Q宅 / 元秀万建筑事务所

Q Mansion/Yuan Xiuwan Architectural Firm
Q宅 / 元秀万建筑事务所

空间秩序的巧妙布局：该项目最引人入胜之处在于其对空间秩序的精妙掌控。设计师巧妙地利用主楼、辅房和入口门厅，将狭长的基地划分为六个虚实相生的空间。这种布局不仅满足了功能需求，更营造出丰富的空间层次。内院的设置，以及双生黄杨与河对岸树木的呼应，体现了对环境的尊重与融入。下沉庭院和临时停车位的设计，则以谦卑的姿态迎接来访者。整体设计在限定的建筑面积内，实现了功能性与美观性的完美结合，创造了一种“一进一院一巷”的空间格局，赋予了项目独特的深度和内涵。

褶皱楼板的创新语言：建筑设计中对于“褶皱楼板”的运用是该项目的点睛之笔。辅房与主楼围合出内庭院，利用下沉庭院利于排水，充分考虑了上海多雨季节的特点。屋面、楼板和墙体的相互作用，产生了微妙的张力，赋予了空间多样的叙事可能性。这种设计语言打破了传统建筑的固有模式，创造了独特的视觉效果和空间体验。通过对材料和形态的创新运用，设计师成功地将建筑与周围环境融为一体，创造出一种既现代又富有诗意的居住体验，体现了对建筑设计语言的深度思考和创新精神。

光影与视线的诗意叙事：项目在光影和视线的设计上展现了非凡的艺术造诣。建筑师通过入口门厅窄长的窗洞引导风的方向，并巧妙地利用台阶和平台引导视线，创造出与轻轨相遇的惊喜。室内空间的设计也充满了诗意，光线透过墙体，沿着楼梯向上延伸，营造出引人入胜的氛围。设计师还充分利用落地窗、转角景观窗和阳台，将周围的田园风光、河道景色和轨交的动态画面融入室内，构建了丰富而富有层次的视觉体验。这些设计细节共同构成了建筑独特的故事性，赋予了项目生命力和感染力。

The project is located in a small village in Pudong, Shanghai. Not far from the southwest, you can see the rail transit running on the elevated road. The east side is adjacent to the neighbors, the west side faces the river, and across the river is dense forest. The peninsula base is its characteristic. The first time I visited the base, I was not shocked by the beautiful countryside scenery, but by how the rail transit switched the city and countryside so dreamily, like time traveling. The original building was an old house built in the 1980s and was in a dangerous stage. The owner applied for a reconstruction, hoping that their parents could live in a more comfortable and comfortable environment.
项目位于上海浦东的一个小村落。西南方向不远处可以看到高架上行驶的轨道交通。东侧紧挨着邻居，西侧临河，河道对面是茂密的树林，半岛基地是其特点。第一次拜访基地时被震惊的并不是田园美景，而是轨交将城市与乡村切换得如此梦幻，如时光穿越。原建筑是上世纪 80 年代建造的老房，处于危房阶段，业主申请了重新建造，望其父母能够居住得更加舒适安逸。

According to the approved documents, the main building area needs to be controlled at 72.9 square meters (8.1X9m), and the auxiliary room area should be controlled at 30 square meters. The main building has a two-story structure, and the auxiliary rooms have one floor. The southern boundary of the main building cannot exceed the neighboring houses on the east side. The owner works in the city and comes back to live with their parents on weekends or holidays. The owner and her parents request a separate bedroom space, with a study and studio as auxiliary rooms.
按照批复的文件，主楼建筑占地面积需控制在 72.9 平米（8.1X9m），辅房控制在 30 平米。主楼为两层结构，辅房为一层，主楼南向边界不能超过东侧邻居的房屋。业主工作在市区，周末或节假日回来跟父母居住，业主和她的父母要求有独立的卧室空间，辅房为书房和工作室。

Space division

The main building, auxiliary rooms, and main entrance hall divide the narrow north-south base into six virtual and real spaces.. The main building and the auxiliary room enclose an inward courtyard, and a twin boxwood tree is planted in the inner courtyard, which naturally echoes the trees on the other side of the river. The entrance hall and auxiliary rooms enclose a sunken courtyard and temporary parking space at the same height as the road. The entrance hall and the main building of the auxiliary room gradually increase in height, welcoming the guests with a humble attitude. The preserved persimmon tree presides over the courtyard facing south, and the open space has a new order. The central axis of the main building defines the public and private areas, with relatively quiet private areas such as bedrooms, bathrooms, and study rooms on the east side. The dining room, stairs, and second floor living room on the west side facing the river are public areas open to the river. The spatial pattern of one courtyard and one alley has the depth of the city.
空间划分

