塔斯马尼亚Vipp隧道宾馆/11号房间建筑师

塔斯马尼亚Vipp隧道宾馆/11号房间建筑师
Vipp Tunnel Tasmania Guesthouse / Room 11 Architects

项目亮点：这个项目最引人注目的地方在于其与环境的深度融合，以及对可持续性的极致追求。建筑师巧妙地将建筑置于塔斯马尼亚布鲁尼岛的独特地貌之中，利用混凝土结构在崎岖地貌上形成悬挑，创造出一种与自然对话的姿态。建筑的西立面完全由太阳能电池板覆盖，体现了对绿色能源的积极响应，这不仅在视觉上形成了强烈的现代感，也代表着对可持续建筑的探索与实践。此外，项目在设计过程中对现场植被的保护也值得称道，体现了对环境负责的态度。

设计精髓：项目的核心设计理念在于“平衡”。它平衡了建筑与自然、现代主义与野性、奢华与朴素。在建筑形式上，Vipp隧道以简洁的几何形态回应了塔斯马尼亚的原始风貌，并以大面积的落地窗和开放空间，将室内与室外景观无缝连接。室内设计则延续了Vipp品牌的设计理念，以极简的丹麦风格与当地粗犷的自然环境形成对比，突出了材料的质感和光线的运用。此外，项目还融入了艺术元素，丹麦艺术家林乌松的雕塑作品与建筑相得益彰，进一步提升了项目的文化内涵。

空间体验：从空间体验的角度来看，这个项目提供了一种沉浸式的、与世隔绝的感受。建筑内部的采光井设计、彩色玻璃的使用，以及光线在混凝土墙面上的反射，营造出独特的视觉效果，增强了空间的氛围。此外，建筑师通过悬挑的露台设计，让游客可以感受到身处世界边缘的独特体验。整体而言，项目旨在为居住者提供一个反思、放松和逃离喧嚣的场所。它将建筑设计、自然景观和艺术品相结合，创造了一个融合了感官体验和精神追求的理想空间。

建筑师提供的文字描述丹麦设计品牌Vipp前往南半球，参观该品牌最新的宾馆。由霍巴特工作室Room11设计的Vipp隧道悬挑在塔斯马尼亚州布鲁尼岛的一座斜坡上，在建筑上大胆而可持续地设计，平衡了美丽和野性。这座全新的建筑以丹麦著名艺术家林乌松的一系列户外雕塑为特色，成为将艺术、设计和自然融为一体的独特避难所。
Text description provided by the architects. Danish design brand Vipp travels to the Southern Hemisphere for the brand's newest guesthouse. Cantilevered over a sloping hill on Tasmania's Bruny Island, the architecturally daring and sustainably designed Vipp Tunnel by Hobart-based studio, Room11, balances beauty and brutalism. Featuring a series of outdoor sculptures by renowned Danish artist Lin Utzon, this ground-up property becomes a unique refuge that marries art, design, and nature.

East and West Elevation

塔斯马尼亚州常被称为“世界的边缘”，以其超凡脱俗的感觉而闻名。在世界的这个角落，沉浸式的环境具有接地效果，提醒我们与自然的联系。从霍巴特出发，乘坐20分钟的小型渡轮前往布鲁尼岛，这是一次回归自然世界频率和节奏的交通之旅。将指南针设置在赤道以南42°，客人会看到几只罕见的白色小袋鼠在布鲁尼岛西北角的大片土地上漫步。在崎岖的灌木丛与海洋相接的地方，混凝土结构在300米长的海域之上克服了重力，从280°的角度可以看到连接布鲁尼岛和塔斯马尼亚主岛的D'Entrecasteau海峡。
Often referred to as 'the edge of the world', Tasmania is distinguished by its sense of otherworldliness. In this corner of the world, immersive surroundings have a grounding effect, reminding us of our connection to nature. Disembarking the small 20-minute ferry from Hobart to Bruny Island is a transportive retuning to the frequency and rhythm of the natural world. Setting the compass to 42° south of the equator, guests are greeted by a couple of rare, white wallabies roaming the vast plot of land on the north-western point of Bruny Island. Where rugged bushlands meet the ocean, the concrete structure defies gravity above a terrain punctuated by a 300-meter sea stretch with a 280° view of the D'Entrecasteaux Channel connecting Bruny Island to Tasmania's main island.

