迪里亚双年展基金会/BRICKLAB

建筑设计 / 文化建筑 2025-3-4 20:05

迪里亚双年展基金会/BRICKLAB
Diriyah Biennale Foundation / BRICKLAB

工业遗产的对话与延续:迪里亚双年展基金会的设计巧妙地融合了对场地工业历史的尊重与当代艺术的需求。保留原有仓库立面的做法,是对场地过去的一种致敬,这种策略在适应性再利用项目中尤为难得。同时,通过贯穿建筑的半透明聚碳酸酯带,巧妙地过滤了视觉上的不协调,并在城市环境中建立了基金会的独特存在感。这种手法不仅保留了建筑的原始风貌,也赋予了其新的生命力,使其在城市肌理中焕发出新的光彩,形成了一种新旧对话的和谐氛围。

内外空间的互动与连接:项目的亮点在于其对内外空间的巧妙组织。通过一系列开口,打破了原有仓库的封闭性,将山谷景观引入室内,实现了室内外视觉的互动。围绕中央露天广场,不同的展览空间通过坡道和外部走道连接起来,形成了富有层次感的空间体验。这种设计打破了传统展览空间的单调性,为公众提供了更丰富的活动场所,也为艺术装置提供了绝佳的展示平台。这种设计不仅提升了展览的品质,也促进了公众与艺术的互动,体现了以人为本的设计理念。

对传统建筑的颠覆与创新:该项目在沙特阿拉伯的建筑环境中具有特殊的意义,它宣告了对过去十年该国“新建筑”趋势的背离。通过对历史建筑的修复和再利用,项目展现了一种更可持续和具有文化敏感性的设计理念。建筑师通过对建筑语言的重新诠释,赋予了旧建筑新的生命,这种做法是对传统建筑的尊重,也是对创新精神的体现。项目所呈现的不仅仅是建筑本身,更是对城市发展和文化传承的一种思考,它预示着一种更具人文关怀的未来建筑发展方向。

© Laurian Ghinitoiu

© Laurian Ghinitoiu

建筑师提供的文字描述迪里亚双年展基金会是沙特阿拉伯致力于推广该地区及其他地区的当代和伊斯兰艺术的主要机构。Bricklab成立于2021年,在利雅得JAX创意区总部的设计和建设方面赢得了国际比赛。作为该地区首批主要租户之一,该基金会呼吁修复8个退役仓库,总面积16000平方米,以容纳世界级的画廊、艺术处理设施、公共工作室、办公室、礼堂和多功能广场。
Text description provided by the architects. The Diriyah Biennale Foundation is Saudi Arabia's primary institution dedicated to promoting contemporary and Islamic arts from the region and beyond. Upon its establishment in 2021, Bricklab won an international competition for the design and construction of its headquarters in Riyadh's JAX creative district. One of the first anchor tenants in the district, the foundation called for the rehabilitation of 8 decommissioned warehouses spanning a total area of 16,000 m2 to host world-class galleries, art handling facilities, public workshop areas, offices, an auditorium, and a multipurpose plaza.

© Turki Gazzaz

Plan - Ground Floor

© Turki Gazzaz

整个场地采用的建筑语言向该场地的工业历史致敬。仓库的大部分立面都保持在原来的状态,而一条连续的半透明聚碳酸酯带贯穿整个建筑,以过滤不协调之处,并在城市结构内和山谷沿线为基础建立强大的存在感。
The architectural language implemented across the site pays homage to the site's industrial past. Most of the warehouse facades were maintained in their original condition, while a continuous band of translucent polycarbonate runs throughout the property to filter out incongruities and establish a strong presence for the foundation within the urban fabric and simultaneously along the valley.

© Laurian Ghinitoiu

Section AA

© Laurian Ghinitoiu

一系列的开口打断了曾经孤立的内部,将山谷对面的景色投射到更广阔的JAX区。围绕一个中央露天广场组织,不同的展览空间通过一组坡道和外部走道交织在一起,这些坡道和外部人行道穿过构成双年展综合体的不同仓库。自那以后,这个户外区域成为了公共活动的场所和一系列引人注目的特定地点艺术装置。
A series of openings interrupt the once-isolated interiors to frame views across the valley onto the wider JAX district. Organized around a central open-air plaza, the different exhibition spaces are weaved together through a set of ramps and exterior walkways that traverse the disparate warehouses comprising the Biennale complex. This outdoor area has since become the locus of public activities and a compelling series of site-specific art installations.

© Laurian Ghinitoiu

Diriyah双年展总部的建筑突出了城市的连续性,并微妙地提到了石油繁荣后期对历史城镇Ad Diriyah的影响。因此,在修复和适应性再利用方面,这是一种相对罕见的做法,特别是在涉及前工业区时。总的来说,这表明了一种共同的有远见的方法,这种方法宣布了与沙特阿拉伯在过去十年中臭名昭著的当代新建筑趋势的明显背离。
The architecture of the Diriyah Biennale headquarters highlights a sense of urban continuity and a subtle reference to the repercussions of the later stages of the oil boom on the historic town of Ad Diriyah. As such, it is a relatively rare exercise in rehabilitation and adaptive reuse, especially when concerned with a former industrial district. Generally, this demonstrates a shared visionary approach that has proclaimed a marked departure from the contemporary trends towards new construction that Saudi Arabia has become infamous for in the past decade.

Courtesy of BRICKLAB

迪里亚双年展基金会/BRICKLAB