非乡村住宅/AACM-Chinello Morandi建筑工作室

非乡村住宅/AACM-Chinello Morandi建筑工作室
Not a Rural House / AACM - Atelier Architettura Chinello Morandi

项目理念的独特性：这座“非乡村住宅”项目最引人入胜之处在于其对意大利建筑法规的深刻反思与回应。设计师没有简单地复制传统乡村建筑的外观，而是深入探讨了“外观”与“真实”之间的矛盾。通过保留旧谷仓的轮廓，并在此框架内构建当代住宅，项目巧妙地揭示了建筑立面的“伪装”。这种设计手法不仅是对法规的挑战，更是一种对历史和记忆的重新解读，它促使我们思考在现代社会中，建筑如何既尊重历史文脉，又能展现时代的精神和技术进步。

空间布局与材料运用的巧妙之处：项目的精髓在于内部空间的塑造。设计师没有拘泥于外观的模仿，而是通过钢筋混凝土、木结构和威尼斯别墅的帕拉迪奥比例，展现了建筑的当代性。模块化的房间和2+3=5的比例，使得室内空间富有韵律感。同时，项目强调了体积与空隙、视觉对角线和空间序列之间的互动，营造出动态而引人入胜的居住体验。材料的选择也颇具匠心，粗糙的结构与经典的人字形拼花地板形成对比，展现了“已完成”与“未完成”之间的张力，赋予了建筑独特的质感和深度。

对景观的重新定义与融入：“非乡村住宅”不仅仅是一座建筑，更是一次对景观的重新定义。设计师通过精心选择的轴线，将乡村景观引入室内，使其成为住宅的重要组成部分。无论是坐在客厅、登上楼梯还是俯瞰双倍高度，都能欣赏到迷人的田园风光。此外，项目巧妙地利用放牧灯光，营造出温暖的氛围，与不断变化的自然景观相呼应。这种设计手法体现了建筑师对“慢活”理念的追求，同时也挑战了景观立法的界限，将矛盾转化为设计的机遇，使得建筑与环境融为一体，富有诗意。

建筑师提供的文字描述《Not a Rural House》凸显了意大利监管的悖论。一座即将拆除的破旧谷仓限制了新房子的形状和高度，被迫融入旧废墟的轮廓中。结果是一个“假的”，一个看起来像历史建筑的当代住宅。因此，记忆和历史被简化为对传统立面饰面或比例的盲目重复，这是过去时代的典型特征，也是废弃建筑技术的产物。如果法规强加了一个假冒的农村房屋，一个穿着传统服装的非农村房屋，建筑的任务就是宣布其真实性质，揭开伪造的“伪装”。
Text description provided by the architects. Not a Rural House highlights an Italian regulatory paradox. An old, crumbling barn to be demolished constrains the shape and height of the new house, forced into the outline of the old ruin. The result is a "fake," a contemporary home with the appearance of a historic one. Memory and history are thus reduced to a blind reiteration of traditional façade finishes or ratios, typical of a time gone by and offspring of abandoned building techniques. If regulations impose a fake rural house, a non-rural house indeed, dressed up in the costume of tradition, architecture has the task of declaring its true nature, unmasking the " make-up " of forgery.

在内部，悖论被揭示出来，展示了钢筋混凝土和木结构，体现了干预的当代性。历史不是通过外观，而是通过恢复威尼斯别墅典型的帕拉弟奥比例和空间性来反映的。模块化的房间和2+3=5的比例与房子的内部节奏相协调，决定了构图。
Inside, the paradox is revealed, exhibiting the reinforced concrete and timber frame, manifesting the contemporary nature of the intervention. History is then echoed, not through appearance, but rather in recovering the typical Palladian ratios and spatiality of Venetian Villas. The modular rooms and 2+3=5 proportions pace the house's interiors, ruling the composition.

Ground Floor Plan

因此，家庭环境由结构的连续性以及体积和空隙、视觉对角线和空间序列之间的动态相互作用来调节。坐在客厅里，登上楼梯，或者俯瞰双倍的高度，乡村景观被重新发现，被框在选定的轴线上，以描绘乡村。
The domestic environment is thus rhythmed by the structure's seriality and the dynamic interaction between volumes and voids, visual diagonals, and spatial sequences. Sitting in the living room, ascending the stairs, or overlooking the double height, the rural landscape is rediscovered, framed on selected axes to picture the countryside.

Section A

与此同时，一盏放牧灯冲刷着墙壁，点燃了木材的鲜艳色调，温暖了气氛，欢迎不断变化的自然景观。模仿传统与当代、外观与真实之间的对比，物质存在于“已完成”和“未完成”之间的对立中，将粗糙的结构与永恒的人字形拼花地板相匹配。《不是乡村之家》没有放弃与季节同步的慢活乡村理念，但它代表了对景观立法的挑衅性声明，将其边界和矛盾转化为设计和关键机会。
In the meantime, a grazing light washes the walls and ignites the vibrant tones of the wood, warming the atmosphere and welcoming the ever-changing natural landscape. Mimicking the contrast between tradition and contemporary, between appearance and truth, matter exists in the antithesis between the "finished" and the "unfinished," matching the rough structure with timeless herringbone parquet flooring. Not a Rural House does not give up on the rural idea of slow living, timed with the seasons, yet it represents a provocative statement toward landscaping legislation, transforming its boundaries and contradictions into a design and critical opportunity.