建筑-Room11因其在澳大利亚的住宅、商业和酒店业工作而广受认可，它创造了一个雕塑般的野兽派建筑，坐落在灌木丛中。Vipp隧道平衡于坚实的地面和开阔的空气之间，表达了混凝土立体主义与其有机环境之间的俏皮对话。“在布鲁尼岛，我们创造了不模仿背景的可理解形式，而是创造了一种可理解的形式，从中我们可以理解地方的本质”，建筑师AIA，11号房间主任Thomas Bailey解释道，并继续说道；“这是一个在原始自然环境中鲜明呈现当代建筑思维的地方。”经过三年的精心打造，完工的宾馆体现了Room11对工艺的兴趣和对景观、细节和物质性敏感的独特建筑方法。
Architecture – Widely recognised for their residential, commercial, and hospitality work throughout Australia, Room11 has created a sculptural, brutalist structure dropped into the bushlands. Balancing on the edge between solid ground and open air, the Vipp Tunnel expresses a playful dialogue between concrete cubism and its organic surroundings. "On Bruny Island we have created understandable forms that do not mimic context, rather they create an intelligible form from which we can comprehend the nature of place", explains Thomas Bailey, Architect AIA, Director Room11 and continues; "It is a place where the cut of contemporary architectural thinking is starkly rendered against a raw natural context." A project three years in the making, the finished guesthouse embodies Room11's interest in craftsmanship and distinctive approach to architecture that is sensitive to landscape, detail, and materiality.

在这座1700平方英尺/160平方米、长30米的建筑中，全墙玻璃和嵌入式钢门为塔斯马尼亚海洋和山脉的深情景观提供了畅通无阻的视野。落地窗和采光井为空间注入了一种明亮的感觉。中庭庭院将主生活空间与主床和浴室隔开，而在隧道的尽头，一扇玻璃门通向一个漂浮在地面上的框架露台，展示了一种建筑技巧，突显了身处世界边缘的感觉。Bailey补充道：“该结构的显著拉长比例通过用宽阔的无框玻璃有意地将D'Entrecasteau海峡框起来，与景观相呼应。通过这种方法，用户可以置身于塔斯马尼亚布鲁尼岛非凡的自然景观中。”。
In the 1,700 sq ft / 160 m2 building stretching 30 meters, wall-to-wall glass and recessed steel doors provide unobstructed views to the soulful landscape of the Tasmanian sea and mountains. Floor-to-ceiling windows and light wells imbue the space with a sense of luminosity. An atrium yard separates the main living space from the primary bed and bathroom, while at the end of the tunnel, a glass door leads to a framed terrace floating above the land – showcasing an architectural finesse that underscores the sensation of being at the edge of the world. "The dramatically elongated proportions of the structure respond to the landscape by purposely framing the D'Entrecasteaux Channel with a broad expanse of frameless glass. By this methodology, the user is located in the extraordinary, natural landscape of Tasmania's Bruny Island," adds Bailey.

一个单独的375平方英尺/35平方米的混凝土立方体，有4米高的天花板，被称为“工作室”，为视觉和感官平静的空间提供了一个避难所。作为办公室或冥想室的理想选择，其简洁的设计突出了建筑风格，只包括一把Vipp旋转椅和一张隐藏的夹层双人床。
A separate, 375 sq ft / 35 m2 concrete cube with 4-metre-high ceilings, referred to as 'the studio,' offers an escape to a space of visual and sensory calm. Ideal as an office or meditation room, its spare design highlights the architecture and comprises only a Vipp Swivel chair against an integrated desk and a hidden mezzanine double bed.

