三亚西岛自建房商业改造 / 叠重建筑

Sanya West Island Self built Commercial Renovation/Stacked Buildings
三亚西岛自建房商业改造 / 叠重建筑

海景与设计的深度融合：该项目最引人注目的亮点在于其对海景资源的极致利用和对情绪价值的深刻挖掘。设计师并未止步于简单地利用海景，而是通过立面设计、室内布局以及材料选择，将建筑与大海紧密联系起来。面向大海的立面采用大面积玻璃，最大程度地消除了视觉阻碍，使室内空间与海天一色融为一体。同时，室内座位平行于大海的布局，确保了每一位顾客都能享受到最佳的海景视野。这些设计细节不仅提升了商业价值，更重要的是，增强了人们在海边放松身心的体验，使建筑成为与海洋对话的载体。

创新材料与本土文化的巧妙结合：项目对材料的运用堪称匠心独运。设计师大胆采用了翡翠绿格栅材质，这种材料不仅在视觉上与三亚的自然环境（椰树、天空、海水）完美契合，更因其耐候性和粗犷质感，完美融入了渔村的质朴氛围。这种格栅延伸至挑檐的设计，巧妙地模糊了室内外边界，强化了空间朝向大海的指向性。这种材料选择和应用，不仅解决了遮阳问题，更重要的是，它将现代设计语言与当地文化巧妙融合，赋予了建筑独特的个性和生命力。最终呈现出的效果，既是对现代设计理念的创新，也是对本土文化和自然环境的尊重。

空间流线与建筑气质的和谐统一：该项目在空间流线的设计上展现了高超的技巧。考虑到商业功能的多样性，设计师巧妙地规划了独立的垂直交通，确保了不同店铺的独立运营。同时，外挂钢架楼梯的设计，以半透明U型玻璃包裹，与环境形成独特的视觉效果，为进入酒吧的顾客营造了心理过渡。屋顶露台的设计更是点睛之笔，通过抬高屋顶、设置多层次空间，最大化地利用了海景资源，为顾客提供了绝佳的观景体验。这种对空间流线的精心规划，不仅满足了功能需求，更重要的是，它与项目所要表达的慵懒、放松的建筑气质完美契合，最终呈现出一个既实用又充满诗意的商业空间。

The project is located on a small island called Xidao in Sanya. It is a commercial transformation of a fishing village's self built house, with almost perfect sea view resources close to the coastline. Unlike other coastal areas in Sanya that present a strong commercial atmosphere, Xidao Island has not yet departed from the simplicity of its original fishing village. Here, it seems easier to immerse oneself in the sense of emptiness brought by the sea. The most basic commercial consideration in this project is to make good use of the sea view resources, but simply achieving this is obviously not enough to meet our ambitions. We hope to enhance the emotional value brought by the sea and interact with it.
项目坐落在三亚一个名叫西岛的小海岛上，是一个渔村自建房商业化改造，拥有着紧贴海岸线近乎完美的海景资源。不像三亚其他海滨所呈现出的浓重商业氛围，目前的西岛还未脱离原本渔村的质朴。在这里，好像更容易沉浸在大海所带来的放空感。利用好海景资源在这个项目中最基本的商业化考量要素，但仅仅做到如此显然并不能满足我们的野心，我们希望能强化大海所带来的情绪价值，希望跟海互动起来。

Because this project is a homestead renovation grown in a natural fishing village, it is very close to the sea, only separated by a 4-meter one-way lane. Compared with the regulation that new houses in Sanya must be 300 meters away from the setback, this makes the site of this project particularly precious. Being so close to the sea, we wonder if it's possible to connect our small house with the sea, at least emotionally.
因为本项目是在自然渔村里长出来的宅基改造，所以距海非常近，只有一个4米的单行车道相隔。与三亚新建房子须距海退界300米的规定相比，这让本项目的场地显得尤为珍贵。距海如此之近，我们就设想是否有可能让我们的小房子跟海连起来，至少在情绪上连起来。

So we try to maximize the advantages of the sea view, with only glass on the facade facing the sea, removing all possible decorative factors that may interfere. At the same time, the layout of indoor seats is parallel to the sea, allowing guests present to enjoy the sea view as much as possible; The ceiling system emphasizes the vertical lines of the sea, which facilitates the sorting of ceiling pipelines and enhances the directionality of space towards the sea surface.
所以我们尽量把海景优势放大，面向海的立面尽量只有玻璃，把一切可能干扰的装饰因素统统去掉，同时室内座位的布置都平行于大海，让在座的客人尽可能的享受海景；天花系统强调垂直大海的线条，方便梳理天花管线的同时，也加强空间冲向海面的指向性。