主楼，辅房及主入口门厅将南北狭长的基地划分了六块虚实的空间。主楼与副房围合出一个内向的庭院，内院选种了一棵双生黄杨，与河对岸的树木自然呼应。门厅和辅房围合出与马路等高的下沉庭院兼临时停车空间。门厅、辅房主楼层层递进增高，以谦卑相迎的姿态迎接主客。保留的柿子树主持南向的院落，空旷的场地有了新的秩序。主楼中轴动线界定了公私区域，东侧为卧室、卫生间及书房室等相对安静的私人区域，临河西侧的餐厅、楼梯及二层客厅为向河道开放的公共区域。一进一院一巷的空间格局有了城市的深度。

Folded floor slabs

The auxiliary and main buildings enclose the inner courtyard, and the sunken courtyard planted with trees is conducive to water collection and drainage in Shanghai during the rainy season.. The roof of the second floor of the main building slopes towards the inner courtyard at a light angle, and the end floor slab reverses and rises again to the east, creating a harmonious dialogue with the neighboring eaves. The auxiliary rooms also curve towards the inner courtyard and return to the hall with four waters. The auxiliary room roof is cantilevered in an east-west direction, extending southward to construct a two-story floor slab, and continuing southward to extend a balcony and then turning back towards the roof, connecting with the roof as a whole. The auxiliary roof, which curves upwards towards the north, folds down and continues to construct the first floor slab of the inner courtyard and main building towards the south. The ambiguous relationship between the folds of the roof, floor slabs, and walls creates tension between the main and auxiliary, up and down, and inside and outside spaces, giving the space multiple narrative possibilities.
褶皱楼板

辅房和主楼围合出内庭院，种植树木的下沉院子在多雨季的上海有利汇水和排水。主楼二层屋面以光照角度向内院单坡倾斜，端部楼板反转向东再次翘起与邻居屋檐有了和谐对话，辅房向内院弧线倾斜四水归堂。东西向悬挑的辅房屋面，向南延伸建构二层楼板，并继续南向延伸出一个阳台再反向折向屋面，与屋面连成一体。向北弧线翘起的辅屋面折下向南继续建构内院和主楼的一层楼板。屋面、楼板，墙体褶皱交互的暧昧关系，让主和辅，上下，内外空间之间有了张力，空间具有了多种叙事的可能。

Spatial Narrative

The narrow and long window opening above the north side of the entrance hall guides the direction of the wind.. The low stool hanging from the wall below can be used for a brief sitting. The gradually increasing steps and outdoor platform by the river lead our gaze forward, and through the entrance hall, we unexpectedly meet the passing rail transit. The five doors open to the river seem to welcome the host back home, with twin boxwood trees in the inner courtyard serving as green guides. The left branch points to the studio and study in the auxiliary room, while the right branch points to the living room and dining room in the main building. Looking out of the living room, boxwood blends with sunlight in a different posture, leaving mottled tree shadows on the east wall. The curved roof of the auxiliary room slowly directs the gaze towards the northern sky.
空间叙事

入口门厅北侧上方窄长的窗洞，引导风的去向。下方从墙体悬挑出的矮凳，可以短暂坐下。层层递增的台阶和临河户外平台将目光引向前方，透过门厅框景与刚好驶过的轨道交通不期而遇。向河道敞开的五扇大门似乎在迎接回家的主人，内院的双生黄杨充当绿色向导，左枝指向辅房的工作室和书房，右枝指向主楼客厅和餐厅。客厅向外望去，黄杨以另一种姿态与阳光交汇，在东墙留下斑驳树影，辅房曲线屋面将视线缓缓引向北方的天空。

Light pours into the living room through the wall and follows the direction of the light up the stairs. Looking back at the forest, countryside, and distant light rail station in the direction of the entrance through the corner landscape window, it brings us closer to the city. The french window in the living room on the second floor can take a panoramic view of the river and the natural scenery on the other side. The balcony of the connected south bedroom not only provides shade, but the enlarged balcony frame hole constantly captures images of the countryside and rail transit movement. The restaurant opens up to the river landscape and extends towards the fields, making it more wild and natural.
光线顺着墙体洒进客厅，随着光的方向走上楼梯。透过转角景观窗回望入口方向的树林、田园和远处的轻轨站，与城市拉近了距离。二层客厅的落地窗将河道和对岸自然风光尽收眼底。联通南卧室的阳台不仅可遮阳，放大的阳台框洞时刻捕捉着田园和轨交移动的画面。餐厅向河道景观打开向田野延伸，餐厅变得更加野趣自然。

Schema

Cities have too many residential and living patterns, while rural areas are singular.. The rural schema always conforms and assimilates within its inherent schema. The light rail that rumbles past seems to be passing through layers of patterns, and this wrinkled box is constructing a different residential pattern from rural and urban areas.
图式

城市有太多居住和生活图式，而乡村却是单一的。乡村图式始终在固有的图式中顺应、同化着。眼前轰隆驶过的轻轨似乎在穿越一层层图式，而这个褶皱的盒子正在建构着与乡村和城市不同的居住图式。