隧道尽头的光线-受该地区被称为极光南极光（Aurora Australis）的自然现象的启发，当夜空变成彩色的梦幻景观时，Room11为建筑的中央天窗添加了彩色玻璃。抛光的混凝土地板和墙壁进一步增强了这种效果，反映了光线在整个低调的室内不断变化的相互作用，就像不断变化的艺术品一样。“万花筒式的采光井装置提供了色彩和时间的动态相互作用。随着太阳的移动和季节的转变，黄色、粉色和橙色的鲜艳色调投射在混凝土室内，标志着南纬42°的光线变化。该装置旨在应对季节性转变，确保没有两次参观是相同的”，该项目的企业家Dane Taylor解释道。“参观Vipp隧道是对原始自然和原始建筑的沉浸。这是世界边缘的一个孤独之站。”
Light at the end of the tunnel – Inspired by the area's natural phenomenon known as Aurora Australis, or Southern Lights, when the night sky is transformed into a dreamscape of colour, Room11 has added chromatic glazing to the building's central skylights. Polished concrete floors and walls further enhance the effect, reflecting the ever-changing interplay of light that dances throughout the otherwise understated interior like ever-changing artwork."The kaleidoscopic lightwell installation offers a dynamic interplay of colour and time. As the sun moves and seasons shift, vivid hues of yellow, pink, and orange are cast across the concrete interior, marking the changing light at 42° south. Designed to respond to seasonal transitions, the installation ensures that no two visits are ever the same", explains the entrepreneur of the project, Dane Taylor. "A visit to Vipp Tunnel is an immersion into raw nature and raw architecture. It's a station of solitude at the edge of the world."

丹麦联系-同行之间的折衷会议在Vipp的丹麦室内极简主义和澳大利亚大自然的壮丽之间继续进行。Vipp首席执行官兼第三代Vipp所有者Kasper Egelund表示：“Vipp前往赤道以南，开设了我们在澳大利亚的第一家宾馆，为我们在世界各地稳步增长的Vipp宾馆组合增添了亮点。”。“Room11以其卓越的设计和卓越的自然环境而闻名，是一个与我们的丹麦根源有着如此多联系的理想目的地。Room11创造了一个真正令人惊叹的建筑，一个反思和逃避的空间，完美地补充了Vipp的设计精神。”
The Danish link – The eclectic meeting between counterparts continues in the rendez-vous between Vipp's Danish interior minimalism and the grandeur of Australia's nature. "Vipp travels south of the equator for the opening of our first guesthouse in Australia, adding to our steadily growing portfolio of Vipp guesthouses around the world",says Kasper Egelund, CEO and 3rd generation Vipp owner. "Known for its design excellence and remarkable natural surroundings, it makes for the ideal destination that has so many affinities with our Danish roots. Room11 has created a truly breathtaking piece of architecture, a space for reflection and escape that perfectly complements Vipp's design ethos."

Ground Floor Plan

塔斯马尼亚提供了令人惊叹的外观，而丹麦设计品牌Vipp提供了内饰。仿佛是为这个项目而设计的，Vipp的新全铝V3厨房是主空间的核心。厨房岛上有一个巨大的不锈钢柜台和带凹槽的铝门，反映了建筑的物质性。精心挑选的Vipp家具，包括用澳大利亚羊皮装饰的Vipp旋转椅，在隧道的原始外壳上提供了一种精致的优雅感，而定制的下沉式休息室则融入了柔软的角落。Egelund补充道：“我们的宾馆产品组合旨在提升产品体验，并为我们的设计世界创造一个入口。通过使用不同的建筑类型和方言，我们可以打造出独特的设计体验。”。
Whereas Tasmania provides the breathtaking exterior, Danish design brand Vipp supplies the interior. As if made for this project, Vipp's new all-aluminium V3 kitchen is the centrepiece of the main space. With a monumental stainless steel counter and fluted aluminium doors, the kitchen island mirrors the materiality of the building's architecture. A careful selection of Vipp furniture, including Vipp Swivel chairs upholstered in Australian sheepskin, provides a sense of sophisticated elegance against the raw shell of the tunnel while a bespoke sunken lounge integrates a corner of softness. "Our portfolio of guesthouses is about elevating the product experience and creating a doorway into our design universe. By working with different architectural typologies and vernacular, we can craft distinct design experiences", adds Egelund.