Not only that, in order to further strengthen the relationship with the sea, the lines of the indoor ceiling continue to extend outward, becoming a jadeite green grille material before intersecting with the exterior curtain wall and continuing to extend until it becomes part of the exterior sunshade eaves. This processing technique blurs the perceptual boundaries between indoors and outdoors, while also allowing the structure of the eaves to penetrate deep into the interior, reducing the diagonal components of the facade and making the eaves purer and lighter.
不仅如此，为了进一步加强与海的关系，室内天花的线条向外继续延伸，在与外立面幕墙交界之前变成了翡翠绿格栅材质并继续延伸直至成为外立面遮阳挑檐的一部分。这种处理手法一方面模糊了室内外的感知界限，另一方面也使得挑檐的结构可以深入到室内，从而减少外立面的斜拉构件，使得挑檐更纯粹，更轻盈。

Deep eaved Tianzi grid
At the beginning of the project, a type of Tianzi grid made of jadeite green fiberglass happened to appear in our material library.. At the beginning, I didn't know what to do with it, only that this material had an inexplicable fit with the venue. In retrospect, it should have been too compatible with the unique environment of Sanya. The green coconut trees, the azure sky, and the transparent sea are all very similar to the grid structure we have chosen. Combined with the rough processing texture and strong weather resistance of this material itself, it can blend seamlessly into the mottled natural living conditions of island fishing villages without any enclosure.
深挑檐的田字格
在项目开始初期的时候，一种田字格的翡翠绿玻璃钢格栅刚好出现在我们的材料库中。开始的时候不知道能拿它做什么，只知道这个材料跟场地有种莫名的契合。事后回想应该是它跟三亚独特的环境太搭了。绿油油的椰树，湛蓝的天空，透明的海，这些特质与我们选的这个田字格格栅太像了。加上这种材质本身带一点粗糙的加工肌理和超强耐候性能，能毫无围合的融入海岛渔村斑驳的自然生活状态。

Due to the climate in Sanya, it is necessary to have as many shading areas as possible in any direction. At the same time, large areas of glass can cause a decrease in thermal performance, so we have set up ultra deep eaves structures in areas with large areas of glass, that is, in the direction facing the sea. The overhanging eaves extend from indoors through the glass exterior wall and reach out to the sea. On the one hand, the shading system optimizes the thermal performance to a certain extent, and on the other hand, the overhanging eaves extending towards the sea also enhance the directionality towards the sea. Here we apply the jadeite green field grid to the eaves. This reinforced glass fiber composite material can withstand the erosion of sea winds and refract its brilliance under the brilliant sunshine of Sanya. With the change of weather, it presents different air qualities of warm and humid cloudy days and gorgeous sunny days. Regardless of the weather conditions, the emerald green eaves and the emerald green sea of Sanya blend together to some extent in front of the window, as if one can enter the sea at any time.
因为三亚的气候关系，不论哪个方向都需要尽可能多的遮阳场地，同时因为大面积的玻璃会造成热工性能的下降，所以我们在大面积玻璃的地方，也就是面向大海的方向设置了超深挑檐结构。挑檐从室内开始穿过玻璃外墙一直伸出室外，伸向大海，一方面遮阳体系一定程度上优化了热工性能，另一方面，伸向大海的挑檐也加强了朝向大海的指向性。这里我们把翡翠绿田字格格栅应用在挑檐上，这种强化玻璃纤维合成的材料能抗得住海风的侵蚀，同时在三亚那种绚丽的阳光下折射出光彩，随着天气的变化呈现出阴天温润，晴天绚丽的不同气质。不论是在何种天气情况下，翡翠绿挑檐和三亚碧绿的大海在窗前某种程度上交融在一起，好像随时可以走入大海一样。

The project is a reconstruction of a three storey building, which can accommodate two stores: the first and second floors are Seafood hot-pot stores, and the third floor and roof terrace are used as dining bar space. The two stores operate independently and cannot have any influence on each other. So the first step in the renovation is to consider how to plan the two flow lines so that they are independent and not conflicting with each other. It is necessary to consider adding an additional vertical traffic to bypass the first and second floors and directly lead to the third floor.
本项目是个三层小楼的改造，使用功能上要容纳了两个店铺：一二层为海鲜火锅店，三层和屋顶露台用作餐酒吧空间。两家店铺独立经营，相互不能有影响。所以改造的第一步就是考虑如何规划两条流线，使其各自独立，互不冲突。这就势必要考虑多加一个垂直交通绕过一二层，直接通向第三层。

We have always believed that for the restaurants and bars in this house, the business area needs to be comfortable and calm, so that people can enjoy the sea and relax. And how to enter the traffic space requires attention, so we abandoned the original indoor staircase that runs up and down, and added an external staircase on the other side of the building, connecting the second floor terrace and the third floor bar. At the second floor terrace, we also added a straight staircase that runs towards the sea and connects to the road. In this way, we have two different vertical traffic spaces: one is perpendicular to the sea, not only serving as a traffic artery in front of the bar, but also providing a public three-dimensional check-in area for pedestrians with a clear width of 2 meters and graffiti on the walls; Another external steel frame staircase, wrapped in semi transparent frosted U-shaped glass, creates a blurred separation effect from the environment and provides a psychological preparation process for guests entering the bar.
我们一直认为，对于这个房子内的餐厅和酒吧而言，营业区域需要舒适平静，从而让人可以享受大海而放空。而如何进入的交通空间需要抢戏，为此我们抛弃了原本室内上下贯通的楼梯间，而是在建筑的另一侧增加了一个外挂楼梯，连接二层露台和三层酒吧，并在二层露台处又新增了一段冲向大海的直跑楼梯联通到马路上。这样我们有了两个不同感觉的竖向交通空间：一个垂直于大海，不仅是进入酒吧前的交通要道，2m的净宽和墙上的涂鸦为往来的行人提供了公共的立体打卡区；另一个外挂钢架楼梯，由半透磨砂U型玻璃包裹，与环境形成了模糊的间离效果，也为进入酒吧前的客人提供了一种心理准备的过程。

