供了一种沉浸式的、与众不同的空间体验，与周围的渔港环境相得益彰。

细节处理与在地文化的融合：项目的成功也体现在对细节的精心处理和对在地文化的深刻融合。设计师在细节上力求克制，使现代元素与粗犷的建筑界面和谐共存，并展现出产品的质感。业主在灯具、家具和艺术品上的选择，也为建筑增添了装饰主义色彩和主人的个性。更重要的是，项目在两栋小楼旁搭建的棚屋，用拆散的船骨作为骨架，渔女编织的渔网作为遮阳，完美地将渔港的文化元素融入建筑。这种对细节的关注和对在地文化的尊重，使得项目具有了独特的地域特色和文化内涵，真正实现了建筑与环境、与人的和谐统一。

The swimmer climbed ashore. Fishermen carrying plastic buckets filled with daily necessities for going out to sea boarded the ship. They meet in the middle of two small buildings. This used to be the ice chiseling room next to the ice factory, delivering ice cubes to fishing boats that were about to set sail for many years. Now, it is a caf é called Balangyu, delivering coffee to strangers who arrived. Motorcycles frequently come and go. Local men with tanned skin stood in the second floor corridor of the dangerous building across from the ice factory, watching - "Balangyu, dry! We still need barrang fish, even though we have barrang fish. ”They drink coffee ash. ”Do we have a discount on coffee ash. ”
……
游泳的人爬上岸。手里提着塑料桶，装满出海生活用品的渔民登船。他们交汇在两栋小楼中间。这里原先是冰厂旁的凿冰室，多年来向马上要启航的渔船输送冰块，现在，它是一家叫巴浪鱼的咖啡馆，向抵达的陌生人输送咖啡。摩托车频繁往来。皮肤晒得黝黑的本地男人们站在对面冰厂危楼的二层走廊观望——
“巴浪鱼，干！我们那么多巴浪鱼还要巴浪鱼。”
“人家是喝咖灰的啦。”
“那我们喝咖灰有没有打折。”
……

How to understand and enter a coffee shop that appeared on the dock due to the transformation of a small town? It was the consensus that the operators of "Barangyu", Yasan and Ame, and as the designers, we initially needed to reach. After overcoming a competitor who intended to paint them pink for photography, we tried our best to preserve and restore the original appearance of the building - the walls corroded by seawater salt; Exposed steel bars; The ice making, professional crane, crew introduction phone number on the wall, as well as the densely packed names of ship owners and fishing boat numbers, are the information network woven by the fishing port.
一个因为小镇转型而出现在码头的咖啡馆，该如何去理解和进入当地？是“巴浪鱼”的经营者亚三与阿梅和作为设计方的我们最初需要产生的共识。在几经波折战胜了一个意图把它们刷成粉色以供拍照的网红店竞争者之后，我们尽可能地保留和还原了这栋建筑的原貌——被海水盐分腐蚀的墙体；裸露的钢筋；墙上的打冰、专业吊机、船员介绍电话，以及密密麻麻的船主姓名和渔船编号是渔港密织的信息网。

Because it was originally a space for handling ice cubes, the small building has a unique scale and spatial feel. In our design, we imitated this scale - narrow doors and stairs, small passages and turning platforms, but opened large windows to bring the surrounding harbor scenery into the interior. The lifting platform originally used to transport ice cubes, one settled on the first floor and the other was lifted to the second floor as a small exhibition space.
因原先是处理冰块的空间，所以小楼有着独特的尺度和空间感受，我们在设计中仿照了这种尺度——窄的门和楼梯、小小的通道和转折平台，但开放出大的窗口，将四周的港口景色输入室内。原本运送冰块的升降台，则一个沉降在一楼，一个被抬升到二楼，作为一个小的展览空间。

剖面图

We have made some restrained handling in some details, making them not discordant with the rough interface but revealing the texture of the product. The owner's choices in lighting, furniture, and artwork perfectly add the decorative color and owner's interest to this small building.
在一些细节上我们做了比较克制的处理，让它们和粗旷的界面不违和但显露出品质感。业主在灯、家具和艺术品上的选择，也恰到好处增添了这个小楼的装饰主义色彩和主人趣味。

On the edge of two small buildings, the bones of a ship were dismantled and reassembled into the skeleton of a hut. The colorful fishing nets woven by local fishermen were tightly stretched between the skeletons, shining brightly in the sunlight. This is a shaded area shared by people waiting to board, fishing, rescue associations, winter swimmers, and coffee drinkers.
在两栋小楼边上，一艘船的骨骼，被拆散重组成一个棚屋的骨架，当地渔女织的彩色渔网在骨架间绷紧，在阳光下闪闪发光。这里是等候登船的人、钓鱼的人、救援协会的人、冬泳的人和喝咖啡的人共有的阴凉地。