为了进一步加强丹麦设计和澳大利亚建筑的独特结合，丹麦艺术家林乌松将她标志性的“宇宙舞者”系列带到了布鲁尼岛海岸。大型黑白陶瓷雕塑放置在酒店的红桉树之间，与特色树木上细长的笔触相呼应。作为设计悉尼歌剧院的世界著名建筑师约恩·乌松的女儿，林与澳大利亚的关系根深蒂固。如今，林凭借自身实力成为一名成功的艺术家，她的作品经常反映出她父亲协调艺术与建筑的哲学。她在澳大利亚丛林中展示的“宇宙舞者”与Vipp隧道的建筑设计一起，与她生活和工作的这些方面建立了牢固的联系。
To further strengthen the unique marriage of Danish design and Australian architecture, Danish artist Lin Utzon has brought an edition of her iconic 'Cosmic Dancers' series to the shores of Bruny Island. Placed among the property's red gum trees, the large-scale black and white ceramic sculptures echo the elongated strokes on the characteristic trees. As the daughter of Jørn Utzon, the world-renowned architect who designed the Sydney Opera House, Lin's ties to Australia run deep. Now a successful artist in her own right, Lin's work often mirrors her father's philosophy of harmonising art and architecture. The display of her 'Cosmic Dancers' in the Australian bushland alongside the architectural design of the Vipp Tunnel creates a strong connection to these aspects of her life and work.

离网隐居处-该建筑的整个立面都是面向西方的太阳能电池板，能量充足，并且离网运行。Bailey说：“整个西立面都源于太阳能电池阵列的几何形状。这是当代建筑中优先考虑绿色能源生产的明确声明。这是对可持续建筑新前沿的庆祝。据我们所知，这是第一座采用太阳能技术创造的整个立面的建筑，充分利用了该地区的纬度”。凭借工程上的巧妙设计，该建筑离地面的高度最大限度地减少了建筑的直接占地面积。在设计过程中，Room11对现场的每棵树和重要树木周围的铰接道路工程进行了调查。建立了一条狭窄的施工走廊，将对当地植被的影响降至最低。
Off-grid hideaway – Clad with an entire façade of solar panels facing west, the structure is energy-sufficient and runs off-grid. "The entire western façade is derived from the geometry of the solar array. An unequivocal statement of prioritising green energy production in contemporary construction. It's a celebration of a new frontier in sustainable construction. As far as we are aware, this is the first building to feature an entire façade created by solar technology, making the most of the location's latitude", says Bailey. With engineering ingenuity, the building's elevation from the ground minimizes the construction's direct footprint. During the design process, Room11 conducted surveys of every tree onsite and articulated roadworks around significant trees. A narrow construction corridor was established so that the impact on endemic vegetation was kept to an absolute minimum.

South and North Elevation

混凝土面板设计提供隔热，全年保持恒温，最大限度地减少了加热和冷却源的使用。为了获得最佳的舒适度，该建筑各处都铺有加热地板和空调。Thomas Bailey补充道：“所使用的材料选择和施工方法应确保以最少的手段建造长寿命的建筑。该项目是质量重于数量的声明”。这个度假胜地完全依靠雨水和自给自足的能源。再加上岛上可以购买到大量的当地农产品，客人可以真正靠土地生活。放慢脚步——岛上郁郁葱葱的动植物群一览无余，邀请客人与大自然联系，将参观变成放慢脚步的艺术研究。在布鲁尼岛逗留是一种邀请，可以呼吸到世界上最干净的空气。这座岛屿的魅力在于其独特的野生动物和丰富的自然景观。在这里，鸟儿在“颈部”上空巡逻，这是一个连接北布鲁尼和南布鲁尼的风景如画的海峡。企鹅在冒险湾冲浪。罕见的白色小袋鼠会提醒你，你确实离家很远。
The concrete panel design provides thermal insulation to keep a regular temperature throughout the year, minimising the use of heating and cooling sources. For optimal comfort, the building has heated flooring throughout and air conditioning. "Material choices and construction methodologies utilised shall ensure a building of great longevity with the minimum of means. The project is a statement of quality over quantity", adds Thomas Bailey. This getaway is purely run on rainwater and self-sufficient energy. Add to that plenty of local produce to be bought on the island, and guests can truly be living off the land. Slowing Down – Sweeping views of the island's lush flora and fauna invite guests to connect with nature and turn a visit into a study in the art of slowing down. A stay on Bruny Island is an invitation to breathe in some of the cleanest air in the world. Key to the charm of the island is the singular wildlife and abundance of natural sights. Here, birds patrol the skies over 'The Neck', a picturesque strait connecting North and South Bruny. Penguins surf the waves in Adventure Bay. And rare white wallabies remind you that you are indeed far away from home.