In addition, the roof of the bar is also the area where we have made the most changes. Due to the low net height of the original three story space, we removed the original roof and raised it up by one meter. At the same time, we realized that if the large business area of the rooftop terrace was only one height, it would be a bit wasteful for sea view applications. Therefore, we set three heights on the roof to provide unobstructed sea view resources in the rear space. The steel frame staircase wrapped in U-glass leads directly to the roof and forms an organic whole with the rooftop bar counter. In the evening, this semi transparent glass organism receives the sunset halo behind it, adding a romantic atmosphere to the entire venue and creating a light and shadow effect for the bar space that is about to open in the evening.
除此之外，酒吧的屋顶也是我们改动最多的地方。由于原本的三层空间净高偏低，所以我们掀掉了原有的屋顶，并往上抬高了一米，同时我们意识到屋顶露台大面积营业区域如果只是一个高度，对于海景的应用显得有点浪费，所以我们在屋顶设置了三个高度，让后排的空间也有无遮挡的海景资源。由U玻包裹的钢架楼梯直通到屋顶与屋顶吧台形成一个有机整体。傍晚时分，这个半透玻璃有机体接收到背后的夕阳晕染，为整个场地增加了浪漫的氛围，也为傍晚即将开门的酒吧空间做好了光影效果的烘托。

Two attributes of the project and the final temperament presented
Xidao Island in Sanya is the largest indigenous tourist island in Hainan. Compared with other places, it is not only a tourist island with high-quality sea view resources, but also a complete island that preserves the living conditions of local fishermen.. This spontaneous blend of refined tourism needs and lazy fisherman lifestyle is precisely the unique temperament we hope to capture and present in this project. So we don't pursue pure cleanliness in design, but allow the sea breeze to leave traces of washing, and also allow fishing village traces such as boat boards, graffiti, and lighthouses to appear on building facades.
项目的两种属性和最后呈现的气质
三亚的西岛是海南最大的原住民旅游海岛，与其他的地方比起来，它不仅是个拥有高质量海景资源的旅游岛屿，又是一个完整的保留着当地渔民生活状态的岛屿。这种自发的夹杂着精致旅游需求和慵懒渔民生活的混合气质正好也是我们希望抓住并在这个项目中呈现出来的一种独特气质。所以我们不追求设计上纯粹的干净，而是允许海风留下洗刷的痕迹，同样也允许船板、涂鸦、以及灯塔等渔村痕迹出现在建筑立面。

In the early stages of construction, as designers, we naturally hoped that the project could be presented in an exquisite manner, as its audience was tourists from big cities. However, during the construction process, we found that precise control of the project is basically impossible, even with the full cycle follow-up of resident designers. Because this project is also a rural self built house renovation, the workers are all local masters. Like other construction projects in other places, requiring masters to lay out lines, make samples, and plan production, which are easy to achieve in the city, encountered great resistance here. In addition, due to the unstable climate along the coast and issues with island transportation, we had to follow up on the construction process and adjust the design accordingly.
在动工的初期，作为设计师的我们想当然的希望项目能以精致的面貌呈现，因为她的受众是大城市来的游客。但是在建筑的过程当中，我们发现对项目的精准控制基本上是不可能的事儿，即便有驻场设计师全周期跟进的情况下，因为这个项目同时也是一个农村自建房改造，工人也都是当地的师傅，跟其他乡建项目一样，要求师傅放线打样和有计划的排产等在城市里很容易做到的事情，在这里碰上了很大的阻力。再加上海边气候的不稳定和海岛运输等问题，使得过程中我们不得不将错就错的跟进施工，随着施工的进行调整设计。

We, who were once on the verge of collapse, suddenly realized one day that the final state of the project, the mottled and uneven alignment after being washed away by the sea, wind, rain, and water, was actually very harmonious with the surrounding environment of the site. And this coincides with our initial pursuit of embodying the lazy lifestyle of the island. I now feel that overly delicate projects may seem a bit abrupt in this place. Perhaps this state of both detachment and acceptance by the environment has created the unique temperament of the current project.
曾经一度要崩溃的我们有一天突然发现，项目最终呈现的状态，那种被海风雨水冲刷后的斑驳和不整齐的对线关系，其实跟场地周边的环境却极为融洽。而这点跟我们最初追求的体现海岛慵懒生活状态的气质反倒不谋而合。我现在觉得过于精致的项目在这个地方反而会有些突兀。或许这种既有脱离感，又被环境接纳的状态，造就了现在这个项目的特殊气质。