苔藓柱/李永柱建筑

苔藓柱/李永柱建筑
Moss Columns / Yong Ju Lee Architecture

项目创新与突破：“苔藓柱”项目展现了极具前瞻性的设计理念。将苔藓这种非维管植物与先进的建筑技术相结合，通过计算设计工具和大型 3D 打印机实现复杂的形式，为建筑设计带来了全新的思路。这种将自然生命与人造结构无缝融合的方法，不仅在视觉上呈现出独特的美感，更模仿了有机溶解过程，为未来建筑与自然的融合提供了新的方向。
技术应用与影响：该项目采用熔融颗粒制造技术和工业机器人手臂进行大规模 3D 打印，将苔藓与 3D 打印结构在 3000 毫米的高度上融为一体。这种垂直堆叠的制造过程成为设计约束，也促使建立了定制工作流程。环保建筑技术与苔藓的结合，为未来建筑业带来重大变革的同时，也为数字时代的可持续实施提供了潜力，有望重塑城市环境与自然世界的关系。
未来发展与启示：“苔藓柱”代表了一种积极而激进的解决方案，强调了人与自然之间的相互作用和交换。它为建筑设计开辟了新的领域，让我们看到了有机与无机物质在单体几何系统中的整合可能性。这个项目为未来的建筑设计提供了重要的启示，促使我们思考如何更好地利用自然元素与先进技术，实现城市环境与自然世界的和谐共存。

建筑师提供的文字描述Text description provided by the architects. Moss Column is a prototype to examine how to combine living organisms with architecture. A renewed perspective on the built environment has increased in the period following COVID-19. Even though various methods have been employed for sustainable design, the construction material itself in contemporary architecture has remained largely unchanged for some time. In this experiment, I am now presenting a direct embedding approach of plants into artificial materials.

© Yong Ju Lee Architecture

Diagram

© Yong Ju Lee Architecture

苔藓被选为这些实验的主要植物，由于其非维管性，它们是合适的，这意味着它们不会像其他植物一样长得很高，它们的根只用于锚定而不是营养。为了研究高分辨率和复杂的嵌入模式，通过计算设计工具操纵和生成几何图形。采用先进的建筑技术来实现复杂的形式：例如带有工业机器人手臂的大型3D打印机。
Mosses, chosen as the primary plant for these experiments, are suitable due to their non-vascular nature, which means they do not grow tall like other plants and use roots solely for anchoring rather than nourishment. To investigate high-res and complicated patterns for embedding, geometry is manipulated and generated through computational design tools. Advanced construction technologies are employed to realize the complex forms: such as a large-scale 3D printer with an industrial robotic arm.

© Yong Ju Lee Architecture

该实验代表了一种将自然生命与人造结构无缝融合的更新方法，捕捉了人工结构与自然元素和谐融合的视觉表现，模仿了有机溶解过程。被称为反应扩散系统的数学模型用于描述一种或多种化学物质浓度的空间和时间变化。
The experiment represents an updated approach to seamlessly merge natural life with manmade structures, capturing the visual representation of artificial structures blending harmoniously with natural elements, mimicking the organic dissolution process. The mathematical model known as a reaction-diffusion system is used to describe the spatial and temporal changes in the concentration of one or more chemical substances.

通过该模型得出的设计算法，生成了一个整体的垂直形状，前景（苔藓）在3000毫米的高度上与背景（3D打印结构）融为一体。为了实现有效的大规模3D打印，使用了熔融颗粒制造（FGF），挤出机在6轴机械臂（ABB IRB-4600）的末端运行，PLA颗粒的喷嘴尺寸为2毫米。这种垂直堆叠的制造过程成为一种设计约束，影响了定制工作流程的建立。
Through the design algorithm derived from this model, an overall vertical form is generated, with the foreground (moss) merging into its background (3D printed structure) over a height of 3,000 mm. To achieve effective large-scale 3D printing, Fused Granulate Fabrication (FGF) is utilized, with an extruder operated at the end of a 6-axis robotic arm (ABB IRB-4600) and a nozzle size of 2mm for PLA pellets. This vertically stacking fabrication process becomes a design constraint, influencing the establishment of a custom workflow.

Drawings

这一尝试为通过单体几何系统整合有机和无机物质提供了一种积极而激进的解决方案。它强调了人与自然之间呼吸和光合副产物的相互作用和交换。环保建筑技术与苔藓的结合使用预计将给未来的建筑业带来重大变革。这通过在数字、物理以及自然元素之间建立新的关系，为数字时代的可持续实施提供了潜力。这为城市环境和自然世界之间的和谐共存铺平了道路。
This attempt provides an active and radical solution for integrating organic and inorganic matter through a single-body geometric system. It highlights the interaction and exchange of respiratory and photosynthetic byproducts between people and nature. The utilization of eco-friendly architectural techniques in conjunction with moss is anticipated to bring significant transformations to the future construction industry. This presents the potential for sustainable implementation in the digital era by establishing new relationships among digital, physical, and, furthermore, natural elements. This paves the way for a harmonious coexistence between urban environments and the natural world.